Wood Panel More Art

"Time. Pregnancy for eternity" , 50x40cm, wood\oil

"2021.4" , 70x60cm, wood\oil

medium: paint chip sample mosaic on panel Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in De...

medium: paint chip sample mosaic on panel Born in 1971 in Cincinnati, Ohio, CARLTON SCOTT STURGILL received his Masters of Arts (Fine Art) from London’s Chelsea College of Art in De...

"Lamb" , 50x40cm, wood\oil

"Graduate" , 50x40cm, wood\oil

"2021.4" , 72x72cm, wood\oil

"Hair" , 50x40cm, wood\oil

"Screen" , 40x50cm, wood\oil

The artist still innovating in the art world: drips of colors on black and white photograph is the artist own creation and you won't find anywhere else. The design can be hung both ...

Born in 1985 in Chorzow, Poland, Mateusz embarked on a creative journey that has led him to become a prominent figure in the art world. With a passion for photography ignited during ...

MURDER HAS IT'S SEXUAL SIDE (TRUISM SERIES), 2000 Screenprint on cherrywood 3 1/2 x 5 1/2 in 9 x 14 cm

Abstract, acrylic and enamel on Wood, created in 2022. Completed at the artist's studio in Soho, the collection entitled "Knock, Knock, Knocking on Wood,” comprised of 11 panels. The...

acrylic on canvas, over circular wood panel Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity dispersion, Moses creates elaborate compositions that mimic nature and its forces. DESERT LIGHT is a body of work that responds to the sense of infinite space that drifts in on California's ocean breezes and across the Southwest's vast, desert expanses. Light and space naturally elongate in these geographies and Moses channels this time warp through both material and process. Born in Los Angeles in 1962, Moses attended California Institute of the Arts...

Inspired by the water ripples from a trip to St Tropez this blue and white piece depicts and abstract representation of my experience. St. Tropez - 2 piece / diptych blue and white abstract plaster and acrylic painting Venetian plaster and acrylic on board Frameless / Gallery wrapped - painted sides and face Set of 2 - 47” x 42” x 2.75” each Includes certificate of authenticity and hanging hardware 2016 Original Work All frames/ panels are made from top quality solid lumber hand selected by the artist at a local lumber yard and hand made by the artist in his Miami studio. Custom commissions are available to suit your needs with size and color options. A free service the artist offers is to photoshop the art into an image of your space for client presentations, for more info on this or commissions reach out through the contact number...

Gentleness - framed 6 piece blue abstract plaster and acrylic painting Venetian plaster and acrylic on board Set of 6 paintings with floating white...

Bless - framed 6 piece blue abstract plaster and acrylic painting Venetian plaster and acrylic on board Set of 6 paintings with floating white sati...

Trust - framed 6 piece blue abstract plaster and acrylic painting Venetian plaster and acrylic on board Set of 6 paintings with floating white sat...

A fine 19th century Italian School oil painting on wood panel of an Italian landscape with figures dancing around a pool with a mountain backgro...

"Broken Promise" 2021 speaks about my upbringing in the Catholic Church and the teachings of "love thy neighbor as thyself". As a boy, I took all that I was taught extremely literall...

Shades of dark magenta and purple contrast with rich creams in this abstract composition. Paint has been built up in layers and then sanded back to reveal the history of the piece, and to create a surface full of depth and visual interest. The bold mark-making and shapes bring a lively contrast. The work is presented in a natural wood tray frame, not a wide border frame as in the in situ photos. Alison Gilbert is an Artists with Wychwood Art. Alison is a British contemporary abstract artist...

Alchemy II by British artist Charlotte Aiken. Aiken is a Surrey-based artist, who responds to her surroundings through the medium of paint, working on ...

A plein air depiction of the rolling hills of Tuscany. Cultivated nature lives on the left with the vineyard, while wildflowers grow freely on the right. Artist Bio Marc Dalessio w...

Alchemy III by British artist Charlotte Aiken. Aiken is a Surrey-based artist, who responds to her surroundings through the medium of paint, working on...

Impasto-painted strokes of bright colors are the framework of artist Shiri Phillips’ abstract artworks. Her paintings are flooded with texture through the layering of acrylic paint i...

A plein air painting of the Carmel coast in California. The quick white brushstrokes approximate the crashing water on the rocks. Artist Bio Marc Dalessio was born in 1972 in Los An...

Preparation for Carnival: a three day festival of insatiable eating, drinking and carousing that preceded the forty days of Lent, a period of penitence when the pious drank only wate...

Art Sz: 23 1/2"H x 23 1/2"W Frame Sz: 24 3/4"H x 24 3/4"W in gilt bamboo Chinese dragon wooden panel with colorful hand-painted graphics

"Transient" is a contemporary encaustic painting by Florida-based artist Brigitte Balbinot. This stunning abstract work showcases how the encaustic m...

"Framboise" is a contemporary encaustic painting by Florida-based artist Brigitte Balbinot. This stunning abstract work showcases how the encaustic m...

About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in Santa Fe, New Mexico. She discovered her love of abstract expressionism ...

A beautifully detailed late 17th or early 18th century Dutch or Flemish landscape with cows grazing in the water, goats, dogs, and other animals near the water’s edge, under the watchful eye of the herdsmen, on a backdrop of rolling hills and trees. Oil on wood panel, unsigned, and housed in a Rudolph...

Remembering the Albaicin On wood panel About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in Santa Fe, New Mexico. She discover...

A deeply impressionistic plein air painting of the beach and its flora. Clouds along the horizon, waves crashing on the beach. Framed dimensions: 13.5 x 17.5 inches Artist Bio: Mar...

*LIMITED TIME SUPER SALE - TAKE ADVANTAGE OF IT* FOREVER AVICII is a very special creation both style and framing. This is the ultimate homage to the one and only Tom Bergling (Avic...

Dalessio makes the sea sparkle in this plein air depiction of the coast of Portugal. Framed dimensions: 13.5 x 17.5 inches Artist Bio: Marc Dalessio was born in 1972 in Los Angele...

"Tākoizutsurī" is a contemporary encaustic painting by Florida-based artist Brigitte Balbinot. This stunning abstract work showcases how the encausti...

A plein air painting. An impressionistic view of a street in Tribeca. The setting sun illuminates the skyscraper in the distance. Artist Bio: Marc Dalessio was born in 1972 in Los ...

a wonderful antique pokerwork/pyrography panel by I W Wells, an American artist who flourished between 1845 - 1880. He was active in Pennsylvania/Philadelphia, yet most of his work is conserved in the Pinto Collection, which is part of the Birmingham Museums Trust in the UK. A portrait of Tennyson by Wells is in the Virginia State...

Composition with Black and ochre II, 50 X 38, mixed media on panel About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in Santa ...

A plein air study of a church window. Even with such few brushstrokes, Dalessio manages to bring a romantic feeling to the panel painting. Artist Bio M...

**ORIGINAL ART INVENTORY RENEWAL - PRICED TO SELL THROUGH MAY 31ST ONLY ** > TAKE ADVANTAGE OF IT!< The WORLD'S HAPPIEST ROOM is an or...

This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...

This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...

This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...

This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...

This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...

This contemporary piece from Danielle Krysa asks the viewer if beauty can be born from the wreckage of whatever each of our personal setbacks may be. The piece was created for Krysa'...

Collage work on wood panel. Transdisciplinary conceptual artist, art critic, collage worker, performance artist.. Active in surrealism, new wage science fiction, erected poetry and ...

Feeding the Chickens ll, 2018

Feeding the Chickens I, 2018

Mediations in Blue & Green ll Mediations in Blue & Green l is also listed About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints in...

.Mediations in Blue & Green l Mediations in Blue & Green ll is also listed About the Artist: Julie Schumer, a native of Los Angeles, California, and born in 1954, lives and paints ...

This exquisite portrait of a gentleman depicted in a sumptuous black doublet edged with silver and slashed sleeves is an excellent example of the type of portrait fashionable in England and the Low Countries during the 17th century. The confident pose, striking orange sash - the colour of the house of Orange Nassau - and the leather gorget imbue the sitter with a sense of masculinity and power. The profusely decorated costume is of the highest quality and de rigueur of an elite class - the artist has carefully cultivated this portrait to emphasise the sitter’s wealth and standing in the society that he belonged to. The casual pose, with one arm resting on a hip, is much less formal than earlier decades, and it speaks of ‘sprezzatura’ – one’s appearance should not appear laborious, but instead, effortless. The oil on cradled panel portrait can be dated to circa 1650 based on the hairstyle and the attire - small falling collar, short doublet (doublets reduced in size to just below the ribcage in the late 1650’s), and the type of slashed sleeves with the sleeve seams left open to reveal the white fabric. The demand for portraits in the Netherlands was great in the 17th century. Bartholemeus van der Helst was considered to be one of the leading portrait painters of the Dutch Golden Age surpassing even Rembrandt as the most sought-after portraitist in Harlaam. The Dutch Golden Age, roughly spanning the 17th century, was a period when Dutch trade, science, military, and art were among the most acclaimed in the world. Dutch explorers charted new territory and settled abroad. Trade by the Dutch East-India Company thrived, and war heroes from the naval battles were decorated and became national heroes. During this time, The Dutch Old Masters began to prevail in the art world, creating a depth of realistic portraits of people and life in the area that has hardly been surpassed. The Golden Age painters depicted the scenes that their discerning new middle-class patrons wanted to see. This new wealth from merchant activities and exploration combined with a lack of church patronage, shifted art subjects away from biblical genres. Still life’s of items of everyday objects, landscapes, and seascapes reflecting the naval and trade power that the Republic enjoyed were popular. The new wealthy class were keen to have their portraits commissioned and many artists worked in this lucrative field. Such was the popularity of art that everyone had a painting, even the humble butcher, and hundreds of thousands of paintings were produced. By tradition the sitter is Maarten Tromp (1598-1653) who was an Admiral in the Dutch Navy (the reverse of the portrait contains an old handwritten inscription “van Tromp”). Certainly, the distinctive orange sash is similar to those worn by officers of the Dutch army in the Netherlands who served under the Princes of Orange and the House of Nassau. However, it should be noted that the physiognomy differs from other images of Tromp. Tromp was the oldest son of Harpert Maertensz, a naval officer and captain. He joined the Dutch navy as a lieutenant in July 1622 and was later promoted from captain to Lieutenant-Admiral of Holland and West Frisia in 1637. In 1639, during the Dutch struggle for independence from Spain, Tromp defeated a large Spanish fleet bound for Flanders at the Battle of the Downs, which marked an enormous change - the end of Spanish naval power. He was killed in action during the First Anglo-Dutch War in 1653 where he commanded the Dutch fleet in the battle of Scheveningen. Gloves were an absolutely vital accessory and the elaborate pair in this portrait are embellished with threads of silk and precious metals and salmon-coloured lining. He wears only one glove and holds the other, providing an opportunity to better display the cuffs and detail on his right wrist and forearm. The gloves are probably made from the most prized leather which came from Spain, in particular from Cordova. Cordovan leather was tanned with a special vegetal process that left it both highly impermeable and divinely soft. King Charles I, posed in a rather relaxed manner for Daniel Mytens’s portrait in 1631, is wearing gloves and boots in matching Cordovan leather. The hide is thick, but you can see just how supple it is from the way the gauntlet dimples and the long boot legs fold over themselves, rippling and wrinkling at the ankles. Apart from keeping hands warm the use of gloves during the 15th through the 19th centuries were full of symbolism and they were worn regardless of the season. They kept the skin unblemished - soft, smooth hands were considered highly attractive. This combination of necessity and proximity to bare skin made gloves a deeply personal gift and they took on a strong symbolic significance and were regarded as emblematic of fidelity and loyalty for hundreds of years. Such was the importance of their symbolism was that some gloves were never intended to be worn at all. Their luxury made them ideal gifts at court, and so in the 15th and 16th centuries, ambassadors often presented them as symbols of loyalty. Until the mid-19th century, it was customary to give gloves as tokens to guests at weddings and to mourners at funerals. Gentleman often gifted their bride-to-be with a pair of gloves (the obligatory gift) and were handed over at the betrothal and put on display before the wedding took place. It was probably their direct contact with the skin that led to the eroticism of gloves. Not only were pairs often exchanged between lovers, but from the 16th to the 18th centuries, it was common practice to remove one glove and give it as a gift to a favourite. The idea of the item being presented still warm from the wearer’s hand is certainly suggestive. Following the death of King George IV, his executors purportedly found over a thousand mismatched ladies’ gloves among his possessions. The sentiment of a 17th-century poem reveals the popularity of the practice: “Come to our wedding to requite your loves / Shew us your hands and we’ll fit you with gloves.” Such generosity might be pricey for the hosts, but gloves of varying quality could be offered depending on the status of the recipient. Pairs made with the finest Spanish leather might be reserved for immediate family, while coarse sheep’s leather could be distributed among the servants and tradesmen. The apportioning of quality according to class provided a very clear message of the gloves’ intended use. For refined guests, they were decoration; for the lower classes, they were functional. Bartholomeus van der Helst...

The Right Honorable R. Duck II, 2018

“Don’t Come In, It’s a Mess” oil and silver leaf on wood 28” x 9.5” framed About the Artist: Shanna E. D'Antonio is a mixed-media artist living and working in Hammond, Louisiana. ...

Painting and three dimensional collage relief in gold, red and blue with portrait, stars, mandala like patterns; from the artist's MAGI INTENTIONS series exploring mystical symbols and characters. Layered found paper collage relief, acrylic paint, mixed media on panel. Custom white shadow box frame. ABOUT THE ARTIST Deming King...

Mixed Media and epoxy polymer on wood panel 40.6 x 40.6 cm 16 x 16 in ----------- Klari Reis uses the tools and techniques of science in her creative proces...