Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 8

Mary Magdalene praying in her cave

More From This Seller

View All
A palace court with nobility - Daniël De Blieck (Middelburg c. 1610 - 1673)
Located in Gent, BE
Oil on panel Signed and dated: "D. Blieck, f. 1661" Dimensions: 36 x 50 cm, 46 x 61 cm (framed) Daniël de Blieck was a Dutch Golden Age painter and architect, who specialized in ar...
Category

Mid-17th Century Old Masters Paintings

Materials

Oil, Panel

War ships of the coast by the circle of Pieter Brueghel II
Located in Gent, BE
Oil on panel The present work is based on studies and paintings of ships and marine landscapes by Pieter Brueghel the Elder, which he created during his time in Italy and later pub...
Category

Early 17th Century Old Masters Landscape Paintings

Materials

Oil, Panel

Animated landscape with a river - Carstiaen de Ceuninck (Kortrijk c. 1560 - 1633
Located in Gent, BE
Animated landscape with a river Oil on panel Signature central below Dimensions: 37 x 66 cm, 55 x 77 cm (framed) THE ARTWORK This painting by Kerstiaen de Keuninck presents an expansive imaginary landscape, filled with lush trees, rolling hills, and distant vistas bathed in a theatrical play of light. Dominated by a large central tree, the composition draws the viewer’s eye toward the glowing horizon, which adds depth and a sense of mystery to the scene. The landscape is populated with small figures and buildings, providing scale and inviting the viewer into the serene yet intricate world De Keuninck has created. De Keuninck’s landscapes are characterized by a dramatic use of light and shadow, lending a sense of atmosphere and grandeur to otherwise pastoral settings. His imaginary landscapes often embody a sense of fantasy and timelessness, and here, the softly illuminated foliage and shadowy recesses create a harmonious interplay of light, capturing the viewer's attention and enhancing the painting’s depth. THE ARTIST Kerstiaen de Keuninck was a Flemish Mannerist painter born around 1560 in Kortrijk and later active in Antwerp. He trained at the Antwerp Guild of Saint Luke, where he registered as a pupil in 1577 and became a master a few years later. Unlike many of his contemporaries, De Keuninck did not travel to Italy, a choice that allowed him to develop a unique style influenced heavily by Flemish landscape traditions rather than Italian influences. He drew significant inspiration from Roelant Savery, Joos de Momper...
Category

Early 17th Century Old Masters Landscape Paintings

Materials

Oil, Panel

The Temptation of Saint Anthony
Located in Gent, BE
Oil on panel We'd like to thank dr. Jan De Maere for his advice. In Cornelis Saftleven's arresting depiction of the temptation of Saint Anthony, the viewer is drawn into a surrea...
Category

17th Century Old Masters Paintings

Materials

Oil, Panel

Still life with playing cards, coral and shells - Carstian Luyckx (1623-1658)
Located in Gent, BE
Still life with playing cards, coral, shells, a jewelry box and a stone sculpture Oil on canvas We'd like to thank dr. Fred Meijer for his attribution. ...
Category

17th Century Old Masters Still-life Paintings

Materials

Oil

Adoration with angels and putti - Attr. to Johann König (1586-1642)
Located in Gent, BE
Oil on copper Comes with a certificate by dr. Jan De Maere 20/01/2023) Dimensions: 26 x 20 cm, 36 x 30 cm (framed) Johann König was a German painter and follower of Adam Elsheime...
Category

17th Century Old Masters Paintings

Materials

Oil

You May Also Like

Moses and the Pillar of Cloud by Lucas Cranach the Elder and Studio
By Lucas Cranach the Elder
Located in New Orleans, LA
Lucas Cranach the Elder and Studio 1472-1553 German Moses and the Pillar of Cloud Oil on panel Moses and the Pillar of Cloud is a bold and evocative composition that showcases the signature intense color and intricate detail of Lucas Cranach the Elder’s celebrated oeuvre. The remarkable 16th-century oil on panel by Lucas Cranach and his studio captures the narrative moment when Moses leads the Israelites out of Egypt and encounters God manifested through a large pillar of cloud. Moses stands at the precipice of a bridge and turns back to soldiers helping to lead the group of Israelites who huddle closely together. Cranach depicts Moses with his traditional iconography, rendering the rays of light on his head which came to be interpreted as "horns" in the translation of the Bible. Using his traditional walking staff, Moses gestures toward the pillar, seemingly acknowledging that God will protect the group as they cross the bridge to the other side, leaving exile and entering a promised land. In a nod to Cranach’s Germanic locale, he renders the figures and setting in a manner that feels decisively more akin to European aesthetics than those of the Red Sea. Soldiers wear elaborate, gothic suits of armor that recall the livery of Northern European guardsmen. The terrain appears more like a European forest giving way to a sweeping valley than the arid landscape the Israelites trekked through on their journey across the Red Sea. Though still clearly recounting a story from the Old Testament, Cranach renders the cast of characters and setting in an earthly, familiar manner. This aesthetic shift speaks to Cranach’s own changing beliefs as he found himself at the center of the Protestant Reformation. After first gaining recognition in 1505 as the official painter of Frederick the Wise, Cranach established a thriving painting and print studio in Wittenberg, Germany. Cranach was renowned for his court portraits and genre paintings and was also well known for his association with the famous protestant reformer Martin Luther, then under the protection of Frederick the Wise. As Wittenberg became a bastion of new religious thought, Cranach soon befriended Luther and played an active role in creating the printed materials that proliferated throughout the Reformation...
Category

16th Century Old Masters Figurative Paintings

Materials

Oil, Panel

Angelic Cherubs with Classical Figure in Wilderness Finely Painted Preparatory
Located in Cirencester, Gloucestershire
Figure with Cherubim in Wilderness Italian School, 17th century oil painting on wood panel framed 13 x 11 inches condition: overall for its age very good, though the work is most likely a preparatory...
Category

17th Century Old Masters Figurative Paintings

Materials

Oil, Wood Panel

Fine 17th Century Dutch Old Master Oil on Panel Angelic Visitation to Figures
By Rembrandt van Rijn
Located in Cirencester, Gloucestershire
The Angelic Visitation Dutch School, mid 17th century circle of Rembrandt (Dutch 1606-1669) oil on wooden panel, framed in faux tortoiseshell style frame. framed: 25 x 28.75 painting...
Category

17th Century Old Masters Figurative Paintings

Materials

Oil, Wood Panel

Shipping in Calm Waters, 18th Century Dutch Oil on Wood Panel, Man o War
Located in Cirencester, Gloucestershire
Shipping in Calm Waters Dutch School, 18th century oil painting on wood panel panel: 10 x 12.75 inches framed: 14 x 17 inches condition: very good, minor evidenc...
Category

18th Century Old Masters Landscape Paintings

Materials

Oil, Wood Panel

Christ and St John the Baptist as children, studio of J. van Cleve, 16th Flemish
By Joos van Cleve
Located in PARIS, FR
Christ and St John the Baptist embracing Studio of Joos van Cleve (1485 – 1541), Antwerp First half of 16th century Oil on oak panel, h. 55 cm, w. 43 cm A 17th century ebonized wood frame Framed: h. 100 cm, w. 83 cm Provenance: • Advertisement in Burlington Magazine, 1929, at the antique dealer Paul Larsen, 34 Duke's Street, London, United Kingdom • Clowes Sale, Christie's London, 7 July 1950, lot 153 (as Joos Van Cleve) • Acquired from the Katz antique dealers in Dieren (Netherlands) in the 1950s (one of the most important art galleries in the Netherlands specialising in Old Masters) • By descent, private European collection The composition of our painting depicting two naked babies embracing, Jesus and Saint John the Baptist, draws its source from a drawing by Leonardo da Vinci, probably executed in Milan around 1490 (kept at Windsor Castle, United Kingdom). This scheme, widespread early in the Lombard school, was widely reproduced by Leonardo's Milanese followers (Marco d'Oggiono, Bernardino de Conti or Bernardino Luini.) It is very likely that Joos Van Cleve was inspired by one of the works of his artists during his stay in Italy, however some historians hypothesize that he borrowed the figures from the painting by Marco d'Oggiono who had copied it on site in Flanders (it would have belonged to Margaret of...
Category

16th Century Old Masters Figurative Paintings

Materials

Oil, Wood Panel

The Road to Emmaus, German Old Master Painting
Located in Stockholm, SE
German School, 1700s The Road to Emmaus oil on panel unframed: 24.3 x 17.5 cm (9.6 x 6.9 inches) framed: 34.5 x 28 cm (13.6 x 11 inches) Provenance: Swedish author and artist Amel...
Category

18th Century Old Masters Figurative Paintings

Materials

Oil, Wood Panel

Recently Viewed

View All