Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 18

Dean Richardson
Military Man Portrait Figurative Abstract Oil Painting American Modernist Artist

1978

$3,000
£2,270.23
€2,618.28
CA$4,189.29
A$4,693.36
CHF 2,442.89
MX$57,156.15
NOK 31,119.16
SEK 29,305.47
DKK 19,545.15
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Oil on board, 1978. It depicts an abstracted portrait of a military man in an army uniform with medals. It is signed by the artist verso. Dimensions: sight size-22 inches tall X 19 1/4 inches wide. Framed-23 1/4 inches tall X 20 5/8 inches wide. All measurements are approximate. Dean Richardson (American, born 1931-) Education: 1949-50 Newark Academy of Fine Arts, Newark, NJ 1950-56 Rhode Island School of Design (RISD), Providence 1956-57 Brooklyn Museum School 1957-58 Hochschule für Bildende Kunst, Berlin, Germany Select Museum Exhibitions Butler Institute of American Art Newport Art Museum, Newport, National Institute of Arts and Letters, New York, NY DeCordova Museum, Lincoln, MA 1 Whitney Museum of American Art Corcoran Biennial, Washington, DC Boston Institute of Contemporary Art Awards: Max Beckmann Memorial Scholarship to the Brooklyn Museum School Fulbright Scholarship, Berlin, Germany Guggenheim Fellowship Mellon Grant Noted RISD painter and professor, Dean Richardson painted a diverse variety of subject matters including baseball players, Native American leaders, military leaders and soldiers and the natural world animal kingdom. Richardson’s evolved out of an Abstract Expressionist style in his youth to a rich traditional painting style. Living in a generation surrounded by innovation, Richardson chose to look at the American past for his subject matter trying to capture the elusive American identity and meld his artistic vision of the subjects he explored. He was included in the 40 under 40 show at the Whitney along with David Aronson, Robert Birmelin, Sidney Goodman, Richard Hunt, Wolf Kahn, Joan Mitchell and Robert Rauschenberg. He exhibited in the Museum of Modern Art in New York (MoMA) in Recent Painting in USA along with Harold Altman, Robert Beauchamp, Elmer Bischoff, Elaine de Kooning, Robert De Niro, Sr., Leon Golub, Sidney Goodman, Lester F. Johnson, Ellen Lanyon, Richard Lindner, Larry Rivers, Jan Stussy, Joyce Treiman, Tom Wesselmann and Jack Zajac.
  • Creator:
    Dean Richardson (1931)
  • Creation Year:
    1978
  • Dimensions:
    Height: 23.25 in (59.06 cm)Width: 20.63 in (52.41 cm)
  • Medium:
    Oil,Board
  • Movement & Style:
    American Modern
  • Period:
    1970-1979
  • Condition:
    good. frame has light wear.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38215354092

More From This Seller

View All
Portrait of a Gentleman, Large Modernist Oil Painting
By Benjamin Kopman
Located in Surfside, FL
BENJAMIN KOPMAN (1887 - 1965) Painter, Illustrator and printmaker Benjamin Kopman was born in Vitebsk, Russia and emigrated to the United States with his family in 1903. It was a cen...
Category

Mid-20th Century Expressionist Portrait Paintings

Materials

Canvas, Oil

Portrait of a Gentleman, Large Modernist Oil Painting

Benjamin Kopman
Portrait of a Gentleman, Large Modernist Oil Painting, 1959

$3,200
Mod Abstract Expressionist Modernist Oil Painting Edward Avedisian Color Figure
By Edward Avedisian
Located in Surfside, FL
Edward Avedisian ( 1936-2007 ) 8 X 9 Oil paint on wood plank panel with gold and purple figure This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert Burnette Roberts (1932-2021) Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell...
Category

1960s Abstract Expressionist Landscape Paintings

Materials

Oil, Wood Panel

Mod Abstract Expressionist Modernist Oil Painting Edward Avedisian Color Figure

Edward Avedisian
Mod Abstract Expressionist Modernist Oil Painting Edward Avedisian Color Figure, c.1960's

$1,200
Large Hudson River Figurative Modernist Landscape Oil Painting Edward Avedisian
By Edward Avedisian
Located in Surfside, FL
Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting. Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea. Selected Exhibitions: Op Art: The Responsive Eye, at the Museum of Modern Art, Whitney Museum’s Young America 1965 Expo 67, held in Montreal, Canada. Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...
Category

20th Century American Modern Landscape Paintings

Materials

Oil, Gouache, Archival Paper

Large Hudson River Figurative Modernist Landscape Oil Painting Edward Avedisian

Edward Avedisian
Large Hudson River Figurative Modernist Landscape Oil Painting Edward Avedisian

$1,800
Mod Abstract Expressionist Modernist Edward Avedisian Color Field Oil Painting
By Edward Avedisian
Located in Surfside, FL
Edward Avedisian Unsigned, (bears name signed verso in pencil.) Dimensions: 15" X 15" (round tondo) Circa late 1970s This is a mod, brutalist portrait of a man Edward Avedisian (J...
Category

1970s Abstract Expressionist Abstract Paintings

Materials

Oil, Board

Mod Abstract Expressionist Modernist Edward Avedisian Color Field Oil Painting

Edward Avedisian
Mod Abstract Expressionist Modernist Edward Avedisian Color Field Oil Painting, c. 1979

$2,200
Large Archie Rand Abstract Expressionist Cartoon Oil Painting Dusseldorf
By Archie Rand
Located in Surfside, FL
"Dusseldorf, Germany" 1993, oil on canvas, hand signed and dated lower left, Canvas (unframed):18 X 48. framed: 19.5 X 49.5 Provenance: directly from the artist. Exhibited at Phyllis Kind Gallery in NYC in 1987. Archie Rand (American, born 1949) is an artist from Brooklyn, New York. Rand's work as a painter and muralist is held in the collections of the San Francisco Museum of Modern Art, the Art Institute of Chicago, the Victoria and Albert Museum in London, the Bibliothèque Nationale de France in Paris, and the Tel Aviv Museum of Art. His graphic works and books are held by the Metropolitan Museum Of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Art Institute Of Chicago, The Brooklyn Museum, the Baltimore Museum of Art, the Smithsonian Institution, and The New York Public Library; and are owned by Harvard, Yale, Columbia, Brown, and Johns Hopkins universities. Born in Brooklyn, Rand received a Bachelor of Fine Arts in cinegraphics from the Pratt Institute, having studied previously at the Art Students League of New York. His first exhibition was in 1966, at the Tibor de Nagy Gallery in New York. He has since had over 100 solo exhibitions, and his work has been included in over 200 group exhibitions. He is currently Presidential Professor of Art at Brooklyn College which granted him the Award for Excellence in Creative Achievement in 2016. Before joining Brooklyn College, Rand was the chair of the Department of Visual Arts at Columbia University. The Italian Academy For Advanced Studies in America at Columbia University presented him with The Siena Prize in 1995. He was awarded a Guggenheim Foundation Foundation Fellowship in 1999 and was made a Laureate of the National Foundation for Jewish Culture, which awarded him the Achievement Medal for Contributions in the Visual Arts. In 2002 he received the Presidential Award for Excellence in Teaching from Columbia University. In 2002 he became the artistic advisor to film director Ang Lee for his production of The Hulk, and was asked by Milestone Films to provide a commentary track for the DVD release of Henri-Georges Clouzot’s classic 1955 film The Mystery of Picasso. Archie Rand’s earliest major works are “The Letter Paintings” (or “The Jazz Paintings”) (1968–71), a radically positioned series of technically inventive, mural-sized canvases. The Letter Paintings, by incorporating the names of mainly male and female African-American musicians, undermined prevailing aesthetic categories by conflating many contemporary movements including Conceptual Art, Color Field, Pattern and Decoration, diary entry and social commentary. In 1974 Rand received a commission from Congregation B’nai Yosef in Brooklyn. Rand was asked to paint thematic murals on the complete 16,000-square-foot (1,500 m2) interior surfaces of the synagogue. The work took three years, and completing this commission made Rand the author of the only narratively painted synagogue in the world and the only one we know of since the 2nd Century Dura-Europos. The religious legal controversy raised by placing wall paintings in a traditionally iconoclastic space was resolved by the verdict of Rabbi Moshe Feinstein, then considered to be the world’s leading Talmudic scholar, who declared the paintings to be in conformity with the law. His subsequent turn to figuration may have been influenced by his friendship with Philip Guston, whose own work was transformed in the late 1960s. Like Guston, Rand "chafed at the limitations of purely abstract forms." A near-cult figure who started out as a child prodigy and whose admirers range from John Ashbery to Julian Schnabel. Rand’s paintings display a vast and savvy menu of inventive and finely executed approaches. He has completed many series after the works of Paul Celan, Moyshe-Leyb Halpern, Eugenio Montale, Yehuda Amichai, Rainer Maria Rilke, Samuel Beckett/Paul Eluard and Jack Spicer. Working often with poets, he has produced books and continues to engage in publishing collaborative projects. He maintained a correspondence with the American British Jewish painter R.B. Kitaj. In 2008, on a warehouse wall, Rand mounted the painting, “The 613”, which at 1700 square feet (17’ x 100’) is nearly twice the size of James Rosenquist’s F-111. It is one of the largest freestanding paintings ever made. Reminiscent of “The Segments” paintings it is intimidatingly enormous. Paradoxically, despite the raucous cartoony bytes that shoot colorful flashes from the manic surface, “The 613” glows warmly. Its overall effect is strangely calming and majestic. In an article on a 2011 exhibition of Rand's "Had Gadya" series, David Kaufmann wrote: Rand displayed his work in 15 solo exhibitions between 2008 and 2017, many of them showcasing paintings done after Scripture, or his workings with poets: Including “Had Gadya, 2005”, Borowsky Gallery, Philadelphia, PA (2011); “Gods Change, Prayers Are Here To Stay (after Yehuda Amichai), 2000", Katz Gallery, Atlanta, GA (2014); “Psalm 68, 1994”, Derfner Museum, Riverdale, NY (2014); “The Chapter Paintings”, Tribeca Gallery, NY (2015); “Men Who Turn Back (after Eugenio Montale), 1995", SRO Gallery, Brooklyn, NY (2016); “Sixty Paintings From the Bible” & “The Book of Judith, 2012”, Cleveland State University Galleries, Cleveland, OH (2016) & The American Jewish Museum, Pittsburgh, PA (2017); “Archie Rand: Early Works With Poetry: Jack Spicer, 1991 and Samuel Beckett/Paul Eluard, 1993”, St. Francis College, Brooklyn, NY (2017). "The 613" In 2015 Blue Rider/Penguin/Random House published The 613, allotting one color plate per page for each of the 614 units in the painting. The Wall Street Journal labeled The 613 as “dynamic…remarkable…thrilling” The New York Times selected the book as “Editors' Choice” and praised it in two separate reviews calling it “wonderfully garish” and declaring that “nothing prepared the art world for 'The 613.' Recent Activity In 2016 Rand showed two bodies of work that were done in Italy, “La Certosa Di Pontignano, 1995” and “Mount Etna, 2005,” at The Interchurch Center Galleries, New York. From 2016 to 2017 he served as the Curator and Juror for the Governor of Wyoming’s Capitol Arts Exhibition at The Wyoming State Museum, Cheyenne, WY. A 2017 exhibition, “Archie Rand: Early Works With Poetry”, featured two series of work from 1991 and 1993 after poems by Jack Spicer and Samuel Beckett/Paul Eluard. This painting was exhibited in the Phyllis Kind Gallery in NY in 1987. (Phyllis Kind was an American art dealer active in Chicago and New York. She promoted the work of the Chicago Imagists, The Monster Roster and The Hairy Who and outsider artists. Kind opened a gallery in Chicago in 1967. Called Pro Grafica Arte, the gallery dealt in master prints and drawings. In 1975, she opened a gallery on Spring Street in New York's SoHo district. She gave some of the artists in the movement their first solo shows: Jim Nutt and Gladys Nilsson...
Category

1980s American Modern Figurative Paintings

Materials

Canvas, Oil

Large Archie Rand Abstract Expressionist Cartoon Oil Painting Dusseldorf

Archie Rand
Large Archie Rand Abstract Expressionist Cartoon Oil Painting Dusseldorf, 1985

$4,500
French 1961 "Clown a la Colerette" Figurative Expressionist Oil Painting
By Claude Weisbuch
Located in Surfside, FL
WEISBUCH, Claude. Oil on Canvas "Clown a la Colerette" 1961. Signed lower right, further signed, titled and dated verso. Dimensions: 18.25" high x 24" wide. Claude Weisbuch, 1927-2014 French painter, draftsman and engraver. He studied at the Ecole des Beaux-Arts (School of Fine Arts) in Nancy and upon graduation became a professor of engraving at the Ecole des Beaux-Arts de of St. Etienne. His first solo exhibition was in 1957. In 1968 , he became a full member of the Society of French Painters-Engravers . In 1997 he was awarded the Legion of Honor His work is essentially devoted to engraving, by which he likes to translate, thanks to the line, the life, movement and character of his characters: Punchinels, harlequins, musicians or equestrian scenes. He practices various techniques ( lithography, drypoint etching etc.) that he puts to use in the illustration of bibliophile books. Claude Weisbuch is also a painter and draftsman. His favorite colors are ochres, browns and whites, with which he seeks to introduce the effects of light by compositions where the line and finesse of the drawing preserve the life found in his engravings. His precise and dynamic line delivers a moving and swirling work on themes he loves: theater, opera, equestrian, musicians, card players, Kabuki dancers and many portraits. His works have the appearance of unfinished sketches mixing few colors but a great vivacity of the line. He illustrated many limited edition signed fine art books. Alon with Christo, Arman and Cesar he is considered among the great post war French artists of the last generation. Exhibitions 1957: Saint Placide Gallery, paintings and engravings 1958: Galerie de Presbourg, Paris, paintings - Saint Placide Gallery, Paris, paintings - Galerie des Arts, Nancy, etchings 1960: Galerie Hervé, "Extraordinary Pantomimes", Paris, paintings 1961: Salon of the young painting and painters witnesses of their time 1962: O'Hanna Gallery, London , paintings 1963: Galerie Hervé, "Portrait Of Man", Paris, Paintings - Nichido Gallery, Tokyo, Paintings 1965: Hervé Gallery, "100 Drawings", Paris Dresdener Gallery, Toronto, paintings 1966: Dantesca Gallery, Turin , paintings, engravings, drawings 1968: New Vision Gallery, Paris, engravings 1969: Galerie Hervé, Paris, paintings - Galerie Reflets, Brussels , prints, paintings - Galerie Dresder, Montreal , paintings 1970: Taménaga Gallery, Tokyo, paintings - Sagot Gallery - The Garrec, Paris, etchings - Museum of Modern Art of the City of Paris ARC, Paris, prints 5 1971: War Gallery, Avignon , etchings Biennial of Engraving, Epinal 1972: Dantesca Gallery, Turin Festival, Sarlat , paintings 1973: Wayss Gallery, Nancy , paintings, engravings, drawings Auguste Comte Gallery, Lyon , paintings, engravings, drawings Taménaga Gallery, Tokyo, paintings - New Vision Gallery, "Homage to Rembrandt", Paris, etchings 1974: Esthetika Gallery, Kortrijk, engravings - Galerie Hervé Odermatt, Paris, paintings Ésthetika Gallery, Kurne, prints - Galerie Wayss, Nancy, engravings, drawings, pastels Dietesheim Gallery, Neuchâtel , engravings - Grafikhuset Gallery, Stockholm , prints, drawings 1975: Schwarzer Gallery, Vienna , engravings, paintings, drawings Fogola Gallery, Turin, drawings, pastels Sotheby-Parke Benett, Munich, engravings, drawings Hervé Odermatt Gallery, Paris, drawings Joly Gallery, Washington , engraving 1976: Taménaga Gallery, Tokyo, paintings - Wayss Gallery, Nancy, engravings, drawings - Tabula Gallery, Tübingen, engravings, drawings - New Vision Gallery, "The horse-The painter and his model", Paris, drawings, engravings 1977: Grafikhuset, Futura, Stockholm - Jivô Gallery, Vänersborg Pigalle Gallery, Norrköping Celsius Gallery, Uppsala Möbius Gallery, Gothenburg - New Vision Gallery, Jerusalem - Cultural Center of Sainte-Menehould Castle, retrospective, engravings 1978: David Barnett Gallery, Milwaukee , engravings, drawings Orangery Gallery, Cologne , engravings, drawings, pastels Grafikhuset Futura, Stockholm, paintings, drawings Les Cordeliers, Châteauroux, engravings, drawings, paintings House of Culture, Montbéliard, engravings House of Culture, Chelles , engravings, paintings, drawings 1979: L'Empreinte Gallery, Strasbourg, prints, drawings - Galerie Reflets, Brussels, prints, drawings - Galerie Bon à tirer, Los Angeles , prints, pastels 1980: Hervé Odermatt Gallery, Paris, "Calligraphy of the figure", paintings - E. Gollon Gallery, Saint-Paul-de-Vence 1981: European Biennale of Engraving, Baden-Bade Galerie The Art Shop, Nice Galerie Hélène Trintignant, Montpellier Martine Remy Gallery, Strasbourg 1982: Vallen Gallery, Stockholm - Sagot Gallery - The Garrec, Paris - Taménaga Gallery, Tokyo, paintings - New Vision Gallery, Tokyo, Nagoya, Osaka, etchings 1983: Hélène Trintignant Gallery, Montpellier 1984: Perrine Museum, Laval , etchings - Music Festival, Quimper , etchings Etchings, Moscow - Presence Gallery, Brussels, paintings, etchings 1985: Galerie Moyon-Avenard, Nantes, paintings - Taménaga Gallery, Paris, paintings - New Otani Hotel, Ōsaka, realization of murals 1986: Taménaga Gallery, Tokyo, paintings - Greenhouse of the School of Fine Arts, Saint-Étienne , paintings, engravings 1988: Retrospective paintings, Château de Chenonceau Retrospective engravings, Artothèque Museum Montpellier Taménaga Gallery, Paris, drawings, pastels New Vision Gallery, Tokyo, engravings 1989: Galerie Taménaga, Paris, paintings Exit of the book Weisbuch , texts of Jean-Denis Bredin of the French Academy, preface by Jean-Marie Tasset. 1990: Taménaga Gallery, Paris, paintings 1992: Retrospective, Sarlat - Taménaga Gallery, Paris, drawings 1993: Taménaga Gallery, Tokyo and Osaka 1994: Paintings for the second international meetings of the cello ensemble, Beauvais - Elegance Gallery, Taipei - Sanbi Gallery, Tokyo, graphic works - Mitsukoshi, Tōkyō 1995: Taménaga Gallery, Ōsaka - Exhibition of the Gobelins Municipal Circle, Paris 13 th 1996: 2nd Music Trades Fair, Premonstratensian Abbey , Pont-à-Mousson , paintings - Ginza Spring, Tokyo, paintings - New Otani Museum, Tokyo, paintings 1997: Galerie Raugraff, Nancy, paintings, pastels, drawings, engravings, lithographs - Theater Gallery, Besançon, paintings, drawings, engravings, lithographs 1999: A retrospective "Weisbuch, 50 years of prints", 230 works exhibited in Strasbourg under the direction of its publisher, L'Estampe Éditions 3 - Taménaga Gallery, Paris, Tōkyō 2000: Retrospective Château de Vascœuil , by L'Estampe - Theater Gallery, Besançon , paintings, drawings, engravings, pastels, lithographs - Retrospective Chamber of Commerce, Strasbourg - engravings (retrospective), Jacques Brel cultural center, Thionville - engravings (retrospective ), chamber of commerce, Nancy 2001: Retrospective Orangerie of Madame Élisabeth, Versailles , paintings 2002: Taménaga Gallery "Movements", Paris 2003: L'Estampe Gallery, in partnership with the Theater Gallery - prints and paintings, Besançon 2004: Taménaga Gallery "Prometheus presenting the secret of fire to humans", Paris Crid'Art Gallery, L'Estampe Gallery, Amnéville-les-Thermes , paintings, prints, drawings, prints - Galerie des Arts, Nîmes , paintings 2010: Galerie125, Argancy , recent works, exhibition of 100 recent works by the artist. 2012: Exhibition at the Château de Malbrouck . More than 150 works by the artist. Organized by the General Council of Moselle and L'Estampe (editor Claude Weisbuch). 2012: Print, Strasbourg, paintings, engravings, drawings 2012: Exhibition at the House of wines of Graves de Podensac in Gironde. 150 works by the artist Event organized by Course N ° 3. 2013: Galerie125, Argancy, "Weisbuch, major works", exhibition of drawings, engravings, lithographs and oils on canvas 2014: Galerie125, Argancy, "Weisbuch, from 1947 to 1960", exhibition of 100 ancient engravings...
Category

1960s Modern Figurative Paintings

Materials

Canvas, Oil

French 1961 "Clown a la Colerette" Figurative Expressionist Oil Painting

Claude Weisbuch
French 1961 "Clown a la Colerette" Figurative Expressionist Oil Painting, 1961

$8,500

You May Also Like

'Portrait of a Man' Contemporary Abstract Oil On canvas By Leviathan
By David Leviathan
Located in Carmel, CA
David Leviathan, is widely known amongst European art collectors. His works are exhibited in several museums in Holland and France. Leviathan's recent works touches the core of life. Indeed Leviathan's work is difficult to digest, it is affirmative and committed to a very great degree, "the whole truth and nothing but the truth." Leviathan is dealing with Abstract painting. White, green, yellow, or red canvases inhabit many layers of paint, imprisoning in them qualities of inner light. 'Portrait of a Man' oil on canvas by Leviathan Represented by American Art Gallery...
Category

21st Century and Contemporary Expressionist Figurative Paintings

Materials

Canvas, Oil

'Portrait of a Man' Contemporary Abstract Oil On canvas By Leviathan

David Leviathan
'Portrait of a Man' Contemporary Abstract Oil On canvas By Leviathan, 2006

$7,000 Sale Price
22% Off
Free Shipping
Abstract Expressionist Two Sided Painting -- Male Figurative
By Daniel David Fuentes
Located in Soquel, CA
Double sided figurative abstract by San Jose, California area artist Daniel David Fuentes (American, 1978-2016). San Francisco bay area abstract expressionist and landscape artist du...
Category

21st Century and Contemporary Abstract Expressionist Figurative Paintings

Materials

Masonite, Oil

Abstract Expressionist Two Sided Painting -- Male Figurative

Daniel David Fuentes
Abstract Expressionist Two Sided Painting -- Male Figurative, 2000

$1,575
Personaje, acrylic figurative painting of seated man
Located in San Diego, CA
"Personaje" (seated) acrylic on canvas painting by Southern California artist Mike Rivero. Personaje (sitting) is painted in blue, green, pink, red, black white, orange, set on a tau...
Category

2010s Contemporary Figurative Paintings

Materials

Canvas, Acrylic

Personaje, acrylic figurative painting of seated man

Mike Rivero
Personaje, acrylic figurative painting of seated man, 2020

$2,800 Sale Price
23% Off
Abstract Expressionist Portrait of a Man
By Daniel David Fuentes
Located in Soquel, CA
Moody portrait of a man by bay area artist Daniel David Fuentes (Xavier Lunt) (American, 1978-2016). From a collection of his works. Unsigned. Unframed...
Category

Early 2000s Expressionist Figurative Paintings

Materials

Canvas, Oil

Abstract Expressionist Portrait of a Man

Daniel David Fuentes
Abstract Expressionist Portrait of a Man, 2001

$1,516 Sale Price
20% Off
Ryan: Contemporary Abstract Oil Painting
By Alysha Grace Marko
Located in New York, NY
"Ryan" is a contemporary figurative oil painting completed in the summer of 2022, featuring a man in front of an abstract background. The contrast between the extreme abstraction of the background and the figurative foreground makes for a striking and energetic piece. The model of the piece is Ryan, a close friend of the painter. On one summer night after a few glasses of wine, Alysha decided to paint Ryan in her studio. "I love painting from life, it translates so much better for me," said the artist. Alysha Marko It’s About Time, 2022 Oil on canvas 36 x 36 in Artist biography: Born in Central Jersey, Alysha Grace Marko...
Category

2010s Contemporary Portrait Paintings

Materials

Oil

Ryan: Contemporary Abstract Oil Painting

Alysha Grace Marko
Ryan: Contemporary Abstract Oil Painting, 2022

$3,760 Sale Price
20% Off
Vintage Mid-Century Modern Portrait Oil Painting - Portrait of a Troubled Soul
Located in Bristol, GB
PORTRAIT OF A TROUBLED SOUL Size: 65.5 x 54 cm (including frame) Oil on Canvas This mid-century expressive and emotive oil portrait delves into the depths of the human psyche with a...
Category

1950s Modern Portrait Paintings

Materials

Canvas, Oil

Vintage Mid-Century Modern Portrait Oil Painting - Portrait of a Troubled Soul

Vintage Mid-Century Modern Portrait Oil Painting - Portrait of a Troubled Soul, 1950s

$2,041

More Ways To Browse

Vintage Military Signs
Military Portrait Paintings
Military Oil Portrait
Tom Browning Painting
Oil Paintings 40x50
Army Uniform
Maned Wolf
Newport Oil Painting
Altman Artist
Newport Rhode Island Paintings
Vintage Army Uniform
Abstract Art 22 X 40
American Fur Awards
Wolf Kahn Oil Painting
Leon Max
Joan Rivers Oil Painting
Tom Wesselmann Signed
Sidney Goodman
View All Popular Portrait Paintings Searches