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Georges d'EspagnatLe Piège à Oiseaux
$64,500
£49,244.01
€56,401.64
CA$90,364.21
A$101,038.24
CHF 52,998.78
MX$1,223,815.71
NOK 669,005.35
SEK 632,048.41
DKK 420,982.32
About the Item
Georges D'espagnat
French, 1870 - 1950
Le Piège à Oiseaux
Signed gdE (lower right)
Oil on canvas
66 3/4 by 48 1/2 in. W/frame 70 ¾ by 52 ½ in.
Born at Melun on 14th August 1870, Georges d’Espagnat went on to become one of the most individualistic of 20th century French painters. Although associated with many of the greatest names in 20th century art, and though his work has at various times been identified as Fauve, Nabis or just plain Impressionist, he retained his own individuality. As Bénézit notes: “D’Espagnat, sans cesser d’être un Indépendant, a pris une place marquante parmi les maîtres modernes.”
Having moved to Paris at the age of 18 he declined the academic training of the Ecole des Beaux-Arts and chose instead to independently study the works of the Old Masters in the Louvre. He also travelled to Italy where he particularly admired the work of the Venetians, Titian and Tintoretto. In 1891 he took part in the Salon des Refusés and in the following year exhibited four paintings at the Salon des Indépendants.
In 1895 he had his first one-man show in Paris and three years after that a show of his work was held at Durand-Ruel Gallery, an association that was to continue for the rest of his life including exhibitions at their New York gallery. Though he himself never quite achieved the greatness of his peers, he was associated with greatness for much of his life. A close friendship with Renoir was only terminated by the master’s death in 1919, a group exhibition of 1907 at the Marcel Bernheim Gallery included himself, Bonnard, Cézanne, Matisse, Pissarro, Rouault, Seurat and Toulouse-Lautrec while a later exhibition at the same venue in 1926 consisted of d’Espagnat, André, Bonnard, Braque, Chagall, Matisse, Picasso and Signac. From 1936 onwards he served as a Professor at the Ecole Nationale Superieure des Beaux-Arts in Paris and he died in the French capital on 17th April, 1950. In the following year he was honoured by a retrospective exhibition at the Salon d’Automne, of which he had been Vice-President for many years.
Examples of his work are in many of the world’s most important museums including the Museum of Fine Arts, Boston, the Musée Royal des Beaux-Arts, Brussels, the Metropolitan Museum of Art, New York, the Art Institute, Chicago, the Pushkin Museum, Moscow, the Musée d’Orsay and the Musée d’Art Moderne, Paris, and the National Museum of Western Art, Tokyo.
Authentication:
This work will be included in the forthcoming catalogue raisonné being prepared by Jean-Dominique Jacquemond.
Provenance:
Schoneman Galleries, Inc., New York
Private Collection, New York (acquired from the above in 1968)
Acquired from the above
Le Trianon Fine Art & Antiques
Art D256
- Creator:Georges d'Espagnat (1870-1950, French)
- Dimensions:Height: 66.75 in (169.55 cm)Width: 48.5 in (123.19 cm)Depth: 1 in (2.54 cm)
- More Editions & Sizes:66 3/4 by 48 1/2 in. W/frame 70 ¾ by 52 ½ in.Price: $64,500
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Sheffield, MA
- Reference Number:Seller: Art D2561stDibs: LU70032063673
Georges d'Espagnat
Georges d’Espagnat was born in 1870 in Melun, France. He was a painter, muralist, illustrator and theater designer. His family moved to Paris in the 1880s and at the age of 18 he declined the academic training of the Ecole des Beaux-Arts and chose instead to independently study the works of the Old Masters in the Louvre and attend classes at the free academy. In 1891 d’Espagnat began exhibiting at the Salon des Refusees and in the following year exhibited four paintings at the Salon des Independants. He later exhibited at the Salon of the Societe Nationale as well. Although associated with many of the greatest names in 20th century art, and though his work has at various times been identified as Fauve, Nabis or Impressionist, he retained his own individuality. He was influential in the art circles of his time with the likes of Matisse, Gauguin, Picasso, Pissarro and Chagall. d’Espagnat also became closely acquainted with many of the Impressionists and Post-Impressionists including Renoir, Vuillard, Andre, Bonnard and Denis. In 1895 he had his first solo show in Paris and three years later a show at Durand-Ruel Gallery. He was part of a group exhibition in 1907 at the Marcel Bernheim Gallery along with Bonnard, Cezanne, Matisse, Pissarro, Rouault, Suerat and Toulouse-Lautrec while in 1926 his works were a part of another exhibition at the same gallery along with Andre, Bonnard, Braque, Chagall, Matisse, Picasso and Signac. In 1903 d’Espagnat was one of the founding members of the Salon d’Automne and, a year later, became the vice president. In 1906 he collaborated on the illustrations for Remy de Gourmont’s Sixtine, and later worked with Alphonse Daudet on his book, L’Immortel. Traveling extensively throughout his lifetime, D’Espagnat visited Britain, Germany, Italy, Portugal, Morocco and Spain. His work can be found in many museums including the Museum of Fine Arts, Boston; the Musee Royal des Beaux-Arts, Brussels; the Metropolitan Museum of Art, New York; the Art Institute, Chicago; the Pushkin Museum, Moscow and the Musee d’Orsay.
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