Lu Haskew

Searching the Waters, 18x22, figurative watercolor, framed

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Thoughts of Home by Lu Haskew Oil 24x30" image size, 30x36" framed (wood with gold leaf) ​ Still life with flowers and fruit amongst a porcelain tea s...

"Take me Home" by Lu Haskew Oil 19x16" framed, 12x8" image size Signed lower left A young child very apparently ready to go home from their intense yet cute look. The child is weari...

"Grey Day on the Bay" by Lu Haskew Oil 24x28" framed, 16x20" image size Signed lower left When Lu visited her sister in Oregon she always made a point of visiting the ships at dock ...

John Fishing​ ​by Lu Haskew Oil 30x24" image size ​ Figurative Portrait of a man with fishing pole. ABOUT THE ARTIST: Lu considered it a must to work with live models once or twice...

Beach Day I Study is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases a beautiful day at the beach and sailboats on the horizon hous...

This artwork "Landscape with People Fishing" 1978, is an oil painting on hard board by Polish/American artist Morris Katz, 1932-2010. It is signed and dated at the lower right corner by the artist. The artwork (Hard Board) size is 20 x 24 inches, framed size is 28 x 31.75 inches. Framed in original wooden gold frame, with fabric liner and gold trim. The artwork is in excellent condition, the frame is in very good condition. About the artist: On May 9th, 1988, the New York artist set a new world record by painting a 12- by 16-inch canvas of a child in the snow in just half a minute. (It took an additional eight seconds to frame it.) And that wasn’t the only distinction granted to Katz by the Guinness Book of World Records—his name appeared alongside Pablo Picasso’s under the heading for “Most Prolific Painters.” The Spanish master is estimated to have completed some 13,500 paintings in his life; when Katz died in 2010 at age 78, he was credited with 225,000. Katz’s preposterously productive career began in the small Polish village where he was born in 1932. He started studying under a German painter at age 13, but following World War II he earned a diploma in carpentry instead. In 1949, at the age of 17, he travelled to the United States. It was there that he picked up a paintbrush again, while studying at the Art Students League of New York and showing in the Village. “Soon, I decided I was good enough—compared to others, excellent enough—to make my living as an artist,” he said. It was during those years that he developed the techniques that would eventually land him in the record books. He tossed out his paintbrushes and replaced them with palette knives and toilet paper, which he used to stipple the paint. “Soon I picked up speed,” Katz said. “If you know which way you’re travelling, then you can run.” He made art in bulk, buying up canvases by the thousands and paint by the gallon. He went through some 10,000 rolls of toilet paper per year; he often wore out palette knives. Katz branded his method as “instant art.” Charles Salzberg, writing in New York magazine in 1978, urged readers, “Think of him, if you will, as the McDonald’s of the art world”—fast, cheap, and ubiquitous. He wore a green beret, paint-splattered pants, and a shirt emblazoned with the words “Morris Katz - World’s Most Prolific Artist.” It was a title that came with a price—he worked 18-hour days into his 60s, sometimes from his Greenwich Village studio and other times as a performer at hotels across the Catskills. He would often visit three different hotels in the same day, waking up at 7 a.m. and returning home as late as 1 a.m. His show was as much about the painting as it was the one-liners: “These are the highlights—you can tell because they’re high up on the painting,” he might say. Audiences gobbled up the jokes and the works, often paying less than $50 for a painting. “I give them a fresh painting like a fresh bagel,” he said. Photographer David M. Spindel first met Katz on assignment. “They’d call him mashugana—that’s the Yiddish word for a little bit crazy,” he told Artsy. The pair soon became friends, and Spindel ended up attending several of the artist’s hotel shows. “There were a lot of people from the hotel who were sitting in the room and he set up his easel and his toilet paper and paints and knocked out paintings one after another,” Spindel said. “Just a couple of minutes for each painting, usually. If he was kibitzing with the people in the audience then it took a lot longer. He was always clowning around.” His act was ready-made for television; he appeared on 60 Minutes, David Letterman, and Oprah, among other programs. And Katz didn’t just make instant art—he taught it as well. In 1987, the New Yorker sent a writer to attend one of his speed-painting classes at the Notre Dame School on West 79th Street. A dozen eager students watched in admiration as he whipped up a mountain landscape, asking for advice on how, exactly, to hold their toilet paper for maximum artistic effect. For those who couldn’t make it to Manhattan for a lesson, he published a book—Paint Good & Fast (1985)—with a title as straightforward as his philosophy on art. “Life goes faster and faster,” he wrote. “The fine arts must keep pace. This art will one day be...

This artwork "Seascape" is a watercolor by noted American artist, Charles Grant Davidson, 1865-1945. It is signed at the lower left corner by the artist. The artwork size is 10.5 x 1...

This artwork titled "Alexandria" 1991 is an original color serigraph by noted American artist Susan Rios, b.1950. It is hand signed and numbered H.C 50/70 in pencil by the artist. With the blind stamp of the publisher Martin Lawrence Editions, Printed by American Serigraph, Los Angeles, CA. The image size is 27 x 22 inches, sheet size is 34 x 27.85 inches. It is in excellent condition. About the artist: Susan Rios was born in Terre Haute, Indiana, and spent her early years nurturing her natural artistic talent, eventually earning an art scholarship to California State University, Northridge in Los Angeles. Upon graduating, Rios began working for an advertising agency and later became a floral designer. This influence can be seen in her unique artwork, which does not ring true of any particular artistic style; instead, Rios blends realism and impressionism to her own personal techniques, creating something novel that appeals to all kinds of people. “No heart is so hard that it doesn’t respond to flowers,” Rios explained. Her warmth and gentle also touch countless people because her creations depict “the private times. They’re the details that people remember. Her beautiful, delicate creations are collected worldwide and her fans include Walter Matthau, Patty Duke Astin, and Priscilla Presley...