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Narcisse Virgilio Díaz de la Peña"Elegant Figures in a Forest" Oil on Wood Signed in Frame with Expertisecirca 1840s
circa 1840s
$5,396.31
£4,014.31
€4,500
CA$7,389.39
A$8,215.99
CHF 4,289.94
MX$100,008.64
NOK 54,737.74
SEK 51,286.65
DKK 34,256.01
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About the Item
Narcisse Virgile Diaz de la Pena (1808-1876), "Elegant Figures in a Park."
Oil on wood signed on the back Diaz de la Pena. We thank Michel Rodrigue for confirming the attribution of the painting to Diaz.
Measurements
panel 24.5 x 14 cm
frame 35 x 24 cm
The son of a Spanish exile, Narcisse Virgile Diaz de la Peña spent a wandering youth: from Bordeaux, his hometown, to Paris, via England and Languedoc. As a young apprentice in a Parisian porcelain factory, he learned the use of colors and met painters Jules Dupré, Raffet and Troyon. Self-taught, he tried painting the immediate environs of Paris before studying the luminists of the Louvre: Correggio, Rembrandt and Prud'hon. From 1831, the date of his first participation in the Salon, until his death, he achieved relatively rapid success with collectors and with the artists who would become his friends: Théodore Rousseau, Corot, Millet, and Daumier. Due to infirmity, the landscape painter did not experience the adventure of the trip and, an admirer of Hugo and Delacroix, saw only Decamps' East. In 1836 (the year he met Rousseau), he fell in love with the forest of Fontainebleau, where he found most of his carefully chosen motifs. Soon, painters would gather around Rousseau, who had settled in the village of Barbizon, who would break the rigid framework of the academic landscape. It was a liberation that preserved the dramatic exaltation of the Romantics, combining it with a very deep sense of reality. The spectacle of a clearing or underbrush was imbued with a passion stronger than the visual anecdote. At the same time as Rousseau and Daubigny, Diaz helped take away from landscape the theatrical picturesqueness of the great panoramas of Romanticism; even more original was his understanding of the purely pictorial effect. He knows the resources of the material he handles with a feverish brush. Like a brooding fire, the red light creeps through the masses of green in the thick, burning shadow. The whole canvas lives with a mysterious light, with "dazzling solar jewels" (Focillon). Within forests and gardens sprout small, barely defined figures, fairies, gypsies, nymphs or elegant ladies, as if out of a dreamlike vision.
"Diaz's painting is a dream in an enchanted land. These forests and voluptuous creatures are encountered only in visions of hashish, when one is in perfect health and perfect happiness. It is to this fairy-tale charm that Diaz's success must be attributed; for his painting itself, or rather its execution, instills a certain awe in the bourgeoisie, which generally prefers finished, clear and easy-to-understand paintings." In his 1846 Salon, Théophile Thoré gives us a comprehensive view of his protégé, Narcisse Virgile Diaz de la Peña.
Our painting depicts a sunlit garden or forest clearing where a group of elegant ladies in sumptuous dresses are having fun joking with each other. These small, delightful genre scenes belong to a series of tablets that Diaz produced around the middle of the 19th century, which were much loved by the public and which he offered for sale, the so-called "Diaz sales"; some of them even bear the seal "Vente Diaz," in our case the panel is signed on the back and, in order to have the greatest certainty of attribution, it was submitted to the attention of Michel Rodrigue, an expert on Diaz and the Barbizon school and a member of the Union Francais Experts (UFE). Michel Rodrigue to date has viewed more than 30000 works of the Barbizon School.
- Creator:Narcisse Virgilio Díaz de la Peña (1807 - 1876, French)
- Creation Year:circa 1840s
- Dimensions:Height: 9.45 in (24 cm)Width: 13.78 in (35 cm)
- More Editions & Sizes:tavola cm 24,5 x 14Price: $5,396
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Pistoia, IT
- Reference Number:1stDibs: LU2746216701292
Narcisse Virgilio Díaz de la Peña
Narcisse Diaz de la Peña, French landscape and figure painter and founding member of the Barbizon School, was born in 1808 in Bordeaux to Spanish parents who had fled the Peninsular Wars. At 15 he began working as a ceramic painter in a porcelain factory, where he met Jules Dupré. Strongly influenced by Delacroix and the Romantics and attracted by medieval and Middle Eastern art, Diaz often in his early career painted exotic subjects. He showed his paintings in the Paris Salons of the 1830s and 1840s. Beginning in 1833 Diaz began to explore the forest of Fontainebleau, where he became a regular summer visitor in the following years, forming a close association with Théodore Rousseau and the other landscape painters of what came to be known as the School of Barbizon. Awarded a first-class medal at the Salon of 1848, he was appointed chevalier of the Legion of Honor in 1851. In the early 1860s Diaz was welcoming to the Impressionists, especially Renoir, whom he met painting at Barbizon. At Etretat, where he summered in 1869, he painted seascapes in the company of Gustave Courbet. Diaz's work is in numerous collections including the Metropolitan Museum of Art, the Louvre and the National Gallery in London.
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