Reginald Marsh

Summer at the Pier

Dated, signed, dated, and inscribed lower right: MAY 23 1932 Reginald Marsh ’32 / WC 32-10

Signed and dated lower right: Reginald Marsh – / 1947

Isabel Bishop portrays two people riding on a crowded subway using bright color in her painting “Study for Subway Reading.”

Signed and dated lower left: HAROLD / VON / SCHMIDT / 1933

Signed upper left: Witkowski

Signed and dated lower left: HAROLD / VON / SCHMIDT / 1933

A double sided painting. An urban realist painter of New York City genre, Reginald Marsh devoted his career to depicting people going about their everyday business including Bower...

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

the most important American Impressionists of his age. While many of his contemporaries focused on the landscape, Frieseke gained his inspiration from the figural, and in particular the theme of femininity. His works capture female figures engaging in traditionally feminine roles — strolling in the garden or posed in a domestic interior. At the Mirror...

Émile Munier is counted among the greatest Academic painters of all time, and this oil on canvas entitled L'Amour Désarmé is one of the finest works that he ever composed. It was pai...

Signed and dated, lower left: Hugues Merle / 1865 Provenance: (Possibly) T. J. Blakeslee; his sale, American Art Association, Mendelssohn Hall, New Yo...

Medium: Oil and Ink on Gessoed Board Signature: Signed Lower Right

This museum quality old master oil on canvas formal portrait painting depicting the family of the Count Zanardi is signed by the artist- the female painter Lucia Casalini Torelli- and published in a book dedicated to Casalini Torelli’s workshop and academy. This palatial masterpiece artwork comes directly from the ancient Villa Maraini Guerrieri - Palidano di Gonzaga (Mantua), an historic Italian heritage building owned by the descendants of the family portrayed for more than two centuries, until 1998. The big scale of this oil on canvas masterpiece painting states the relevance of Lucia Casalini Torelli as a painter. The present artwork is a formal family portrait painting that aim to introduce the characters depicted according to their social role in the society. The noble family is all gathered under a loggia overlooking a park, the landscape in the background is partially covered by a beautiful red cloth on the right side. The father stands up and holds the hand of his eldest son, proudly introducing his future heir. The son wears a light-blue dress and red boots, he is depicted in a serious pose holding a black tricorn hat under his arm and a rapier sword on his belt. The mother wears an elegant gold and dark green brocade dress, she is sitting with her youngest daughter on her knees while her second son is by her side. The little daughter wears a lovely long red and dress with white lace and holds an apple on her hand. The son stands next to his mother and is dressed in a brown priestly clothes. This palatial old masters piece was probably painted in 1740 due to the similarities with Cardinal Doria’ s portrait, now on display at the Doria Palace Museum, the official residence of the Prince of Genoa. The painting features original canvas (“prima tela”) and antique original patina, it is in excellent overall condition considering the age, use and its large scale. A formal detailed condition report and the results of the inspection with the UV lamp accompanied by photos is available on request. As well as for its exceptional quality and quite perfect state of conservation, this painting is particularly important and even more valuable both for the artist who painted it and for its absolutely exclusive provenance. Lucia painted the most prominent and powerful noble families of her time, the location of these paintings is unknown to the art market as it is extremely likely that the portraits are still kept in private collections. Furthermore, Lucia was one of the most appreciated artists of her time, so important that she was admitted as a member of the academy at a time when women were forbidden to attend these studies. In 1706, Felice Torelli...

The Education of Achilles by the Centaur Chiron Signed and dated "A.C. Chrétien 1861" (lower right) Oil on canvas A masterpiece of Frenc...

Signed indistinctly, lower right: Musfcher f. Provenance: Private Collection, London (according to a label on the reverse) with Newhouse Galleries, New York, as Caspar Netscher with Galerie N. Karger, Caracas, Venezuela, as Caspar Netscher Acquired by the grandmother of the previous owner, and by descent; offered Christie’s, New York, 26 October 2016, lot 144, as Caspar Netscher (withdrawn) Private Collection, Pennsylvania Michiel van Musscher...

Signed “G-Seignac” (lower right) Oil on canvas French Academic painter Guillaume Seignac was renowned for his masterful treatment of the idealized nude. His languishing female subje...

A double sided painting. An urban realist painter of New York City genre, Reginald Marsh devoted his career to depicting people going about their everyday business including Bower...

Medium: Oil and Ink on Gessoed Board Signature: Signed Lower Right

Here for your consideration is an oil on masonite by the well known American social realist artist, Moses Soyer. Signed lower right. Circa 1950. In its original wormy chestnut fram...

A charming and exquisitely framed piece that is evocative of the late 1930's and early 40's in America. Simkhovitch was a regional artist and WPA muralist and he was famous for his ...

Frank Wilcox 1949 Signed & Dated Lower-Left Oil on Masonite 21.5 x 29.5 inches 26.5 x 34.25 (framed)

Approximate Date: 1947 Medium: Oil and Mixed Media on Masonite Signature: Signed Upper Right Size: 20.00" x 24.00" "The Freesoil Printery," oil and mixed me...