Violin Figurative Paintings

Signed lower left, 'Alf. Broge' for Carl Harald Alfred Broge (Danish, 1870-1955) and dated '1918'. Frame dimensions: 38.75 H x 1.25 D x 32.5 W inches (98.5 H x 3.25 D x 82.5 W cen...

A very fine Italian oil on canvas titled "The Solo Violinist" by Luigi Da Rios (Italian, 1844-1892), depicting an interior 18th century room scene of a single violinist player; withi...

Frank Califano His Master's Aim, circa 1922 Signed lower right Oil on canvas 36 x 22 1/4 inches Provenance Zaplin-Lampert Gallery, Santa Fe, New Mexico Private Collection (acquired ...

This painting by Astrid Ritmeester belongs to a series she has called 'Memories' Ritmeester also works as a costume and graphic designer for theatre productions. Astrid Ritmeester...

A 20.5” x 16.5" x 1.5" Magic Realism Figurative Artwork by artist Evgeniya Golik. A certificate of authenticity will accompany the piece upon its purchase or delivery. Evgeniya Golik (also known as Evgola) is a Russian born pop-surrealist based in San Diego, California. Golik graduated Art School at the age of 17, and having studied at the Far Eastern State Technical University in Vladivostok, Russia, Golik graduated and earned her degree in Design and Architecture. In the present moment, she is a full-time fine artist, illustrator, educator. Inspired by the European Renaissance, Russian Orthodox icons, Slavic folklore, fairy tales and modern pop culture (fashion, photography, cinematography, music), Golik’s art combines a classic sensibility within a contemporary setting, something which artist-self defines as ‘Neo-Renaissance’. Using a variety of media, her work joins real world portraiture with imaginative and often surreal narratives to highlight and reveal her subject’s personalities. Golik’s paintings and drawings are doors to a mystical realm, one which showcases a myriad of beautiful human faces and fantastical creatures, that seek to express their secret through esoteric language. Golik has been working notably with The Oceanside Museum of Art (OMA), Museum Of Latin American Art (MOLAA), Museum of Contemporary Art San Diego (MCASD), New Americans Museum (NAM) and with James Hubbell & Ilan-Lael Foundation (Pacific Rim Park Project). Her art has been exhibited in various Galleries within the USA and Europe, as well as being published and commissioned by private collectors all over the world. "This artwork is my impression of a classical music piece now known as “the Air on a G String...

Sensual in it's style and subject matter, Andrew S. Conklin's still life "Duet II" explores the sexuality in both innate objects and the human form. The female figure is off to the ...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Adewuyi Theophi...

"Alexei Ravski unites landscape painting with the art of the surreal in his dramatic, large-format compositions. Meticulous in technique, they are marked by a striking use of perspe...

This painting is measured without frame. With frame it measures 87 x 76 cm Cornelis le Mair (Netherlands, Eindhoven, July 3rd 1944) is a Dutch painter. This Classic painter is fam...

Date: 1955 Medium: Gouache on Board Dimensions: 24.00" x 18.50" Signature: Signed Lower Right Original cover illustration for The Saturday Evening Post, February 5, 1955. The Post ...

A Dynamic, 1960s Mid-Century Modern Painting of a Concert Violinist by Noted Chicago Artist, Rudolph T. Pen. Pen was recognized for his unique, Modern style of abstract figure paint...

Rein Pol Cello 93 x 120 cm ( Frame is included 107 x 134 cm) Oil on wood panel, 1987 Looking at Rein Pol's work, it is first and foremost striking that the artist's subjects are very diverse. However, he was mainly known for his paintings 'with trains'. If you look further, you will see that Rein Pol has many sources of inspiration about which he can tell 'stories in paint'. On the website of the Classical Academy in Groningen there is a beautiful teacher portrait of Rein Pol, the first part of this text comes from that site: The fact that Rein Pol made paintings with trains in them gave him the stigma of being a train painter. The 'Blue Angel' is just one of many, often autobiographical, subjects in his paintings. This also applies to nature, landscape, persons and objects from his immediate environment, in which transience is an underlying theme. “As a child I was always drawing. The profession of art teacher appealed to me. It never occurred to me that I could become a painter.' At the Minerva Academy, teachers such as Ger Siks and Matthijs Röling impressed him. Their influence is still noticeable in his paintings: the atmospheric of Röling and the alienating of Siks. After the academy Rein briefly taught at a secondary school. "Not an unqualified success! So when I was asked to come and teach at Minerva, I seized the opportunity with both hands. I have learned a lot myself from teaching academy students.' A violin on fire, a train soaring to heaven, Romance at its best! The passion is in the details, the feathers of a dead bird, the drops on a misty mirror. And that passion is what Romanticism is all about. Rein Pol has been working professionally as a painter since 1976. He always has a keen eye for the expressiveness of the apparently insignificant detail. Every theme that Pol paints is depicted in a clear, harmonious composition with great attention to light, texture, spatial and color effects. The paintings are not intended as an exact copy of the reality around us, but as a representation of our own reality! Hans van Seventer previously wrote: “The subjects of Rein Pol's paintings move between the ordinary and the absurd. He paints musical instruments as well as a bottle containing the fetus of a pig. Sometimes the smell of manure rises from his landscapes, then again a Groningen bum toils along the steep banks of a Norwegian fjord. His self-portraits form a collection in themselves: in the mirror of the bathroom, in a glass display case surrounded by 'gohst of the past', or simply with a jar of pickles as a sign of his dignity”. With his work Pol is counted among the Northern Figuratives. Rein Pol exhibits a lot in the Netherlands. Abroad he exhibited in Germany, Norway, Poland, Switzerland and Indonesia. With the so-called Zwiggelte Group in France, the United States, Canada and Australia. Much of the painter's work is included in private collections. His paintings are also in the possession of, among others, the Drents Museum in Assen, the Smallingerland Museum in Drachten, the Free University of Amsterdam, the ING Collection and the Philips Collection...

OIL ON CANVAS Ready to hang. Shipping from Belarus, Minsk. Natalia Ivanova is a well-known Belarusian painter working in the style of symbolic figurat...

Alfred John Bouchette, 1844 - 1893 A London painter of figurative subjects and portraits. He exhibited with the Royal Society of British Artists in London, the Manchester City Art Ga...

Hearing the soft tune play You will be rejoiced on a busy day, though you can not see the sound it’s like a mime changing a lonely time to a colorful day. ...

Freedom will not come Today, This year Nor ever Through compromise and fear. I have as much right As the other fellow has To stand On my two feet And own the land. I tire so...

On the Streets of Paris by Lu Haskew Watercolor ​30x22" image size, archivally matted and framed behind glass. A young musician plays their violin wi...

19th century Dutch oil painting of a musical scene Dutch, Late 19th Century Board: Height 28.5cm, width 24cm Frame: Height 46.5cm, width 42cm, depth 7cm This beautifully composed 19th-century oil painting offers an evocative glimpse into everyday domestic life, centring on a tender moment between a mother and her child. Set at the open window of a period townhouse, the woman gently cradles her toddler, who wears a traditional white cap and a 19th century toddler gown, clutching a small metal rattle. Dressed in refined mid-19th century fashion, the mother wears a vivid orange dress beneath a vibrant pelerine and a pink-ribboned lace cap—indicating her middle-class status and contemporary taste. Adding a charming narrative layer, she reaches down to touch the cap of a young street musician...

The street violinist figurative painting by Rafael DeSota (American, 1904-1992), 1979. Giltwood frame. Signed "Rafael DeSota 1979" lower right. 18"H x 24"L. In 1930 he began to draw interior story illustrations for Street & Smith's western pulp magazines...

A violinist, playing a melancholy tune, helps conjure up the change of season from fall to winter on Halloween, as represented by the black cat. The cat is holding the Tempest in the Teapot kettle. The raven, who is bursting forth from the steam of this tempest, represents the cold, dark and harsh winter to come. Juxtaposing and altering unrelated natural objects with the machinations of man to create a scene of an impossible surreal world, the viewer enters the mind of artist Christopher Klein...

Sensual in it's style and subject matter, Andrew S. Conklin's still life "Duet I" explores the sexuality in both innate objects and the human form. The female figure is off to the s...

Oil on canvas

Born in 1961, Alexej Ravski exhibits in France, Germany, Belgium, The Netherlands, the United States, Belarus and his native Russia. Alexej’s painting i...

Date: 1920s Medium: Oil on Canvas Sight Size 20.00" x 16.00", Framed 24.00" x 20.00" Signature: Signed Lower Right

Medium: Oil on Canvasboard Signature: Signed Lower Right Revere F. Wistehuff was one of the central group of cover artists in the New Rochelle Art Colony in the 1920's, '30s, '40s w...