Thomas Cooper Gotch

Study for The Child Enthroned

Adolphus M. Madot Circa 1833 - 1861 Oil on canvas Image size: 36 x 24 inches (91.4 x 61 cm) Arched Pre-Raphaelite style frame The subject of the present picture is the dialogue between the court jester Touchstone and the shepherd Corin in the Forest of Arden ( As You Like It, Act III, scene 2). The work of William Shakespeare 'As You Like It' was a popular literary source in Pre-Raphaelite circles, inspiring such artists as John Everett Millais, Walter Howell Deverell and Arthur Hughes. The present picture is comparable in style to the work of Edward W. Rainford and Henry Stacy Marks...

Francis Plummer 1930 - 2019 Exiled Oil on board Image size: 20 ½ x 24 ½ inches Framed This rare collection of works from the artists estate, painted i...

Oil on canvas Image size: 12 3/4 x 9 1/2 inches (32.5 x 24.25 cm) Here, we see a sleeping putti lying underneath a set of trees, holding a ribbon. The text that can be seen on the scroll is from the Song of Solomon, chapter five, verse two; ' I sleep, but my heart waketh: it is the voice of my beloved that knocketh, saying, Open to me, my sister, my love, my dove, my undefiled: for my head is filled with dew, and my locks with the drops of the night'. This work was created after a well-known painting by the Spanish artist Alonso Cano...

Oil on canvas Image size: 29 x 24 inches Contemporary frame James Arden Grant RP was born in Liverpool in 1887 and studied at the School of Art there, where he also later taught. He...

Anna Zinkeisen 1901-1976 A Boxing Tournment Oil on canvas, signed lower right Image size: 29 x 36.5 inches (73 x 93 cm) Original hand made frame A Boxing Tournament is a vivid and impactful snapshot of a professional boxing match from the late 1920s/1930s. It depicts the Len Harvey vs. ‘Kid’ Nitram fight held at the Royal Albert Hall on 19th January 1928, which Zinkeisen went to watch. The umpire of this match was the well-known Sam Russell. Here, Russell is seen wearing a dinner jacket as well as a shirt - an indication that this was a match in a professional tournament. Both Len Harvey and 'Kid' Nitram were esteemed boxers. Harvey boxed at every weight division available at the time, from flyweight to heavyweight and became the light-heavyweight and heavyweight champion of the British Empire. During the Second World War Harvey joined the Royal Air Force as an officer. Anna enjoyed noticeable publicity from the painting at the time. She appeared in photographs, alongside her sketches for the painting, in numerous newspapers including The Daily Mail (31st January 1928) and The Sketch (8th February 1928). This painting is featured in Highly Desirable: The Zinkeisen Sisters & Their Legacy by Philip Kellaway, page 178 (Leiston Press, 2008). The Artist Anna Zinkeisen was born at Kilcreggan, Dumbartonshire on 29 August 1901, the daughter of Victor Zinkeisen, a timber merchant, and his wife Clare. In 1901 the family moved to Middlesex. Anna and her sister Doris attended Harrow School of Art before they both won scholarships to the Royal Academy Schools, where Anna studied sculpture from 1916-1921, winning several medals. She received a commission for some plaques from the Wedgwood company and although her designs were awarded a silver medal at the Exposition des Art Decoratifs in Paris in 1925, she decided to specialise in portrait painting and mural work. In 1935, Anna and her sister Doris Zinkeisen were commissioned by John Brown & Co. (Shipbuilders of Clydebank) to paint the murals in the Verandah Grill of the famous ocean liner the RMS Queen Mary. Their work can still be seen on the ship, now permanently moored in Long Beach, California. They also painted murals for the Queen Elizabeth. In 1941, during World War II, the Zinkeisen sisters were both employed as war artists for the North West Europe Commission of the Joint War Organisation of the British Red Cross Society and the Order of St John...

Oil on canvas, signed lower right Image size: 33 1/2 x 56 1/2 inches (85 x 143 cm) Original gilt frame Provenance With the artist's son, Millie Dow Stott Esq., until 1912. Artist's Studio Sale, Christies, November 1913. Private Collection Exhibitions London, Royal Academy, 1895, no. 679. Paris, Societe de la Nationale des Beaux-Arts, 1896, no. 1179. Berlin, VII Internationale Kunstausstellung 1897. no. 3533. Manchester, City of Manchester Art Gallery, 1912, no. 339. In the 1890s William Stott exhibited regularly at the Royal Academy, mainly highly decorative works with subjects derived from classical mythology and literature. This painting was Stott's 1895 entry to the Royal Academy and was subsequently exhibited at the Paris Salon of 1896 and then on to the Berlin, VII Internationale Kunstausstellung 1897. Shakespeare was a favourite source for Victorian painters, and the tragic romance of Ophelia, from Hamlet, was an especially popular subject, featuring regularly in the Royal Academy exhibitions. The most popular and iconic image of Ophelia's death was, and is to this day, John Everett Millais's 1851 painting showing the confused and tragic Ophelia floating downstream on her back in a state of mad ecstasy, arms raised in a gesture of inevitable submission. However, although Stott chose not to pastiche this image, it seems highly likely that he was prompted to take up this subject, which had almost become a 'rite of passage' among Victorian painters, by the fact that in 1894 Millais's Ophelia was presented to the National Gallery of British Art by Sir Henry Tate. It appears that Stott was much influenced by John William Waterhouse...

A Large and impressive antique oil on canvas Pre-Raphaelite painting by the German artist, Hermann Frobenius (1871-1954), signed and dated 1900. Frobenius had classical training and ...

Babies are falling from the sky and not bombs. British female artist and illustrator Noel Laura Nisbet makes a passionate twist to the reality of En...

Albert LYNCH (1851-1936) French "Rêverie" Oil on canvas Signed lower left Canvas: 43 1/4" high x 24 3/4" wide Frame: 49 5/8" high x 30 3/4" wide Albert LYNCH: Born in Lima in 1851, Albert Lynch studied art at L'Ecole des Beaux-Arts de Paris and in the studios of the figure painters Gabriel Ferrier and Henri Lehmann...

Signed and dated figurative oil on canvas by English Pre-Raphaelite painter John Edward Brett. In 1896 John Brett and his wife Mary went to Paris, the first time the artist had been ...

SALE ONE WEEK ONLY In “My Best Friend” Girard has captured a tender symbiotic relationship between the woman and her sweet pet. The entire piece swirls with the soft beauty and magical exchange shared by the two individuals. The frame does not enclose so much as enfolds the scene and its decorations are an integral part of the work. Upon close inspection tiny animal figures cavort in the air adding to the spell - almost like fairy characters from Shakespeare’s “A Midsummer’s Night Dream.” The jewelry is beautifully render as are the loving expressions of the faces of both the animal and the woman. The composition is filled with objects and figures but captured softly and in rich detail. The figures appear to be completely self-absorbed and the decorative elements about their heads could suggest the intensity of their thoughts and feelings. Girard was a Detroit figurative painter and teacher at College for Creative Studies, Detroit, Michigan where he taught for 30 years. Other College for Creative Studies (formerly Center for Creative Studies) faculty and graduates include Richard Jerzy, Harry Bertoia, Doug Chaing (currently director of Lucas Film), Stephen Dinehart (game maker, writer, designer connected with The David Lynch Foundation), Tyree Guyton (international artist), Herb Babcock, Jerome Feretti, Kevin Siembieda (writer, designer and publisher of role-playing games), Renee Radell, Philip Pearlstein, Charles McGee (nationally recognized African American sculptor of animal and dancing spirits), Philip Pearlstein (2000 Honorary Doctorate, Modern Realism style), and John Louis Krieger...

Artist/ School: English School Circa 1900 Title: Portrait of a young woman, head and shoulders Medium: oil on board, framed within an antique 'Florentine' gilt frame. actual pain...