William Adolphe Lambrecht

San Marco place in Venice Oil on Canvas by W.A Lambrecht

1920

A wonderful example of the artist's work depicting an idyllic scene in the Norfolk countryside. Owen Waters (1916-2004) Farm near Repps Signed, inscribed with title verso Oil on boa...

Beautiful light in this view of Morston the North Norfolk coast James Longueville (born 1943) Setting sail, Morston Signed, inscribed with title to the reverse Oil on board 16 x 24 ...

A very early, seminal work by this highly important British artist dating to 1893. The artist was a good friend of John Singer Sargent and they painted together around Europe. The...

An impressive, panoramic view of the River Stour looking towards Harwich and Felixstowe in Suffolk. It is very much a snapshot of times gone by with the hay barge loaded with hay. F...

An idyllic scene of figures punting on an East Anglian river. Dating to 1919, the image has an added poignancy as it is in sharp contrast to the tragedies of the First World War whic...

A wonderful example of the artist's work depicting an idyllic scene in the Norfolk countryside. Owen Waters (1916-2004) Norfolk pastures Signed Oil on board 12 x 16 inches excluding...

Montezin's dazzling display of brushwork captures the effects of the sunlight on the water and the glittering leaves of the poplar trees. A masterwork by the artist presented in the ...

One of several paintings that we are offering by Henri-André Martin's. A wonderfully evocative image of an expansive beach with figures relaxing on a beach in the South of France, pa...

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...