William Lester Stevens

"Rockport" William Lester Stevens, North East Coastal American Landscape

circa 1920s

Winthrop Duthie Turney Pigeon Hill, Rockport Signed lower left Oil on canvas 20 x 24 inches Exhibited New York, National Academy of Design, Artists of America, Sixth Annual Exhibition, 1949. Winthrop Duthie Turney was born in New York City and received his education at the Art Students League. He was affiliated with the Fifteen Gallery...

Everett Warner On the Wharf Signed lower left Oil on panel 15 x 20 inches Provenance Cooley Gallery, Old Lyme, Connecticut Everett Warner was born in...

Walter Elmer Schofield Sketch, circa 1880s Oil on panel 12 x 14 inches Walter Elmer Schofield is regarded as a leader of the Philadelphia Impressionists and central to the broader ...

John F. Carlson Hyannis Pond, 1940 Signed lower left Oil on board 16 x 20 inches Provenance Vose Galleries Private Collection, New Jersey The native Swede John Fabian Carlson beca...

A striking original oil painting by renowned American Impressionist painter Emile Albert Gruppé (1896–1978), featuring a classic Gloucester Harbor scene in Massachusetts. This atmosp...

James Jeffrey Grant's painting, "Gloucester Harbor," captures the bustling charm of a historic New England fishing port. The scene is lively, with severa...

A wonderfully colorful early piece by William Lester Stevens. Housed in a beautiful period Newcomb-Macklin frame. Great package! William Lester Stevens was born in Rockport, Massachusetts in 1888. He first studied art under Parker Perkins and, by the age of eighteen, had his paintings accepted by the National Academy of Design and won a scholarship to the Boston Museum of Fine Arts School, training under Edmund Tarbell. After studying in Europe he retuned home and helped establish the Rockport Art Association with Aldro Hibbard and Harry Vincent. Until the 1940’s, Stevens remained in Rockport and the Cape Ann area, painting, teaching and continuously showing paintings. Later, Stevens moved to Conway, Massachusetts where he made a studio and continued to paint. He taught classes at both Princeton and Boston University. He won more awards and prizes for his work than any other living American artist in New England. The awards he garnered were impressive, over one hundred national awards and prizes. Among his most outstanding are the 4th William A. Clark Prize from the Corcoran Art Gallery, Washington, DC; the Gedney Bunce Award from the Connecticut Academy of Fine Arts, Hartford, Connecticut; Second Atman Prize at the National Academy of Design, New York City; First Prize in the Springfield Art League, Best Work of Art in Oil Painting in Rockport Art Association shows; and the William Delano Purchase Prize from the American Watercolor Society. He was a member of the Guild of Boston Artists, New Haven Painting and Clay Club, Springfield Art league, North Shore Arts Association, Philadelphia Watercolor Society, New York Watercolor Club, Boston Society of Watercolor Painters, Washington Watercolor Club, Connecticut Academy of Art, Washington Landscape...

Emile Gruppé beautifully captures a busy Gloucester harbor scene with fishermen tending to their boats—a signature subject for the artist. This example is pre-1945. Gruppé was reno...