Frederic Stanley

Trump Shirts, Arrow Shirts Advertisement

1930

Original cover for Liberty magazine, published October 3, 1931 Sandy is excited to receive an unexpected $35 income tax refund check. After going to the bank, he goes to lunch with ...

Boys' Life, The Boy Scouts' Magazine Cover, February 1922 Harold Anderson studied at the Fenway Art School in his native Boston. Among his instructors were Chase Emerson, Harold Brett, and Arthur...

Original cover for Liberty magazine, published May 23, 1931. Lil and Sandy have their friends Mr. and Mrs. Saunders Shanks over to their house for a game of cards. After settling do...

Approximate Date: 1948 Medium: Oil on Board Signature: Signed Lower Left Size: 20" x 16", Framed: 26" x 22" Original cover illustration for The Saturday Evening Post, September 25 1...

Bret Reilly’s “Crumpled” series seamlessly intertwines the ethereal essence of Impressionism with the dreamlike distortion of surrealism, blurring the lin...

Original. Part of Candy Wrapper Collage series in Pop Art style. Natural wood frame. Homage to Trump. About the Artist: Benjamin received her Bachelor’s Degree in Fine Arts from the American University in Washington D.C. and her Master’s Degree in Art Education from New York University. In addition she received an Associate’s Degree in Textile Design from the Fashion Institute of Technology and studied at The Art Student’s League, The Parson’s School of Design and The New School. Benjamin taught art for 34 years. While on sabbatical from teaching she studied textile design. For the next 15 years she continued to teach, as well as freelance as a textile designer in both home furnishings and the apparel markets. In the mid 90’s her focus turned towards computer graphics, and as an art educator, she incorporated this into her curriculum. She was awarded for a “successful practice in crossing the digital divide through art and technology” by the United States Department of Education. Her early works were oils and acrylics. During the late 60’s her interest was in pure abstraction. Pop Art and the human figure began to interest her in the early 70’s. Gradually, Benjamin was drawn to experimenting with mixed media. In the 80’s there was the influence of a career in textile design that moved her towards a more decorative style. In the 90’s, she became involved in the teaching of computer graphics. This was to have a profound influence in aiding and developing a more recent “POP” style. She began to incorporate into her paintings, torn pieces of digital printouts of her subjects. “The part of me that is the “digital artist” became very inspired by the use of the computer as a tool with which I could manipulate my subject and its color energy. The “fine artist” in me was then able to incorporate these concepts into a new image on my canvas. Having always had an interest in mixed media, my current work is now a combination of both POP and Collage. Since 2008 I have been creating a body of work dubbed “Candy Wrapper Collage”. A juried show’s theme, “gluttony”, challenged me to ultimately explore my POP figures through a new medium….candy wrappers! Razor blades are my new paintbrushes and candy wrappers are my new paints. Utilizing torn, cut and expired candy wrappers and their packaging, I render my subjects in diverse and colorful forms. I create representational images of celebrities and pop-culture objects...

Deborah Kass’ Vote Hillary, 2016 wryly updated Andy Warhol’s 1972 print of Richard Nixon. Under Warhol’s sinister green faced image, the artist wrote “Vote ...

In the 1970’s, Elle magazine announced that the t-shirt would become a basic item of clothing "that will never go out of fashion because it’s already beyond fashion.” The statement s...