Board Paintings

Our 19th Century painting of a mountain dwelling, bathed in soft light light is a fresh and relevant as if it had been created yesterday. Painted certainly in plein air on the motif,...

Impressionist New York City winter city-scene depicting Fifth Avenue in New York City cars and pedestrians in a most intimate, yet energetic way. Christopher is known for capturing t...

Imagine that precise minute when the sun drops below the horizon, the wind stops, and the air suddenly smells like cool earth and wildflowers. That is exactly what this canvas holds....

A true celebration of contemporary impressionism, this original fine art oil painting by Nikolay Dmitriev is a masterclass in rich, tactile texture. The artist uses heavy impasto tec...

Bring the timeless charm and golden light of a summer valley into your home. This authentic, hand-painted original oil painting by master artist Nikolay Dmitriev features rich textur...

'The Divers', oil on board affixed to stretcher, by Berthommé Saint-André (circa 1930s). A dynamic composition capturing swimmers in mid-dive at a countryside swimming pool, rendered...

Bearded Male Nude, ca. 1960's. Oil on illustration board. Measuring 13 x 20 inches. Unframed. Unsigned and unattribted.

Edgar A. (Ted) Batzell (1915=1996) Cubist Tabletop Still Life Composition, ca. 1960. Oil on artist board measuring 16 x 20 inches. Measuring 24 x 28 inches in a wide white frame. Signed by the artist lower right. Ted Batzell, was listed in Who's Who in American Art in 1957, and is now listed in Who Was Who in American Art. First in his class in the Master's of Fine Art program at Syracuse University he was awarded the highest honor along with the Augusta Hazard scholarship to study abroad. In high school he entered a nationwide poster contest and won a four year scholarship to Syracuse, where today for one year's tuition the cost is $45,000. But he never got to use the Augusta Hazard award because World War II broke out and he went to New York City where he studied at the Art Students League and with artist Walt Kuhn as well as others. Hired by the General Electric company art department in Schenectady, N.Y. , he progressed over the 35 years he was there (the only job he had until retirement), to an art director. At General Electric he was a "Madison Avenue Ad Man" for many years, like those in the series "Mad Men", spending every week at General Electric headquarters in New York City. He was known to his fellow artists, many also renowned, as "the Renaissance Man" having a voracious appetite for reading and collecting art books...

A lively, impressionistic depiction of a young couple in a wedding dress and tuxedo discovering Claude Monet's oil paintings at the Paris Museum. We are whisked away in this cherishe...

"Notes on a Garden" approaches the floral still life as a collection of impressions rather than a precise botanical study. Broad, instinctive brushstrokes shape the flowers and fol...

'Hidden Portraits XXXII', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agein...

A quiet, possibly morning, coastal or archipelago landscape under a clearing sky by Godfred Christensen (1845-1928) A tergo a note in Danish “Et lille Minde om Danmark fra Gerda Godf...

Signed, titled, and dated to verso This evocative cityscape captures a serene harbor scene under a heavy, textured sky. The artist employs a rich impasto technique to build depth a...

A vibrant explosion of nature fills the canvas. Sunflowers bloom in a dense, energetic arrangement. Thick impasto layers create a tangible sense of volume. The artist employs a rich ...

Mid-Century post impressionist oil on board of waterlillies by French artist Marc Mussier. Signed and dated 1959 to the reverse. This evocative oil painting captures a serene aquat...

Lee Herring focuses his contemporary paintings on vibrant, textured, and abstract landscapes that convey fleeting moments. Herring's energetic artworks are inspired by everyday momen...

George Paice (1854–1925) “The Colonel,” a Grey Horse in a Stable, circa 1900 Oil on board Signed lower right: “G. Paice” Titled “The Colonel” Circa 1900 Presented in a gilded frame...

Original Oil painting with hand painted Japanese collage, inspired by Moroccan Tamegroute ceramics with seasonal flowers from my garden in Oxfordsh...

'Abstract Composition', oil on board, by Pierre-Yves Beltran (1984). A dense, richly textured abstract composition rendered in a palette of deep blues, emerald greens, and earthy bro...

On offer is a tranquil marine scene set at dusk or dawn, featuring a large, square-rigged vessel resting on calm waters. SUBJECT: The prominent vessel is a brig or a small bark, a t...

"Yellow seascape" landscape of the Volsky Lily. A painting from the series "Erbu on canvas". This painting was originally created on water with a thickener with the help of drops usi...

This oil painting captures a serene rural landscape draped in the soft light of dawn. The artist painted the picture en plein air in the village of Klykovo, Kaluga Region, in the all...

'Hidden Portraits XIX', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing ...

A charming Impressionist pastoral scene of Rockport Harbor from the Summer of 1990. This vibrant impressionistic painting depicts a sunny seaside landscape with much depth and detail...

A small group enjoys a quiet afternoon beside the sea in this colourful beach painting. Two figures settle on the sand at the left, while another reclines in a chair and a companion ...

A charming Impressionist summer pastoral scene depicting Rue de Buci in Paris France. The store front bursts with color in the street as figures dine at a local cafe. This piece is e...

This work is part of the most recognized technique of Danish artist Peter Kramer (1959, Roskilde), the unique painting technique he developed called "cotton knots." For weeks, he obs...

Portrait of a Young Woman, ca. 1850. Oil on antique English millboard, panel measures 20 x 24 inches. Excellent condition with surface stress cracking and paint shrinkage consisten...

This landscape from 1938 depicts the countryside around Ramsele in Ångermanland, northern Sweden. A winding country road leads the viewer into the composition, passing open fields an...

Helmer Osslund (1866–1938) Sweden Northern Swedish Landscape signed lower right Helmer Osslund oil on greaseproof paper laid down on panel unframed 17 × 33.5 cm (6.7 × 13.2 in) fra...

A mid-century Provençal landscape of a chapel by the coast by Italian artist, Jo Bernardi. Signed, dated and framed. A Mediterranean atmosphere radiates from this composition. The ...

Beautiful minimal Abstract Expressionist painting. Mixed media on paper glued down to illustration backing board. Paper sheet measures 10.25 x 14 inches. Cardboard panel measures 1...

This piece came from the collection of the Bezalel Art Gallery on the Lower East Side of New York City. Emmanuil Snitkovsky is an internationally known artist, sculpture and poet. ...

M. Jackson (English School, late 19th Century) Chickens in a Hen House Oil on board, circa 1890 Monogrammed lower left This charming late Victorian farmyard scene captures the quiet...

JOHN ANTHONY WHEELER Portrait of a Jack Russell Terrier John Anthony Wheeler, English, 1821–1903 Portrait of a Jack Russell Terrier British Sporting Art Oil on artist’s board, cir...

A charming Impressionist pastoral scene depicting Spring in Point Pleasant, Pennsylvania. This piece is executed in an intimate yet energetic manner. Christopher is known for capturi...

Reversible Composition, c. 1937, oil on composition board, signed verso in pencil, 12 x 15 / 15 x 12 inches, “#11” “22” and #104” annotated verso, label verso reads on one side: “Cha...

Jayasri Burman - Untitled Watercolour on Board 12 x 12 inches, 2015 (Framed & Door Delivered) Jayasri Burman’s Untitled (2015) is a dreamlike world where human figures and serpe...

Title: Sunchasers Painting Animal Dog Modern Gold Contemporary Striking Invest Bold Classic Joy Original One-of-a-kind This painting forms part of an artwork series called BLUE. I ...

A wonderful impressionist-style winter landscape with beautiful color tones throughout. Waltsak has portrayed this piece in a most intimate yet energetic way and has packed much feel...

A striking Art Deco gouache on cardboard depicting a stylish singer captured in a bold, graphic modernist idiom. The figure—rendered with short red hair, a chic black hat, striped tr...

Romana Milutin Fabris (b.1941) Dubrovnik Cityscape with Nude Women, ca. 1970. Gouache on illustration board, 23 x 32.5 inches; 25 x 34.5 inches framed. Signed lower right. Foil frame label on verso from 1960's with 5 digit telephone number, dating this piece to ca. 1970. Romana Milutin Fabris, born in 1941 in Dubrovnik, is one such artist: unwavering, devoted, and endlessly inspired. Her artistic education began at the School of Applied Arts in Split and Zagreb, and continued at the Academy of Applied Arts in Belgrade, where she laid the foundations of her distinctive visual language. A pivotal moment in her formation came with an international scholarship from the Austrian government, which enabled her to study in Salzburg under the great master Oskar Kokoschka-a painter of profound expressionist vision, whose spirit echoes in Romana’s work without ever being immitated. From the outset, she forged her own path-intimate but consistent, deeply personal and unmistakably her own. In 1964, she opened her first solo exhibition at the Sponza Palace in Dubrovnik, marking the beginning of a presence on the art scene that has now spanned more than six decades. Dubrovnik occupies a special place in her work. It is not merely the city of her birth, but the city of her soul-an eternal source of inspiration. Its stone walls, austere Mediterranean light, and the lush branches of bougainvillea reappear time and again on her canvases. Through these motifs, we sense belonging, but also poetic distance-for Romana does not paint the landscape as an external scene, but as an inner experience. Her colours speak in silence, her forms exude tranquillity, and the figures in her portraits radiate a depth that reaches beyond the visible. Each painting is a page from the diary of a strong and sensitive spirit, a woman who has preserved a childlike wonder, a profound reverence for beauty, and a lifelong belief in the power of artistic expression. Romana Milutin Fabris reminds us that art is not a fleeting moment, but a lasting presence. / 1965 / FIRST SOLO EXHIBITION, SPONZA PALACE ATRIUM, DUBROVNIK · ATELIER FOR INTERIOR DESIGN MASLINA - WORK COMPLETED UNDER THE FAMOUS PAINTER MILOVAN STANIĆ...

Puffin Love - Gulliver and Tide, Over The Moon The British coastline is home to an extraordinary variety of seabirds, and puffins have always been my absolute favourite - the little ...

Title: BLUE - Insightful Intent Painting Animal Dog Modern Gold Contemporary Striking Invest Bold Classic Joy Original One-of-a-kind This painting forms part of an artwork series c...

The painting is an expressive, abstract work by Purvis Young with a strong emphasis on dynamic brushwork and a limited color palette dominated by deep reds, off-whites, and subtle ac...

Provençal hillside landscape with Cypress trees and houses in oil on board by French artist Jean Perret. Signed bottom right. This painting captures a serene landscape, characterize...

'Hidden Portraits XXIV', acrylic on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing art professor fro...

An atmospheric twilight scene by Alessandro Altamura, depicting a tranquil river teeming with activity, likely set near the forest landscape of Fontainebleau in France. The compositi...

"Interior with Chair and Vanity" circa 1918 Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 frame) This painting and its mat...

The Shambles in York City England Medieval Street Framed, Acrylic on Board, 2007 - a rare early work by leading British Contemporary Artist, Angela Wakefield. This colourful & en...

This painting presents white roses as a quiet expression of tenderness and inner calm. The artist worked intuitively, allowing the image to emerge gradually through layers of oil pai...

Nicolaas Maathuis is a Dutch artist whose paintings explore simplified forms and relationships between colour and composition. His Still Life is executed in gouache on cardboard, wit...

William H. Eppens Pond lilies Signed lower right Oil on canvasboard 6 3/4 x 6 3/4 inches

Impressionist New York City autumn city-scene depicting a horse and carriage ride through central Park. Figures are painted in a most intimate, yet energetic way, having a tranquil d...

'Hidden Portraits XXVII', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agein...

The artist painted this life sketch while studying at the Russian Academy of Painting, Sculpture and Architecture in 2000, in a single session in the Alla Prima style. In the evening...

Female Head Study signed with monogram and dated 1883 lower right by Axel Kulle (1846–1908). Oil on canvas laid down on panel. Original giltwood frame with relief ornamentation. The ...

This contemporary floral expressionist piece with a touch of impressionism was created by French artist Natalya Mougenot and belongs to her evocative series dedicated to the beauty o...

After Amaldus Nielsen (1838–1932) Norway Evening at Fredrikstad, 1918 signed indistinctly, possibly “Hj. U…”, and dated “18” lower right oil on board unframed 42 × 55 cm (16.5 × 21.7 in) framed 53 × 65 cm (20.9 × 25.6 in) Comparative work: Amaldus Nielsen, Aften ved Fredrikstad (Evening at Fredrikstad), 1909, oil on canvas, present location unknown. Condition report: Very good condition with bright and clear colors. Ready to hang. Please contact the gallery for a detailed condition report. Essay: This atmospheric evening seascape was painted in 1918 by an as yet unidentified artist and closely follows Amaldus Nielsen’s Aften ved Fredrikstad of 1909. The relationship between the two compositions is unmistakable. In both, a sailing boat occupies the central waters beneath an expansive and dramatically clouded sky, while a narrow strip of intense evening light separates sea from horizon. Smaller vessels recede into the distance, establishing both scale and a sense of stillness across the broad surface of the water. The present painting is nevertheless not a mechanical copy. The unidentified artist has altered several details and developed the scene through a more concentrated and chromatically intense palette. The central vessel is brought into sharper prominence, its sails forming a strong silhouette against the illuminated horizon. Deep blues dominate the foreground water and the upper sky, while streaks of orange, ochre and pale turquoise register the last light of sunset. The sky occupies approximately two thirds of the composition and becomes almost a subject in itself. Heavy clouds gather above the tranquil water, their dark masses opening intermittently to reveal passages of luminous blue and warm reflected light. The model for the composition was created by Amaldus Nielsen, one of the most important Norwegian painters of the coast during the nineteenth and early twentieth centuries. Born at Halse near Mandal in 1838, Nielsen studied in Copenhagen before continuing his training with Hans Gude at the Düsseldorf Academy. Gude’s emphasis on close observation of landscape remained fundamental to Nielsen, but he gradually moved away from the constructed romantic landscape towards an increasingly direct study of nature. Nielsen became especially associated with the coastlines of southern and western Norway and has often been described as one of Norway’s earliest naturalist landscape painters. From the 1860s onward he frequently completed paintings outdoors before the motif, an unusually direct working method in Norwegian art of the period. Light, weather and changing atmospheric conditions became central to his practice. The same location might be returned to repeatedly under different conditions of morning, evening, mist or changing weather. Fredrikstad and its surrounding archipelago formed part of this geography. Nielsen is documented working at Arisholmen near Fredrikstad as early as 1884, and surviving paintings demonstrate his continued interest in the coastal landscape of Østfold. By the time he painted Aften ved Fredrikstad in 1909, the theme of boats at rest or moving quietly across evening water had become deeply embedded within his art. The 1909 painting...

Frederick Kitson Cowley (British, 1878–1943) Nantucket Beach Dated 1929 Oil on card Signed and dated on the reverse A charming and atmospheric beach scene by the British painter Fre...