Board Paintings

This abstract geometric painting by Ned Martin is made with oil on aluminum and board, and features a cool blue-grey palette. It is signed by the artist on the back of the board and ...

This especially rare original watercolor painting by American artist Charles E. Martin (1910-1995), depicting The Metropolitan Museum of Art in winter, appeared as the cover art for ...

This vibrant American modernist still life painting by Elizabeth Compton Chase was created in the 1930s and reflects the dynamic artistic culture of Buffalo, New York during the earl...

In 1910, having separated from her first husband, the artist model Jeanne Chastagnier Serré had a relationship with the surrealist Marcel Duchamp: you know, the one of the porcelain ...

A beautiful 1930's impressionist oil on board depicting roses and wildflowers in a vase by Italian painter Carlo Marzorati. Excellent quality work which is in very good original con...

Artist: Unknown Title: Sailing Ships Medium: Oil on Canvas, signed "Thoms", lower left Size: 24 x 20 inches

This is a sensitive small-scale study portrait of a young girl, executed in warm monochrome brown tones. Painted during the second half of the 19th century, oil on paper and mounted ...

A charming depiction of Snow on 5th Avenue New York City with figures walking and taxis in the distance. A cozy impressionistic street scene with colors of cobalts, light pink, white...

Lucy Doane Greylock from Hairpin Turn Signed and Inscribed titled verso Oil on board 16 x 20 inches Lucy Doane was an established artist, illustrator and teacher whose regionalist ...

A very rare and exceptional work by one of America's most versatile and interesting American Impressionists. This was done on an early trip the artist made to Spain. The artist live...

Antique American impressionist landscape oil painting. Oil on canvasboard. Framed. Measuring: 12 by 15 inches overall, and 8 by 10 painting alone. In excellent original condition. H...

Daniel Sprick's (US based) "Fire Flower" is an original, handmade oil painting that depicts a colorful rose bathed in light contrasted with a dramatic background. About the artist...

Impressionist New York City winter landscape scene depicting the City in Snow in a most intimate, yet energetic way. Christopher is known for capturing the beauty and simplicity of an earlier time of the 20th Century; old New York, families working together, villages and farms and friends taking walks together. Many are depicted in recognizable historical settings and this piece is an excellent example of this as he captures a snow-filled historic setting of New York with the calm, endearing charm of American Flags and buildings with snow. Christopher engages his audience with the quick use of brushwork and great attention to picking up the energy passionately of his subjects. The piece comes housed in a dark tone wood frame and it is ready to be displayed with hanging hardware on verso. Art measures 7 x 5 inches Framed measures 8.75 x 6.75 inches Christopher Willett...

Mural Study for "History of Water" American Scene Modernism Social Realism WPA Thomas Hart Benton (American, 1889-1975) "Water Story" (Study for The History of Water) Tempera and o...

Dan McCaw's (US based) "Waiting" is an original, handmade oil painting that depicts an abstracted figure in a warm interior setting. Artist Statement: Born: 1942 A solid foundati...

Gazing at Lebanese American artist Sally K's floral portrait is consuming and empowering. Inspired by strong, feminine women, she creates pop-realistic paintin...

Vintage American modernist landscape oil painting. Oil on canvasboard. Framed. Measuring: 13 by 16 inches overall, and 10 by 13.5 painting alone. In excellent original condition. Ha...

Dick Beer (b. London 1893 - d. Stockholm 1938) Saint Cloud, 1912 oil on board board dimensions 40.5 x 32.5 cm frame 51.5 x 43.5 cm signed Dick Beer painted 1912 Exhibited: The Swedish-French Art Gallery, Memorial Exhibition, Catalog nr 5, 1942 Provenance: A private collection, Sweden Dick Beer (1893-1938) Dick Beer was born in London in 1893. His father, John Beer (1853-1906), was a Swedish painter from Stockholm who had a career mainly as a watercolour painter with motifs of horses from racetracks and fox hunts from the countryside. Barely fifteen years old, Dick Beer became an orphan and came to Sweden in 1907. Already in 1908-1909, he started at Althin's painting school in Stockholm. And later, at the Royal Academy of Arts from 1910-1912. His teachers were, among others, Gustaf Cederström, Oscar Björk and Alfred Bergström...

A 19th century American landscape depicting a quiet coastal or lakeside scene at dusk, where a small cluster of houses rests along the water’s edge beneath a softly glowing sky. A n...

A fine 1920's oil on board portrait of a smartly dressed gentleman, close to the work of James Abbott McNeil Whistler. The work is indistinctly signed and dated 1924 lower right. P...

Title: Bullfighting Scene Artist: José María Tuser Vázquez (1919-1986) Technique: Oil on board Dimensions: 25.6 x 21.3 in (65 x 54 cm) Frameless Period: Second half of the 20th century Art Movement: Figurative Expressionism with Impressionist influences Condition: Good, with visible signs of aging on the surface DESCRIPTION OF THE WORK This painting captures a crucial moment in a bullfight, where the matador, dressed in a dazzling traje de luces (suit of lights), elegantly holds the red cape (muleta) while facing a wounded bull. The scene conveys tension and drama through energetic and loose brushwork, with strong contrasts of light and color that enhance its expressiveness. The abstract background, built with gestural brushstrokes in warm, earthy tones, reinforces the dynamism and immediacy of the moment. The thick texture of the paint and the vibrant colors in the matador's attire and cape are characteristic of Figurative Expressionism, giving the work a strong emotional impact. Tuser masterfully captures the essence of movement and the intensity of the bullfight through a painterly approach reminiscent of Impressionism, but with a greater emphasis on gesture and expressive color, making his work stand out for its raw energy and dramatic depth. ARTIST BIOGRAPHY José María Tuser Vázquez (Barcelona, 1919 - 1986) was a Spanish painter specialized in bullfighting themes, gaining recognition in the 20th-century art scene for his expressive depictions of the corrida (bullfight). He studied at the School of Arts and Crafts in Barcelona, where he developed a strong mastery of color and composition. From 1947 onwards, his work focused almost entirely on bullfighting, creating posters, illustrations, and paintings that capture the emotion and spectacle of the arena. He was a frequent collaborator with El Ruedo magazine, where his illustrations and covers solidified his reputation. Additionally, in the 1940s, he designed series of postcards featuring traditional Spanish costumes for the Artigas Publishing House. His work has been auctioned in several art houses and is highly valued among collectors of bullfighting paintings. His influence and legacy in tauromaquia (bullfighting art...

Sunset over the sea after a storm rolls by... portrays a mesmerizing seascape at dusk, where the horizon blurs in a harmonious blend of colors. Blades skillfully manipulates light a...

Vintage American abstract painting. Oil on board. Signed. Framed. Measuring: 14 by 34 inches overall and 12 by 32 artwork alone. Framed in aged wooden molding. Excellent condition,...

This exceptional artwork is framed & currently available for sale at Signet Contemporary Art Gallery. With its moody elegance and striking composition, Purple Drops invites the...

Golden Seascape with Waves Crashing onto Rocks at Sunset by 20th Century Irish Artist, Mattie Waugh. Art measures 25 x 14 inches Frame measures 30 x 19 inches Signed, VIntage Ori...

This lithograph by Robert Naly is from my private collection. It is a limited edition 192/200, artist signed in the lower left corner. Guilde de la Gravure Robert Naly was a Swiss a...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1997 by a private collector, Palo Alto and Oceanside, California; From Joan Irvine Smith Fine Arts, Inc., Laguna Beach, California. Signed "A. Espoy" on lower left Description In California Lupines and Poppies, Angel De Service Espoy captures the vibrant splendor of California’s springtime wildflowers with lyrical brushwork and atmospheric sensitivity. A hillside awash in blooming blue lupines and golden poppies slopes gently toward a distant view of rolling hills beneath a soft, clouded sky. Espoy’s confident handling of color and texture brings the landscape to life, evoking the fleeting beauty of the state’s native flora and the delicate transitions of light across the land. This intimate composition reflects the artist’s deep affection for California’s rural countryside and his enduring legacy as a painter of its most poetic vistas. Based on the painting’s style, subject matter, and scale, California Lupines and Poppies was most likely created between 1925 and 1940—a period when Espoy was actively painting California’s coastal and inland landscapes, particularly in the Monterey Peninsula and Carmel Highlands regions. The composition, with its gently rolling hills, distant haze, and vivid display of native wildflowers, closely aligns with Espoy’s known plein air works of the Central Coast. The loose yet confident brushwork, naturalistic light, and spontaneous floral groupings all support the likelihood that this piece was painted en plein air. Espoy often created small-format oils like this one outdoors as finished works in their own right or as preparatory studies for larger studio paintings. His style blends Realism and Impressionism, drawing upon the influences of his training under Joaquín Sorolla (1863–1923) and the French Barbizon School, resulting in works that balance truthful representation with a painterly, light-filled immediacy. Historical Significance Born in Spain and trained in Barcelona, Angel Espoy immigrated to the United States in the early 20th century, eventually settling in California, where he became known for his floral landscapes, maritime scenes, and depictions of the Pacific coastline. Espoy’s lupine and poppy paintings are among his most beloved subjects, reflecting the natural beauty of the state and the influence of California Impressionism. In the 1920s–1930s, Espoy’s work gained popularity among collectors who sought colorful, uplifting views of the West, particularly during the Depression era. His florals not only document California’s seasonal splendor but also contribute to the legacy of artists who elevated regional wildflowers to a fine art subject—following in the tradition of Granville Redmond, William Wendt, and Guy Rose. Today, Espoy’s flower-filled landscapes remain a favorite among collectors of early California art...

Artist: William Weintraub (1926) Title: Young Boy with Donkey Year: 1962 Medium: Oil on board Size: 33 x 25.5 inches Condition: Excellent Inscription: Signed and dated by the artist ...

“Jamaican Girl by the Palm Tree, c. 1930” by Will Howe Foote (American, 1874-1965) A fantastic portrait of a young Jamaican woman set against a vibrant palm frond, painted by the re...

A kitten rests on a sofa, soft and unguarded — yet somewhere within, it already knows itself as something greater. Not small, not fragile, but vast. A quiet lion in the making. It lo...

“Reflection” is a finely rendered oil painting by Dave Seeley, created in 2023. Measuring 16.5 x 13 inches, this striking portrait is painted on canvas mounted to panel and comes hou...

This plain air painting captures a serene coastal Crimean landscape bathed in the warm hues of a setting sun. The painting presents a harmonious blend of colors, with the sky radiati...

Beautiful small-scale late 20th century figural village landscape of a Middle Eastern street scene, depicting the iconic architecture of the area with small figures and a palm tree, ...

Horses Ploughing Field with Farmer in the English Countryside by British Artist, a miniature vintage oil painting Art measures 9.5 x 5.5 inches Frame measures 12 x 8.5 inches Frame...

A wonderful impressionist Autumn pastoral scene of a glistening waterfall by the countryside. Waltsak has portrayed this piece in a most intimate, yet energetic way, and has packed m...

In creating this piece, I sought to capture the raw, untamed beauty of a coastal hamlet. The vibrant colors imbue life into the quaint homes, juxtaposing the rough, unyielding cliffs...

Antique French landscape oil painting. Oil on canvasboard. Framed. Signed verso. Measuring: 12 by 14 inches overall, and 9 by 11 painting alone. In excellent original condition. Ha...

Will Foote View of Arizona Desert near Wickenberg, circa 1927 Signed lower center; titled and dated on the reverse Oil on artist's board 12 x 16 inches Foote was born on June 29, 1874 in Grand Rapids, Michigan, and died on January 27, 1965, in Sarasota, Florida. He was in Old Lyme, 1901-65; and in Cos Cob, 1903. Will Howe Foote was one of the earliest artists at Old Lyme and one who adopted the town as home. He first went there the summer of 1901 with his uncle, William H. Howe, a painter of cattle, who had been told about the beauties of the countryside by Henry Ward Ranger. Foote had himself heard of Old Lyme when he had met Clark Voorhees in France. He and his uncle were both from Grand Rapids, Michigan, where Foote's father was an executive in the furniture industry that made the city famous. Encouraged to be an artist by his father, he began his professional training at the Art Institute of Chicago in 1894. He became friends there with a fellow Michigan student, Frederick Frieseke, who would study with him again at the Art Students League in New York, where Foote worked in 1895-96 under H. Siddons Mowbray and Kenyon Cox. In 1897 he and Frieseke went to the Academic Julian in Paris, where Foote studied under Jean-Paul Laurens and Benjamin Constant. He was at Julian's until 1900, except for an Italian trip, summers at Laren, Holland, or Etaples, France, and a short period at Whistler's school in Paris. He exhibited twice at the Old Salon, and when he returned to the United States in 1900, he had a one-man exhibition in his hometown. Will Howe Foote's paintings were well received on his return from abroad. He exhibited frequently at the National Academy of Design and became an associate member in 1910. His awards included a bronze medal at the St. Louis Exposition in 1904 and a silver medal at the Panama-Pacific Exposition in San Francisco in 1915. Once he visited Old Lyme, Foote returned every summer. In 1902 he was hired as assistant to Frank DuMond at the Lyme Summer School of Art, which was sponsored by the Art Students League of New York. Sometime in 1903 he also taught a session in Cos Cob. After 1906, when the League moved its Lyme classes to Woodstock, New York, Foote continued in Old Lyme as a private instructor. In 1907 he was married to Helen Kirtland Freeman, whom he had met a year or two earlier when she had come to the Lyme art colony as a student of Henry Rankin Poore. Fellow artist William Chadwick was best man at the wedding. The Footes began building a house on Sill Lane in Old Lyme and upon its completion in 1909 spent every spring, summer and fall there, where Foote devoted full time to painting. The Gregory Smiths, old friends from Grand Rapids, arrived in Old Lyme in 1910 and became neighbors. Foote's early works in Connecticut, such as A Summer's Night reflect the artist's interest in soft, atmospheric scenes dominated by a single, overriding tone. The arrival of Childe Hassam and Walter Griffin...

"Paper Making" WPA Industrial Mid-Century American Scene Social Realism Workers Douglas Crockwell (1904-1968) "Paper Making" 19 x 39 inches Oil on board, c. 1936 Signed verso Framed: 28 x 47 Provenance: Estate of the Artist BIO Spencer Douglass Crockwell was born into a comfortable middle class household on April 29, 1904 in Columbus, Ohio. His father, Charles Roland Crockwell, was a mining engineer; his mother, Cora, was the daughter of an Iowa attorney. He became a commercial artist and experimental filmmaker who spent a good part of his career creating illustrations and advertisements for the Saturday Evening Post. In 1907 the Crockwell family moved to St. Louis, Missouri, where he graduated from high school and then attended from Washington University. Initially he studied engineering, but soon switched to business. While still an undergraduate, Crockwell took courses at the St. Louis School of Fine Arts and quickly realized that he wanted to be an artist. After graduating from Washington University in 1926, Crockwell continued to study at the St. Louis School of Fine Arts until 1929. The following year he relocated to Chicago and continued his studies at the American Academy of Art. In 1930 and 1931 he studied in Europe on a Traveling Fellowship. In 1932 Douglass Crockwell moved to Glens Falls, New York, which was to be his home for the remainder of his life. The following year he married Margaret Braman. They had three children, a son Douglass and two daughters, Johanna and Margaret. During the depression he created murals and posters for the Works Progress Administration including Post Office murals in White River junction, Vermont; Endicott, New York; and Macon, Mississippi. In 1934 he painted Paper Workers, Finch Pruyn & Co. (the leading Glens Falls, New York company) for the WPA. In the 1930s Crockwell developed an interest in experimental animated films that occupied him for the rest of his life. In 1936 and 1937, he collaborated with David Smith, a sculptor, to create surrealist films. Because of his interest in experimental films, his output of paintings was limited to just twenty to forty illustrations a year during this time. Crockwell painted his first of many Saturday Evening Post cover in 1933. He also worked for Life, Look, and Esquire, and numerous national advertisers including Friskies dog food, Welch’s Grape Juice, Republic Steel...

This charming naivist painting by Swedish artist Olof (Olle) Casimir Ågren (1874–1962) depicts a horse standing gracefully beside a tree. Executed with bold, textured brushstrokes an...

Red Tulips, oil on cardboard, signed “Bergliot Florell v Dellwig.”, painted around 1920. The painting depicts a bouquet of red tulips and pink autumn anemones arranged in an Art Nouv...

Yana Beylinson's (US based) "Four Peonies" is an oil painting that depicts impressionistic pink flowers with vivid green leaves. Artist Bio: Yana is driven by a deep r...

'Prisms of Identity: A Portrait Series I', Florentine School (circa 1980s-90s). This new collection represents some of the most appealing works we have acquired to date from our Flor...

English School A Shaded Forest 20th Century Oil on board Image size: 11 3/4 x 9 inches (30 x 22.9 cm) Contemporary-style handmade frame This charming painting depicts a shaded area ...

A picture of calm refined beauty, the sitter epitomizes elegant and casual repose propped up against pillow in her spacious wicker armchair. Captured by master American portraitist ...

As described in the Financial Times: "With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil painti...

I fell in love with this motif as soon as I saw it walking along the road in the village of Chamzinka on an autumn evening after painting the Church of Archangel Michael. October is ...

Compelling red abstract with two tiny female figures by Arkansas artist Gene Hatfield (American, 1925-2017). The piece consists of a textural red abstr...

Label verso from Paul Rosenberg Gallery. (this was 600$ in 1954!) 18 X 26 without frame. 19 X 27.75 with frame Raymond was born in Clifton, New Jersey, in 1925, of German descent. ...

Danny McCaw's (US based) "Shadows" is an original, handmade oil painting with impasto brushstrokes that depicts an ambiguous human figure on a black, grey, red, and yellow background...

Danny McCaw's (US based) "Rich to Grey" is an original, handmade oil painting with impasto brushstrokes that depicts an ambiguous human figure. Bio/artist statement: Danny McCaw is ...

This striking abstract Cubist oil on board, signed with the monogram "M.J." in the lower right corner, is the work of a 20th-century German artist. The composition is bold and archit...

'Family Seated on a Bench at the Port', oil on board, by François Diana (circa 1970s). A painting with a very wholesome, homespun theme harks back to a more innocent time. A family i...

About the Artist: Sheri Farabaugh began painting after successful careers in tax accounting and biochemistry. A love of drawing and painting as a child stayed with Farabaugh until t...

A talented painter of New England harbor scenes, Rena Small was born in central Massachusetts in 1902. She studied painting under regionalist Umbert...

This painting depicts a whimsical bouquet of flowers in a white vase resting on a table with a multicolored background. The piece is done in a highly impressionistic manner with uniq...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Laddie John Dill (American, b. 1943) Untitled Oil painting on canvas mounted on panel Hand signed Laddie Dill (verso) 36 x 72 inches. (with frame 37 X 73) Laddie John Dill was born ...

This painting presents white roses as a quiet expression of tenderness and inner calm. The artist worked intuitively, allowing the image to emerge gradually through layers of oil pai...

Substantial small painting of a Swiss Mountain village by Otto Hamel (German, 1866-1950). Signed "Otto Hamel" lower right. Presented in a giltwood frame. Image, 9.5"H x 13"L. A Germ...