Board Paintings

Oil painting on board of expressionist figure in repose. Expressive, energetic brush strokes, colorful palette.

The third in this group of beautifully framed miniature paintings of Ullswater, a peaceful, immense, beautiful and changeable lake that is found in Cumbria and is part of the Lake Di...

American life is captured in this Clyde Singer painting, Snow in the City (1954), where he depicts an everyday moment in the city. An ordinary scene, of a group of women making thei...

M. Jackson (English School, late 19th Century) Chickens in a Hen House Oil on board, circa 1890 Monogrammed lower left This charming late Victorian farmyard scene captures the quiet...

This vibrant work by noted 20th century American artist, Joel Durand, employs a bold palette and sophisticated approach in this dramatic and abstracted sti...

FIGURE AND FLOWERS Size: 54 x 65 cm (including frame) Oil on board A serene mid-century modernist style painting that depicts a quiet, intimate interior moment, executed in oil onto...

Domenick Capobianco (American, b. 1928), Double-Sided Chalkboard with Mixed Media Drawings, unsigned, in wood frame. 13.5" H x 13.5" W x 0.5" D. Provenance: From the Collection of th...

In the vast realm of art history, there are certain works that transcend time and space, transporting us to a world of beauty and serenity. One such painting is by the renowned Swedi...

Stephen Pearce Study for Portrait of Francis Russell, 7th Duke of Bedford 1819-1904 Oil on board, unsigned Image size: 5 ½ x 4 ½ inches (11.4 x 14.1 cm) Giltwood frame Exhibited: Ro...

Holland Cunningham 1967 - Current Doppio, 2026 Oil on board 25.4 x 25.4 cm 10 x 10 in

My favourite place is by Ullswater, a peaceful, immense, beautiful and changeable lake that is found in Cumbria and is part of the Lake District. In a breath blue skies can turn blac...

This dynamic image of two men forging a crankshaft was done for the GM Waldorf Exhibition sometime between 1949 to 1961. The General Motors exhibition at the Waldorf-Astoria Hotel ...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Bryan Ingham (1936-1997) Upright Jug (1993-95) Pencil and oil on board 64 x 19 cm Provenance: Bohun Galleries, Paintings in Hospitals. Signed, titled and dated 1993-95 (on backboard). Bryan Ingham was born in Yorkshire. For his National Service he joined the RAF, and spent his time in Germany as an airman. After demobilisation, his final report included the statement that "Ingham is an artistic sort of airman." In his spare time he had started painting in oils, and by the time he left the RAF he had completed a large number of paintings. He studied at St Martin's School of Art in London, where he had the tuition of a fine post-war generation of teachers who helped him to hone his draughtsmanship and other skills, and he swiftly showed a capacity for painting that drew the attention of his tutors and peers. On graduating he was offered and accepted a post-graduate place at the Royal College of Art, where in his second year he was awarded a Royal Scholarship and was a contemporary of a number of now better-known names including David Hockney. Ingham applied for and received a Leverhulme travel award to explore the sites of the great Renaissance painters, and spent many happy months engaged in this expedition. He spent time at the English Art school...

Aaron Bohrod Complementary Angels, 1977 Signed lower center Oil on gesso panel 16 x 12 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalist painter of American scenes, particularly of his native Chicago, Bohrod later devoted himself to detailed still-life paintings rendered in the trompe l'oeil style. He also worked for several years in ceramics and wrote a book on pottery. Born in 1907, Bohrod began his studies at Chicago's Crane Junior College in 1925, and two years later enrolled in the Art Institute of Chicago. But it was at the Art Students League in New York City, from 1930 to 1932, that he studied under the man believed to be his most significant early influence, John Sloan. Sloan's romantic realism is reflected in the many depictions of Chicago life...

Phély’s practice is rooted in her dialogue with nature, an inexhaustible source of forms, textures, and rhythms. From her early experiments in clay, plaster, and bronze, she has move...

Aaron Bohrod The Beginning, 1990 Signed center Oil on gesso board 10 x 8 inches Aaron Bohrod's work has not been limited to one style or medium. Initially recognized as a regionalis...

Medium: Oil on Board Signature: Signed Lower Left Sight Size 18.50" x 16.75", Framed 24.00" x 22.25" Saturday Evening Post Cover, April 19, 1952 Thornton Utz liked to work out the poses of his figures with rapid, free sketches that clearly expressed the mood or mental attitude of his characters. Once this had been established, he then posed an photographed his models, as nearly as possible, in the predetermined positions. The photos furnished the details of folds and lighting which lent added factuality to his original poses. He used this approach effectively for his humorous Saturday Evening Post covers as well as for the more serious fiction illustrations for Cosmopolitan, McCall’s, The Ladies’ Home Journal, Redbook, and Good Housekeeping. Utz participated in the Society of Illustrators Air Force Art Program and received a citation from General Curtis LeMay for documenting the airlift of Hungarian refugees. Utz also received the Governor Bryant of Florida Award for his freedom posters. He was born in Memphis, Tennessee, and studied under Burton Callicott in Memphis. He also attended the American Academy of Art in Chicago and late taught at the Chicago Art Institute. Utz eventually concentrated on paintings and commissioned portraiture, which included President Carter...

Big Sur Rolling Hills Landscape, Original Oil Painting, Signed Sweeping Big Sur landscape of rolling hills in beautiful pastel colors illuminated with sunlight, by California artist...

"The Warming Sun" Stormy Day on a Fall Evening by Quince Galloway The Warming sun by Oakland artist Quince Rudolph Galloway (American, 1912-2003). Image 18"H x 24"W Frame 22"H x 26"W x 2.5"D Signed Quince Galloway SWA (South Western Arti Association) This 1980 rural landscape painting by the artist Galloway captures the quiet drama of American country life...

THE CHILDREN Size: 36.5 x 66 cm (including frame) Oil on board A richly textured and endearing mid century modernist style figurative portrait, painted in oil onto board. Rendered ...

More paintings in this group of Ullswater, a peaceful, immense, beautiful and changeable lake that is found in Cumbria and is part of the Lake District. The landscape is vibrant, lus...

"Clear Day in Pylyptze" is an impressionist painting, oil on cardboard by Maestro Zlata Shyshman. The painting is unframed. “The impressions of Maestro Shyshman's paintings on the ...

Glendun River in Northern Ireland, Oil on Canvas, Circa 1985, by 20th Century Irish Artist, Manson Blair. Art measures 16 x 12 inches Frame measures 20 x 16 inches A beautifully observed Irish landscape capturing the quiet beauty of the Glendun River, one of the celebrated Glens of Antrim in Northern Ireland. Bathed in soft natural light, the composition leads the eye gently along the tranquil river towards the rolling hills beyond, where subtle variations of greens, ochres and silvery blues evoke the ever changing atmosphere of the Irish countryside. Delicately painted winter trees frame the scene, while carefully rendered rocks and reflections bring a remarkable sense of depth, balance and serenity. Manson Blair demonstrates a refined command of realism, combining confident brushwork with an understated palette that perfectly captures the peaceful character of this unspoilt landscape. The painting possesses a timeless elegance, making it equally suited to both traditional and contemporary interiors. Works depicting the iconic scenery of County Antrim continue to enjoy enduring appeal among collectors of Irish art, particularly those seeking authentic representations of Northern Ireland's celebrated natural beauty. Presented in an elegant gilt frame, this charming original oil painting offers both decorative sophistication and lasting investment appeal, embodying the tranquillity and enduring romance of one of Ireland's most picturesque river valleys. Artist: Manson Blair Title: Glendun River, Northern Ireland Medium: Oil on Canvas Date: Circa 1985 Art Size: 16 × 12 inches (40.6 × 30.5 cm) Frame Size: 20 × 16 inches (50.8 × 40.6 cm) Condition: Presented in excellent condition and housed in an attractive gilt frame, ready to hang. This peaceful composition would make an exceptional addition to any collection of Irish landscape painting, offering a calming focal point and celebrating the timeless beauty of the Glens of Antrim. Nestled within the renowned Glens of Antrim, Glen Dun is celebrated for its unspoilt natural beauty, where rolling green hills descend through a secluded valley towards the dramatic Antrim coastline. Winding roads, ancient stone walls, rushing streams and native woodland create a landscape of remarkable tranquillity, while ever changing light and seasonal colour lend the glen an enduring sense of atmosphere. Less visited than some of its neighbouring glens, Glen Dun retains a peaceful, timeless character that has long inspired artists seeking to capture the quiet majesty and rugged beauty of Northern Ireland's countryside. Its combination of sweeping vistas, rich textures and serene isolation makes it one of the most picturesque and evocative landscapes in County Antrim. Born in 1947 near Ballyclare in Northern Ireland, Manson developed a passion for art early on in life. With a particular love for the Irish coastline, mountain ranges and lakes, Blair began his artistic career in earnest in the early 1970’s. His work has been influenced by great landscape artists such as Frank McKelvey...

Frank Hill is a professional artist living and working in North Norfolk. He studied art at Waltham Forest School of Art and later at St Martins School of Art. Frank’s professional career included employment with various advertising agencies and commercial studios as a designer and illustrator, later becoming self-employed as a freelance illustrator working for both advertising and publishing clients. Over the course of his long career Frank has illustrated many children's and educational books, including Enid Blyton...

Frank Hill is a professional artist living and working in North Norfolk. He studied art at Waltham Forest School of Art and later at St Martins School of Art. Frank’s professional career included employment with various advertising agencies and commercial studios as a designer and illustrator, later becoming self-employed as a freelance illustrator working for both advertising and publishing clients. Over the course of his long career Frank has illustrated many children's and educational books, including Enid Blyton...

A panoramic view of this well known view painted in an Impressionistic style with wonderful brush work and paint texture. Marcus Ford (1914-1989) Bawdsey ...

An original oil painting by American artist Rudolph Wedow. This fantastic painting depicts Antelope Dancers in San Felipe Pueblo in New Mexico. Created...

CACTI BY THE WINDOW Size: 55 x 64 cm (including frame) Oil on board An elegant mid-century still life that captures a charming scene of three potted plants arranged along a windowsi...

Tribe IV by Henry Walsh is an original acrylic painting on a wooden board that features a family walking in a snowy scene beneath a bare tree. It is inspired partly by the artist's c...

‘Zulu Dancers’ Signed bottom right Hardman, titled on a sticker at the reverse and with address Walton End, Walton Lane, Bosham, Chichester, and Price 45 gns. Oil on board, 99 x 87...

Oil on board

Luis Graner y Arrufi Spanish, 1863-1929 The Glow Oil on board 26 ½ by 33 in, w/ frame 35 by 43 ¼ in Signed and dated 23 lower left Luis Graner y Arrufi was born in Barcelona in 186...

"Harvest" Working Women Hungarian European Modernism Expressionism 1926 WPA Era. 10 x 11 inches oil on board. Painted in Hungary. Stephen (Istvan) Csoka was born in Gárdony, Hungary on January 2, 1897 and died in New York in 1989. He is best remembered as a painter and etcher of portraits, nudes, landscapes, genre, and horses. Csoka studied at the Budapest Royal Academy of Art and his memberships include Associate of the National Academy of Design in New York City; the Society of American Etchers in Brooklyn, NY; the Society of Brooklyn Artists; and the Hungarian Etchers Association. Csoka's exhibitions and awards include a medal at the Barcelona International Exhibition in 1929; a prize at the City of Budapest Exhibit in 1930; prizes at the Society of American Etchers in 1942 and 1945; prizes at the Library of Congress in 1944 and 1946; a prize at the Society of Brooklyn Artists in 1944; a prize at the Philadelphia Watercolor Club in 1945; the Corcoran Gallery of Art in 1945; the Carnegie Institute in 1943, 1944, and 1945; the Art Institute of Chicago in 1944; the Los Angeles Museum of Art in 1945; the National Academy of Design from 1940 through 1945; one-artist shows at the Contemporary Artists in 1940, 1943, and 1945; and the Minneapolis State Fair in 1943. *Stephen continued to recieve awards and exhibit his work throughout his life. In 1997, Hofstra Museum sponsored a Retrospective/Centennial exhibition in honor of his birth. Collections representing Csoka's work are the Metropolitan Museum of Art, New York, NY; the Brooklyn Museum, Brooklyn, NY; the Museum of Fine Arts, Boston, MA; the British Museum, London, England; the Bezalel National Museum, Jerusalem, Israel; the Butler Institute of American Art, Youngstown, Ohio; Whistler House Museum of Art, Lowell, MA; the Cleveland Museum of Art, Cleveland, OH; Columbus Museum of Art, Columbus, OH; the Sheldon Swope Art Museum, Terre Haute, IN; the Mobile Museum of Art, Mobile, AL; the Frederick R. Weisman Art Museum, Minneapolis, MN; the Museum of New Mexico, Santa Fe, NM; the Budapest Museum of Fine Arts, Budapest, Hungary; Hungarian National Gallery, Budapest, Hungary, the Museum of the City of Budapest, Budapest, Hungary; the Library of Congress, Washington, DC; Carnegie Museums of Pittsburgh, Pittsburgh, PA; the Chrysler Museum of Art, Norfolk, VA; Georgia Museum of Art, Athens, GA; Hofstra Museum, Hofstra University, Hempstead, NY; Holocaust Museum, Glen Cove, NY; National Academy of Art, New York, NY; New Orleans Museum of Art, New Orleans, LA; New York Historical Society, New York, NY;New York Public Library, New York, NY; National Gallery of Art, Washington, DC; Peabody Museum, Cambridge, MA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; Reading Public Museum, Reading, PA; Livingston Arts Center, Mount Morris, NY; Ball State Teachers College, Muncie, IN; City College, New York, NY; Fashion Institute of Technology, New York, NY; Hungarian Consulate, New York, NY; Hungarian Heritage, New Brunswick, NJ; Hunter College, New York, NY; IBM Collections; Princeton Print Club...

Reginald Marsh, an urban Realist of the 1930s and 40s, chronicled New York’s working-class life with exuberant, documentary-style paintings that focused on crowds rather than individ...

F. Dawn Snell (Canadian, 1928-2006), "Me and My Shadows", Acrylic and Egg Tempera on Illustration Board, 1989, signed lower right, titled and dated verso, painted wood frame. Image:...

Mid Century Mexican Surrealist Painting - Landscape with Arches, Signed Intriguing mid-century surrealist painting by Mexican artist Jose Arciga (20th Century.) Two flat green arche...

Beautiful diminutive landscape painting of the rocky outcroppings and deep blue water typical of the Monterey County coast by Kathleen Murray (Am...

St, Louis River Mural Study American Scene Social Realism Mid 20th Century WPA Jo Cain (1904-2003) The Drama of the St. Louis Great River 23 1/4 x 25 ½ inches Gouache on board c. 19...

Paolo Minoli nasce a Cantù (Como) e si diploma “Maestro d’Arte” nel 1961 presso l’Istituto d’Arte di Cantù, dove insegna dal 1964 al 1978. A partire dagli anni Settanta sviluppa una ...

Fortune Magazine Cover Published 1941 Illustration Precisionist American Scene Antonio Petruccelli (1907 - 1994) Military Tent City Fortune Cover published, May 1941 17 1/2 X 15 in...

Ron Stonier (1933-2001) was a dedicated Vancouver artist celebrated for his exploration of abstract painting, influenced by his mentors Gordon Smith and Jack Shadbolt, as well as by ...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Singed lower right and dated 1968. Hungarian born, Emil Bisttram became one of the Southwest's leading painters and teachers. He was a founder of the Transcendental Art...

Anthony Rickards This piece titled "Summer Park" was created using oil on board and is in a handmade swept composite frame. Keywords: park, summertime, grass, field, fields, tree, ...

Kate Brinkworth’s technical practice involves staging carefully lit still-life compositions, photographing them with varied focus and angles, then meticulously translating them into ...

plein air Sharm

Henry Pember Smith (American, 1854-1907) Landscape c. Late 19th/Early 20th Century Oil on board 20 1/8 x 28 in. Framed: 30 1/8 x 38 in. BIOGRAPHY Born in Waterford, Connecticut, He...

Piglets by John Frederick Herring Snr British 1795-1865 Oil on Board Board size: 9.75 x 12 inches Framed size: 14 x 16 inches

Large white abstract painting with gestural marks, layered mixed media surfaces and atmospheric spatial depth, exploring memory, perception and interior experience through abstractio...

Title: Battle of Constantine Artist: Antoni Pitxot i Soler (1934–2015) Technique: Oil on board Dimensions (unframed): 9 x 12.6 in Dimensions (framed): 17.3 x 20.9 in Signature: Signed in the lower right corner Period: Second half of the 20th century Provenance: Galeria d’Art Àmbit, Barcelona Description Battle of Constantine is a symbolic and fragmented composition that showcases the dreamlike world so characteristic of Antoni Pitxot. Through an array of rock-like, anthropomorphic forms, the artist constructs a mythical and dramatic landscape that suggests an epic confrontation. The vivid pink sky and tactile textures reinforce the visual tension, evoking ruins, bodies, and reliefs that seem to emerge directly from the earth. In this piece, Pitxot applies his meticulous technique and unmistakable visual language, where ambiguity is a tool for the viewer's imagination. The boundary between figure and landscape blurs, creating a poetic vision that feels both ancient and surreal. About the Artist Antoni Pitxot i Soler (1934–2015) was a prominent Catalan painter born in Figueres, Girona, into a family with a long artistic tradition. He spent much of his life in Cadaqués, where he developed a highly personal style centered on compositions of stone-like forms that resemble human and animal figures, blending nature with mythology and memory. Pitxot was a close friend and collaborator of Salvador Dalí. Their artistic connection led to Pitxot playing a key role in the creation of the Dalí Theatre-Museum in Figueres, where he later served as the museum's lifelong director. After Dalí’s death...

Acrylic on cardboard Tengiz Cholokava is a Georgian artist born in 1985 who lives and works in Tbilisi, Georgia. He is graduated from Fine Arts School of Iakob Nikoladze in Tbilisi,...

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

Ernst Lindgren (1887–1948) Sweden Winter Landscape in Afternoon Sun signed lower left Ernst Lindgren oil on panel unframed 61 × 72.5 cm (24 × 28.5 in) framed 71 × 83 cm (28 × 32.7 ...

Medium: Gouache and Tempera on Board Dimensions: 16.00" x 16.00" Signature: Signed Lower Right

Snowy Cabin in the Woods - A Serene Winter Landscape Vintage Oil Painting by 20th Century Artist, Miller. Art measures 32 x 16 inches (approx.) Frame measures 36 x 20 inches (appr...

English School A Shaded Forest 20th Century Oil on board Image size: 11 3/4 x 9 inches (30 x 22.9 cm) Contemporary-style handmade frame This charming painting depicts a shaded area ...

Oil on cardboard Yuriy Demiyanov is a Russian artist born in 1964 who lives and works in Zadonsk, Russia. He is graduated from the Lipetsk State Pedagogical Institute. He frequently...

THE GREEN BALL Size: 66 x 75 cm (including frame) Oil on Board A striking original mid-century modernist composition, painted onto board and dated 1966 by the established Swedish ar...

Charles Bertie Hall (British, Contemporary) Lavender Fields, South of France Circa 2020 Oil on board Signed lower left Presented in a Whistler-style frame A luminous and atmospheric...