“A storyteller with a brush, a custodian of the past” is how illustrator Tom Lovell once described himself. Lovell is regarded as one of the 20th century’s leading Western artists, with his work including figurative paintings of important historical events, portraits of homespun American life and thought-provoking illustrations for publications such as Life, National Geographic and The Saturday Evening Post.
Born in 1909 in New York City, Lovell spent his childhood in Nutley, New Jersey, where he developed a keen interest in art and Native American culture. He often visited New York’s American Museum of Natural History, where he would sketch Native American clothing, weapons and artifacts.
Lovell studied art at Syracuse University, where he roomed with future well-known illustrator Harry Anderson. While there, he began his illustration career by selling his work to pulp magazines. Later, he illustrated for publications such as The American, Cosmopolitan and Women’s Home Companion.
During World War II, Lovell enlisted with the Marine Corps Reserve and created illustrations for the Marine Corps’s Leatherneck magazine and the Marine Corps Gazette. He also completed several large paintings chronicling historical military events; they are now displayed at the Marine Corps headquarters in Washington, DC.
After the war, Lovell continued illustrating for magazines like Collier’s, Redbook, Ladies’ Home Journal and McCall’s, which featured “Day of Yellow Flowers,” one of his better-known illustrations. He contributed a series of historical works, including his famous Civil War painting “Surrender at Appomattox,” to National Geographic.
Throughout the 1960s, he was increasingly fascinated with the American Southwest. In 1975, Lovell and his family moved to Santa Fe, New Mexico, where he found inspiration for his landscapes that depict Native American and Old West culture.
Lovell received numerous accolades throughout his career. In 1974, the Society of Illustrators named him a Hall of Fame Laureate. In 1992, the National Academy of Western Art and National Cowboy Museum honored him with a Lifetime Achievement Award. Lovell is the only artist to have won the National Cowboy Museum’s invitational Prix de West exhibition twice.
Lovell died in 1997. His illustrations and paintings continue to be prized by Western art and Americana collectors.
On 1stDibs, discover a range of Tom Lovell’s paintings.
$35,000
Bridal White
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed Lower Right and Titled on reverse Dimensions: 28.13" x 25.13" (71.45 cm x 63.83 cm) Literature: Temple Bailey, Bridal White, The American Mag...
Canvas, Oil
Love in the Mist, Magazine Illustration
By Tom Lovell
Located in Fort Washington, PA
Love in the Midst, Magazine Story Illustration Ladies Home Journal, June 1959 Tom Lovell had an extreme attention for detail and rarely completed more then a dozen major oil pa...
Board, Oil
Blondin Crossing Niagara
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Masonite Signature: Signed Lower Left This piece was published as an illustration in True Magazine titled "Blondin Crossing Niagara" in 1953. Born Jean-François Grave...
Masonite, Oil
Below Deck Gouache Painting, Realist Style, Signed, 1950s, 15.2x32
By Tom Lovell
Located in Miami, FL
Charles Martignette Heritage Auctions, This is a Wonderfully rendered work with high level of detail and color saturation. Norman Rockwellesqu...
Gouache
“I had the pleasure of knowing your dear departed husband, ” Cosmopolitan
By Tom Lovell
Located in Fort Washington, PA
Magazine story illustration for “Saratoga Trunk” by Edna Ferber for Hearst’s International Combined with Cosmopolitan, published July 1941, pages 42-43....
Canvas, Oil
$125,000
“A Date for the Baby Sitter” Magazine story illustration for Good Housekeeping
By Tom Lovell
Located in Fort Washington, PA
Story illustration for “A Date for the Baby Sitter” by Eileen Herbert Jordan for Good Housekeeping, published December 1958, illustrated pages 58-59 The full caption reads: “Thus Peggy went forth—sailed might be the better word—escorted by part of the Navy.” The snowy scene features a woman and two sailors leaving the house at Christmas time. Exhibited: The Triumph of Winter, National Arts Club, New York, December 16, 2013- January 5, 2014 Date: 1958 Medium: Oil on Board Dimensions: 23.20" x 33.50" Signature: Signed Lower Left A Native American finding a Raggedy Ann doll...
Oil, Board
“He’s a dear, but a type you perhaps haven’t met before”
By Tom Lovell
Located in Fort Washington, PA
Magazine story illustration for “A Song for Miss Julie” by Michael Foster for Hearst’s International Combined with Cosmopolitan, published March 1944, page 39. The tale is described as: “A delicious story about a couple of Broadway playwrights who invade the Old South looking for scandal and come up drenched in magnolia.” The full caption reads: “I think someone should talk to you about men of Stephen’s type, my dear,’ said Mrs. Kimbro. ‘He’s a dear, but a type you perhaps haven’t met before.’ Miss Julie gasped. ‘But Mrs. Kimbro!’” A Native American finding a Raggedy Ann doll...
Canvas, Oil
"You love my island already” Story illustration for Woman’s Home Companion
By Tom Lovell
Located in Fort Washington, PA
Original magazine story illustration for “A Summer to Remember” by Marjorie Marks for Woman’s Home Companion, published January 1948, pages 20-21. The full caption reads: “‘You love ...
Canvas, Oil
$53,000
Attorney at Sea
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed TOM/LOVELL (lower left); also titled Attorney/at Sea (on the reverse)
Canvas, Oil
$11,000
Gold Mining Camp
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed Lower Right Dimensions: Sight Size 18.75" x 26.00;" Framed 26.00" x 33.00"
Canvas, Oil
Trapper's Morning
By Tom Lovell
Located in Colorado Springs, CO
Original painting signed by the Artist on lower right.
Gouache
Happy Endings
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Linen Signature: Signed and Dated Story illustration for "Farewell Without Regret" by Sarah-Elizabeth Rodger for Good Housekeeping, published July 1940, page 58. The...
Linen, Oil
The Glass Fortress
By Tom Lovell
Located in Fort Washington, PA
Signed Lower Right by Artist Lawrence Williams and Nell O’Day, “The Glass Fortress,” American Magazine, August 1950, illustrated, n.p. Daniel Zimmer, Tom Lovell: Illustrator, Decatu...
Oil
Formal Affair
By Tom Lovell
Located in Fort Washington, PA
Date: July 1942 Medium: Oil on Canvas Dimensions: 36.00" x 26.00" Signature: Signed Lower Left Illustration for Cosmopolitan magazine. Tom Lovell’s illustrations range from adventur...
Canvas, Oil
Penobscot Bay Expedition
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Board Signature: Signed Lower Right Tom Lovell was well known for his thought provoking illustrations for Life magazine, The Saturday Evening Post and National Geographic. He was the first artist to win the National Academy of Western Art's highest honor, the Prix de West, twice. This lot was painted circa 1960 just before he was commissioned to paint a series of Civil War battle...
Oil, Board
The Crime Scene, Original Magazine Story Illustration
By Tom Lovell
Located in Fort Washington, PA
Illustration for True magazine, presumably published February 1956. Nighttime scene of policemen and bloodhounds investigating a murder on a cobblestone street. Approximate Date: 1956 Medium: Oil on Board Signature: Signed Lower Right Size: 22.70" x 16.20" Tom Lovell Biography: A Native American finding a Raggedy Ann doll...
Board, Oil
"Every Sunday, Mowbray and the boy had dinner together"
By Tom Lovell
Located in Fort Washington, PA
Approximate Date: 1957 Medium: Oil on Board Signature: Signed Lower Left Size: 18.70" x 27.00" Story illustration for The Master Move by George Loveridge, published in Good Housekeeping, November 1957. An excerpt from the story reads: “In the evening Mowbray dined at a mahogany table designed to seat ten persons. To his left, in an intricate, gilded frame, hung an oil portrait of his father — a man with a majestic, full gray beard and the same beaked nose that his son had, but with milder eyes (p. 237)…Every Sunday, Mowbray and the boy had dinner together, the two of them at the long, broad, polished table under the eyes of Peter Mowbray. Mowbray often had to fly hundreds of miles to be on time for Sunday dinner with his son, but he did not once fail to be there.” (p. 239-240) A Native American finding a Raggedy Ann doll...
Board, Oil
"Farewell Without Regret"
By Tom Lovell
Located in Fort Washington, PA
Signature: Signed Lower Left Medium: Oil Paint Story illustration for "Farewell Without Regret" by Sarah-Elizabeth Rodger for Good Housekeeping, published September 1940, page 47. ...
Oil
Memoirs Of Casanova, Paperback Cover
By Tom Lovell
Located in Fort Washington, PA
Cover for The Memoirs of Casanova (Bantam books #FB-415, 1957): A New Edition of the French Translation by Lowell Blair Memoirs of Casanova, Paperback Cover, 1957 Tom Lovell ha...
Board, Oil
$2,350
H 20.625 in W 25.625 in D 1 in
Mid-20th Century Oil on Board Abstract Impressionist Maritime Scene, René Genis
By René Genis
Located in Berlin, MD
Step into the bustling energy of a portside moment with René Genis’ “Les Grues” (The Cranes)”, a captivating oil-on-mat-board painting that transforms the in...
Oil, Illustration Board
Untitled
By André Cottavoz
Located in Berlin, MD
Andre Cottavoz (French, 1922-2012) Untitled, Paris scene with multitude of French flags. Canvas on board, framed. Frame: 20 1/2" x 22" x 1 1/4, Board 13 3/4" x 15"
Oil, Board
$9,500
H 9.5 in W 7 in
Dusk Forest Scene, Catskills by Lockwood DeForest (American, 1850-1932)
By Lockwood DeForest
Located in New York, NY
"Dusk Forest Scene, Catskills," 1875 by Hudson River School painter Lockwood DeForest (American, 1850-1932) is oil on artists card-stock and measures 9.5 x 7 inches. The work is signed by DeForest, and dated May 13, 1875 at lower right. The work is framed in an elegant, period appropriate frame, and ready to hang. Lockwood DeForest was born in New York in 1850 to a prominent family. He grew up in Greenwich Village and on Long Island at the family summer estate in Cold Spring Harbor. As was customary for a cultivated family in the Gilded Age, the DeForests made frequent trips abroad. Excursions to the great museums, which were prominent on the DeForests agenda, deepened the young Lockwood's familiarity with European painting and sculpture. Though he had begun drawing and painting somewhat earlier, it was during a visit to Rome in 1868 that nineteen-year-old DeForest first began to study art seriously, taking painting lessons from the Italian landscapist Hermann David Salomon Corrodi (1844–1905). More importantly, on the same trip, Lockwood met one of America’s most celebrated painters, (and his maternal great- uncle by marriage) Frederic Edwin Church (1826–1900), who quickly became his mentor. DeForest accompanied Church on sketching trips around Italy and continued this practice when they both returned to America in 1869. Early on in his career, de Forest made a habit of recording the date and often the place of his oil sketches, as to create a visual diary of his travels. Lockwood’s profession as a landscape painter can be primarily attributed to Frederic E. Church and his belief in the young artist’s talent. DeForest often visited Church in the Hudson River community of Catskill where, in addition to sketching trips and afternoons of painting, he assisted with the architectural drawings and planning of Olana. In 1872, DeForest took a studio at the Tenth Street Studio Building in New York. During these formative years DeForest counted among his friend’s artists such as Sanford Robinson Gifford (1823–80), George Henry Yewell (1830–1923), John Frederick Kensett (1816–72), Jervis McEntee (1828–91), and Walter Launt Palmer (1854–1932). Over the next decade DeForest experienced success as a painter. He exhibited for the first time at the National Academy of Design in 1872, and made two more painting trips abroad, in 1875–76 and 1877–78, traveling to the major continental capitals but also the Middle East and North Africa. His trip to the Middle East and the library at Church’s home, Olana, established his interest in design during his mid-twenties. From about 1878 to 1902, landscape painting was overshadowed by his activities and preoccupation with East Indian architecture and décor, a style that became quite fashionable in late nineteenth century America. From 1879-1883, de Forest founded Associated Artists along with Louis Comfort Tiffany, Candace Wheeler...
Oil, Board
$1,000
H 15 in W 17 in
Framed Realist Oil of Trees in Hilly Landscape on Canvasboard
Located in Philadelphia, PA
William S. Butz (American, active Woodstock, N.Y., 1911-39) Field with Trees in Hilly Landscape Oil on canvasboard, 8 3/4 x 11 inches Framed: 15 x 17 inches (approx.) Signed on verso...
Oil, Board
$3,950
H 20 in W 18 in D 2 in
"Georgia Moonshiner, c. 1935" by Athos Menaboni (1895-1990) American WPA Era Oil
Located in Yardley, PA
A fantastic WPA-era painting of a Georgia moonshiner by famed Italian-American artist Athos Menaboni (1895-1990). This work depicts an older man sporting a brown hat, brown jacket, ...
Masonite, Oil
$9,161
H 22.84 in W 19.69 in D 3.15 in
Aeneas Fleeing the Burning of Troy, 17th Century Flemish Oil on Canvas Painting
Located in Firenze, IT
This oil painting on canvas, created by an artist from the 17th Century Flemish School, depicts one of the most significant scenes from Greco-Roman mythology: Aeneas saving his famil...
Canvas, Oil
$3,000Sale Price|20% Off
H 18 in W 15 in
1938 Cuban Illustration Gouache Painting Carteles Magazine Andres Garcia Benitez
Located in Buffalo, NY
An original illustration by Cuban artist Andres Garcia Benitez which was used for the cover of the iconic Carteles magazine in November of 1938. ...
Watercolor, Gouache, Illustration Board
$3,000
H 25 in W 21 in D 3 in
Neon Lighting WPA Mid 20th Century Social Realism American Scene Modern Figures
By Maurice Becker
Located in New York, NY
Neon Lighting WPA Mid 20th Century Social Realism American Scene Modern Figures MAURICE BECKER (1889-1975) 'Neon Lighting 17 1/4 x 13 3/4 inches Oil on masonite Signed, dated 1936 and titled on verso BIO Maurice Becker, painter, political cartoonist and social reformer, was born in 1889 either in Gorky or Niznij Novgorod, in Russia. His family came to the United States in 1892, to New York City. After high school, Becker worked in a clothing factory. He studied with Ash Can School artist Robert Henri in 1908, and exhibited in the famous 1913 Armory Show in New York City when he was only twenty-four years of age. At the Armory show, Becker showed a drawing of a dog's head...
Masonite, Oil
Landscape near Bordeaux
By Louis Alexandre Cabié
Located in BELEYMAS, FR
Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) Landes at Pessac, near Bordeaux - Gironde Oil on canvas H. 126 cm; W. 201 cm Signed lower left Louis Cabié, a renowned a...
Canvas, Oil
Home Safe
By James Gale Tyler
Located in Greenville, DE
Very well executed seascape. Alternate title "In Point" inscribed on the rear. 17 x 15in in frame, including linen liner. ...
Oil, Board
$4,455Sale Price|70% Off
H 33.5 in W 26 in
Orientalist "Moorish Soldier Holding a Rifle" Manuel Garcia Hispaleto
Located in SANTA FE, NM
"Moorish Soldier Holding a Rifle" Manuel Garcia Hispaleto (Spanish, 1836-1898) Watercolor on paper Signed lower left "MGHispaleto" Original wood frame with gilded stucco 18 3/4 x 12 1/2 (33 1/2 x 26 frame) inches Manuel García Hispaleto, originally Manuel García y Martínez (22 November 1836, Seville -26 December 1898, Madrid) was a Spanish painter known for portraits and costumbrista (genre) scenes. His brother, Rafael García...
Watercolor, Handmade Paper
Red (Floral Still Life)
By Elizabeth Osborne
Located in Wilton Manors, FL
Elizabeth Osborne (American/Philadelphia, b. 1936) "Red." Watercolor on paper. 1991/1992. Signed and dated l.r.. Sight: 9" x 12". Frame: 18 1/4" x 21 1/2". Provenance: Purchased from Jane Haslem Gallery in 1994. From the collection of Nancy Elizabeth Stanley. 1936, born Philadelphia, Pennsylvania 1959, BFA, University of Pennsylvania, Philadelphia, Pennsylvania 1954-58, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania SOLO EXHIBITIONS Berry Campbell, New York, Elizabeth Osborne: A Retrospective, 2022. Locks Gallery, Philadelphia, Pennsylvania, Reflections: Painting Memory, 2017. Locks Gallery, Philadelphia, Pennsylvania, Watercolors: Five Decades, 2017. The Delaware Art Museum, Wilmington, Delaware, Elizabeth Osborne: The 1960s, 2016. Luther W. Brady Art Gallery, George Washington University, Washington, D.C., Color Bloc: Paintings by Elizabeth Osborne, 2015. The James A. Michener Art Museum, Doylestown, Pennsylvania, Veils of Color: Juxtapositions and Recent Work by Elizabeth Osborne, 2015. (Traveled to The Lancaster Museum of Art, Lancaster, Pennsylvania, 2016.) Locks Gallery, Philadelphia, Pennsylvania, Luminous Gestures: New Works by Elizabeth Osborne, 2013. Locks Gallery, Philadelphia, Pennsylvania, Elizabeth Osborne: Watercolors, 2011. Locks Gallery, Philadelphia, Pennsylvania, New Work, 2011. The Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, Elizabeth Osborne: The Color of Light, 2009. Locks Gallery, Philadelphia, Pennsylvania, Figurative ‘60s, 2007. Locks Gallery, Philadelphia, Pennsylvania, Floating Landscapes: 1971-1979, 2006. J. Cacciola Galleries, New York, Works on Paper, 2006. The Print Center, Philadelphia, Pennsylvania, Recent Prints, 2005. Locks Gallery, Philadelphia, Pennsylvania, 2004. Locks Gallery, Philadelphia, Pennsylvania, Elizabeth Osborne: 30 Years, Works on Paper, 2002. Locks Gallery, Philadelphia, Pennsylvania, Vantage, 2000. Old Main Art Museum, Northern Arizona University, Flagstaff, Arizona, 1998. Locks Gallery, Philadelphia, Pennsylvania, 1997. Locks Gallery, Philadelphia, Pennsylvania, 1994. Jane Haslem Gallery, Washington, D.C., 1994. North Dakota Museum of Art, Grand Forks, North Dakota, 1993-94. Locks Gallery, Philadelphia, Pennsylvania, 1992. Arronson Gallery, The University of Arts, Philadelphia, Pennsylvania, Watercolors, 1991. University of the Arts, Philadelphia, Pennsylvania, 1990. Marian Locks Gallery, Philadelphia, Pennsylvania, 1988. Fischbach Gallery, New York, 1988. Fischbach Gallery, New York, 1984. Fischbach Gallery, New York, 1982. Fischbach Gallery, New York, 1980. Marian Locks Gallery, Philadelphia, Pennsylvania, 1978. Marian Locks Gallery, Philadelphia, Pennsylvania, 1976. Gimpel & Weitzenhoffer, Ltd., New York, 1977. Gimpel & Weitzenhoffer, Ltd., New York, 1974. Marian Locks Gallery, Philadelphia, Pennsylvania, Landscapes, 1972. Makler Gallery, Philadelphia, Pennsylvania, 1970. American Consulate, Sao Paulo, Brazil, 1969. Peale Galleries, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, 1967. Perakis Gallery, Philadelphia, Pennsylvania, 1967. Perakis Gallery, Philadelphia, Pennsylvania, 1963. GROUP EXHIBITIONS Avery Galleries, Bryn Mawr, Pennsylvania, The Women of the Pennsylvania Academy of the Fine Arts: Past to Present, 2024. Berry Campbell, New York, Perseverance, 2024. Locks Gallery, Philadelphia, Pennsylvania, From Dusk Till Dawn, 2015. Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, “Something Clicked in Philly”: David Lynch and His Contemporaries, 2014. Locks Gallery, Philadelphia, Pennsylvania, It’s Not the Numbers, 2014. Locks Gallery, Philadelphia, Pennsylvania, Works on Paper, 2013. Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania, The Female Gaze: Women Artists Making Their World, 2013. Philip and Muriel Berman Museum of Art, Ursinus College, Collegeville, Pennsylvania, Four Visions/Four Painters: Murray Dessner...
Watercolor, Rag Paper
“Suddenly he was the lover she’d sent away so long ago.”
By Tom Lovell
Located in Fort Washington, PA
Magazine story illustration for “Wherever You Walk” by Mary Thayer Muller for Cosmopolitan, published February 1956, page 26. The romantic story is introduced by the magazine as fol...
Paint
Up the Staircase
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed and Dated Lower Left Dimensions: Sight Size 30.50" x 34.75," Framed 36.00" x 39.50"
Canvas, Oil
Man and Woman Kissing in Swamp
By Tom Lovell
Located in Fort Washington, PA
Medium: Unknown Signature: Unsigned Contact for exact dimensions.
Paint
The Mutiny
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Board Signature: Signed lower Left
Oil, Board
Artist Muse
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Canvas Signature: Signed Lower Right
Canvas, Oil
Gondola In Venice, 1947
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Masonite Signature: Signed Upper Left Original Use: Interior Illustration for The American Magazine Excellent Condition This luminous, expressive oil on masonite wa...
Masonite, Oil
Balloonists Struggle to Escape a Doomed Gondola
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Board Signature: Signed Lower Left Provenance: Commissioned by the National Geographic Society. Exhibitions: Stockbridge, Massachusetts, The Norman Rockwell Museum,...
Oil, Board
"You're Not to Tell Anyone"
By Tom Lovell
Located in Fort Washington, PA
Medium: Oil on Canvas Dimensions: 32.00" x 35.00" Signature: Signed Lower Right Story illustration for “Mrs. Parkington” by Louis Bromfield for Cosmopolitan, published November 1942, pages 56 and 57. The full caption reads: “‘And you’re not to tell anyone where you’re going or that you’re going away together,’ Mrs. Parkington said as she told Janie and Ned her plan.” A Native American finding a Raggedy Ann doll...
Canvas, Oil
Saturday Evening Post Story Illustration
By Tom Lovell
Located in Fort Washington, PA
Date: 1942 Medium: Oil on Canvas Dimensions: 36.00" x 26.00" Signature: Signed Lower Left Story illustration for Saturday Evening Post magazine, 1942, page 47. A Native American finding a Raggedy Ann doll...
Canvas, Oil