20th Century French School

1960's French Post Impressionist Signed Oil Flowers in a Vase Very Thick Oil

French School, mid 20th century signed lower front corner oil on board, unframed board: 29.5 x 25.5 inches provenance: private collection, France condition: very good and sound condi...

French School, indistinctly signed/ dated 1898 signed and dated oil painting on canvas, unframed painting: 13 x 9 inches provenance: from a private collection, France condition: over...

Flowers in a Vase, circa 1960's by Josine Vignon (French 1922-2022) signed oil painting on board, unframed board: 16 x 13 inches very good condition provenance: from the artists es...

Still Life of Flowers in a Vase French School, mid 20th century signed oil on canvas, unframed canvas: 36 x 29 inches provenance: private collection, France condition: very good and ...

Mid-Century French still life of roses in a vase, oil on canvas by Marseille artist Henri Reboa. The work is signed bottom right and is presented in a gilt...

Antique French American modernist still life oil painting by Dimitri Berea (1908 - 1975). Oil on canvas. Signed. Framed. Measuring 30 by 34 inches overall and 18 by 22 painting alone.

Henri Julie (20th Century) Signed: Henri Julie (Lower, Right) " Flowers #13 " circa 1950s Oil on Panel 17 7/8" x 15 7/8" Housed in a 1 1/2" Period Antiqued Gold Leaf Frame...

Floral painting. Flowers in a vase. Mortimer Borne, Printmaker, painter, sculptor, and educator was born in Rypin, Poland in 1902 and emigrated to the US in 1916. He studied at the National Academy of Design, The Art Students League, The Beaux-Arts Institute of Design, and with Charles Webster Hawthorne, founder of the Cape Cod School of Art in Provincetown. Painted in a thick impasto style similar in technique to Samuel Rothbort and David Burliuk. Borne himself taught at The New School for Social Research in New York City from 1945-1967. From the 1920s through the 40s he was a prolific producer of New York City cityscapes and genre scenes. In later decades, he adopted a more modernist style apparently influenced by Picasso, producing color drypoints of abstracted figures. His works were widely exhibited in museums in the U.S. and abroad from 1931 and later, including the Art Institute of Chicago, the American Institute of Graphic Arts, Museum of Modern Art, Metropolitan Museum of Art, Corcoran Gallery of Art, New York Public Library, Carnegie Institute, and Royal Society of Painters, Etchers and Engravers in London. He taught at The New School for Social Research in New York City from 1945-1967, and at the Tappan...