Mid-20th Century Still-life Paintings

Roses by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on artist paper, unframed measures: 14.5 high by 12 inches wide condition: overal...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed. Signed.

Joe Kaufman, writer, illustrator. Recipient Art Directors Club medal, 1948, New York Academy of Sciences Children's Science Book award, 1973, Gold award, Silver award Art Directors C...

Complex and masterfully thought out the composition of rifle, gun shells, target shapes, and buck shots. Most likely done for a ad or men's magazine. Signed lower right Atherton. Housed in a rustic House of Heydenryk frame...

Medium: Egg Tempera on Illustration Board

Signed upper right. She was a member of the National Association of Women Artists, New Jersey Watercolor Club, Modern Art Society of New Jersey, Woodstock Art Association, American Artists Professional League. Awards: Society of Independent Artists Seventh Kresge Exhibition American Watercolor Society Montclair Art Museum Salons of America National Association of Women Artists, 1944, 1946 National League of American Pen Women, 1950, 1952 Position: Art Editor at Paterson Morning Call...

Medium: Acrylic on Plywood Dimensions: 15.00" x 24.00" Signature: Signed Upper Right

Children's illustration of Ponies and Puppies Signed lower left Children’s Books Published by The Merrill Company

Jim’s of Lambertville is proud to offer this artwork by: Bror Julius Olsson “B.J.O.” Nordfeldt (1878 – 1955) Bror Julius Olsson was born in Tullstrop, Sweden in 1878. He immigrated to the United States in 1891, later adopting his mother’s maiden name of Nordfeldt. Beginning his art studies at the Art Institute of Chicago where he was chosen to assist fellow artist, Albert Herter, with a large mural project for the McCormick Harvester Company. In 1900, he was sent to Paris by McCormick to help set up the completed mural at the Paris Exposition. While there, he studied briefly at the Academie Julian before traveling to England to study woodblock printmaking under F. Morley Fletcher. Returning to Chicago in 1903, Nordfeldt would spend the next ten years painting mainly figurative works in an academic style similar to that of the Old Masters. By the mid-teens he had developed a bold dramatic modernist style and divided his time between New York and Provincetown, Massachusetts. There, he invented the “Provincetown Print...

Georges Georoy Belgium, 1906–1983 Still Life aux Legumes et Poisson Oil on canvas 23 ¾ in. by 28 ¾ in. W/frame 31 ¾ in. by 36 ¾ in. Signed lower right In a period Heydenryk frame ...

This painting is part of our exhibition America Coast to Coast: Artists of the 1940s. Untitled (Horns and Bow), 1941, oil on board, signed and dated lower right, 15 x 20 1/x inches...

Signed oil on board still life circa 1937 by French post impressionist painter Henri Lebasque. The work depicts a basket of fruit filled with apples, grapes and oranges. Signature: ...

Beyond artistic and aesthetic expression, every still life offers the opportunity to activate a deeply intimate experience. David Segel invites us into a profound encounter with this...

Oil on board study of a Blue Agave in its landscape by French artist Louis Michel Bernard. Signed bottom right and with atelier stamp to the rear of the panel. Presented in fine cust...

Richly-hued vintage French acrylic painting of three ceramic pitchers, in a style beautifully mimicking a mosaic, circa 1950. Original artwo...

Red Peonies signed by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 22 high by 18 inches wide condition: ov...

Abstract Expressionist composition by Andre Guillou (French 1925-2017) signed oil on board stuck on board, mounted mount: 25.5 x 19.75 inches board: 19 x 13 inches provenance: the a...

Irises by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on canvas, unframed measures: 24 high by 15 inches wide condition: overall very...

Red Poppies in Vase French School, mid 20th century signed oil on canvas, unframed canvas: 21.5 x 15 inches provenance: private collection condition: poor condition (ie: paint loss a...

Anemonies by Denise Dardel, French Post-Impressionist artist, circa 1950 signed oil on board, framed framed: 26 x 21 inches board: 21 x 16 inches provenance: private collection, Fran...

Red Tulips in Interior by Marcel Chesneau (French 1902 - 1975) signed oil on canvas, framed framed: 26 x 19 inches canvas: 22 x 15 inches provenance: private collection, France condi...

Large scale mid 20th Century French, oil on board, still life, tablescape, interior view, by Claude Barthélémy. Signed bottom left, presented in fine carved wood and gilt frame, with...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Artist: Donald Roy Purdy, American (1924 - ) Title: Red Vase Year: circa 1962 Medium: Oil on Masonite, signed l.r. Size: 47 x 20 inches Frame Size: 53 x 24 inches

Title: Flower In White Vase Medium: Oil On Canvas Painting Size: 35"" x 29"" Frame Size: 38.5"" x 33"" Condition: This artwork is in good overall condition for its age. Signature: S...

This early 20th-century oil painting by German artist Paul Sannemann (1886-1943) depicts a vibrant still life with chrysanthemums. Sannemann had an eye for colour, never one to shy ...

The Flowers: Guzmania. Circa 1963. Signed Giandante X, a painter born in Milan in 1899 and died in 1984. Milano. Measurements without the frame: 50 x 35 cm. On the back is a pho...

Work on cardboard Beige wooden frame 71.5 x 60.5 x 4 cm

Isabelle Graham Reese (1927-2005). Floral Still Life, ca. 1950s. Oil on canvas measuring 12 x 16 inches; 17.5 x 21.5 inches framed. Signed lower right. The artist lived and worked ...

Isabelle Graham Reese (1927-2005). Floral Still Life, ca. 1950s. Oil on canvas measuring 16 x 20 inches. Signed lower right. The artist lived and worked In Bryn Mawr on the Main Li...

Expressionist Painting by Guy Nicod (French 1923 - 2021) gouache on artist paper, unframed painting : 11 x 16 inches provenance: private collection condition: very good and sound co...

Olle Hjortzberg (Swedish, 1872-1959) Stilleben met gula rosor (Still life with yellow roses), 1946 Oil on Masonite Sight: 25-1/2 x 21-1/4 inches (64.8 x 54.0 cm) Framed: 35 X 30.25 ...

Jean Chaleye. French ( b.1878 - d.1960 ). Still life of Carnations & Marigolds. Oil on Board. Signed. Image size 20.9 inches x 25.2 inches ( 53cm x 64cm ). Frame size 27.6 inches x ...

Josine Vignon (French 1922-2022) ...

Josine Vignon (French 1922-2022) ...

Josine Vignon (French 1922-2022) ...

This exquisite watercolor by Swedish artist Olle Hjortzberg is a testament to the beauty that lies in simplicity. Depicting a modest bouquet of summer flowers, this piece evokes a se...

'Symphony of Colour: Cubist Still Life with Guitar and Wine', oil on board, Berlin School, initialed 'M.V.' (circa 1960s). This artwork is a clear cubist homage to one of the founder...

Acrylic on masonite. This is a pivotal work in deep and radiant cobalt blue from 1950. It dipicts calligraphic and hieroglyph structures over a grid and pyramidal base by the first generation abstract expressionist. Provenance: Skinner: November 13, 1992 [Lot 00219}, The entry in the Skinner catalog indicates that the painting came directly from the artist to the family of the consignor to Skinner. Kaminsky Auctions. There is an unbroken paper trail that traces the ownership of the painting from the current owner, through two auction houses to the artist. Perfect unbroken provenance. Pousette-Dart was among the most inventive of the Abstract Expressionist generation, His uncanny talent was to expand the nature of abstraction and still make each mark each element very much his own; a reflection of what he called   "the concealed power of the spirit," he said, “not of the brute physical form."   His was not aiming for a singular, realized aesthetic formula but to expand the possibilities of painting; the transcendental in painting. Typical of such invention and exploration is this  painting  Untitled 1950 when the artist was only 34 years old and represented by one of the champions of the new American painting, Betty Parsons.  
A banner year for Pousette-Dart, the Museum of Modern Art acquired their first painting by the Minnesota born artist.  He worked on easel size works such as this painting an oil on masonite. At the same time Pousette-Dart was also working on larger scale works such as Path of the Hero, running over ten feet in length now in the collection of the Metropolitan Museum of Art.  Both contain fields of color articulated by a highly sophisticated white hieroglyphic vocabulary. Rather than demonstrate an expressionist sensibility, Pousette-Dart harnesses his more cerebral ideas transforming thick areas of paint into a more refined composition of geometric forms akin to the pattern and forms of say a stained glass window. In a way he is looking back at Fugue, 1940 a black and white composition which makes use of a similar format of painting albeit smaller. Color and form are minimal, but what Pousette-Dart has maximized is the rhythmic and syncopated character of painting casting his ideas into purely symbolic terms that one might link to the pictograms of Adolph Gottlieb. Nonetheless, nature is always at the core of Pousette-Dart’s thinking and dreaming. Here he has transformed the local Ramapo Mountains—where he will eventually move with his family to live and work— into a complex series of articulated fragments linked by style, scale and color.  The painting’s imagery built on two large triangles and reduced to just two colors, cobalt blue and white all outlined in black.  Pousette-Dart symbols stacked in horizontal and vertical rows:  blue is ground, white is language, symbolic of light, consciousness and awareness . The painting maintains a mystical character images compounded that formulate a secret code and linked to the series of white paintings Pousette-Dart authored in the first half of the 1950s. Get up close to the picture and you discover images within images a kind of picture puzzle...

Lucien-Victor Guirand de Scevola (1871-1950) A Bouquet of anemones Pastel on paper Signed upper left 44.5 x 36.5 cm Framed : 53.5 x 45.5 cm Lucien Victor Guirand de Scévola was ...

Hand signed and dated by the artist lower right. Includes a beautiful contemporary wooden gilded frame. In excellent conditions. References: - Catalogo della mostra di Pio Semeghini...

'Summer Flowers' by Margaret Ryder (British b. 1908) signed oil on canvas, framed frame: 33 x 26 inches canvas: 27 x 20 inches provenance: private collection, UK Exhibited at the Roy...

French Expressionist by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 10 x 12.5 inches provenance: artists estate, France condition: very good and sound con...

Interior Abstract by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 24 x 19.5 inches provenance: artists estate, France condition: very good and sound condition

French Expressionist by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 16.75 x 15 inches provenance: artists estate, France condition: very good and ...

White Flower Still life by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 25 x 19.5 inches provenance: artists estate, France condition: very good and sound ...

Red Plant Still Life by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 20 x 26 inches stamped verso provenance: artists estate, France condition: very good a...

Threading The Needle by Bernard Labbe (French mid 20th century) original watercolour on artist paper mounted in card frame size: 12 x 16 inches condition: very good and ready to be e...

The Cafe Interior by Guy Nicod (French 1923 - 2021) gouache on artist paper, unframed painting : 20 x 26 inches provenance: artists estate, France condition: very good and sound cond...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Gershon Benjamin (1899 – 1985). An American Modernist of portraits, landscapes, still lifes, and urban scene...

Vegetable Still Life by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 21 x 16.5 inches stamped verso provenance: artists estate, France condition: very good...

Abstract Composition by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed stamped verso painting : 19.5 x 24 inches provenance: artists estate, France condition: very good...

Sunflowers in Vase English Impressionist artist, mid 20th century indistinctly signed oil on canvas, framed framed: 29 x 23.5 inches canvas: 24 x 18 inches provenance: private colle...

Wine Bottles by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 25.5 x 19.5 inches provenance: artists estate, France condition: very good and sound condition

Plant and Bottles Still Life by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 20 x 25.5 inches stamped verso provenance: artists estate, France cond...

Impressive 1963 modernist painting. A cubist abstract with great composition and color. Framed. Signed.

Still Life by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 24 x 18 inches stamped verso provenance: artists estate, France condition: very good and sound c...

A good Spanish Modernist Abstract Impressionist painting by Juan Guillermo Rodriguez Baez (1916-1968), still life oil on canvas, circa 1950. The painting depicts a table with a brigh...