Oversized Interior Paintings

Pulses Between Shadows and Light A diptych painting in the style of Jackson Pollock can be described as a canvas divided into two panels, united by a vibrant and chaotic dynamism ch...

Eberhard Guillaume 1879 – Maastricht – 1949 Dutch Painter 'Young Girl Knitting' Signature: signed lower left and dated 'G Eberhard 1906' Medium: oil on canvas Dimensions: image siz...

A charming study after an original painting by Dutch artist Peter de Hooch (1629-1684). The scene depicts a woman reading in a classically Dutch interior, with soft lighting and simp...

My library, My favorite spot in town, Where all my imagination meets. My place of timeless excitement and constant joy. I could travel the world from this point and could sail throug...

After Bartolome Esteban Murillo (Spanish, 1618-1682), "The Little Fruitseller", Oil on Canvas, 19th century, apparently unsigned, depicting young girl and boy counting money over var...

Artist: Michael Exall (1950-1996) British Title: "Still Life Of Fruit Stand In The Window At Night" Medium: oil on board Size: 102cm x 74cm inc frame Condition: very good Notes: Pai...

Iqi Qoror’s "Blue Underneath Mondrian" (70 inches tall x 79 inches wide) is a striking contemporary painting that fuses surrealism, symbolism, and social commentary into a visually c...

Contemporary pastel toned floral still life painting by Texas based artist Ken Luce. The work features a blue vase with yellow sunflowers arranged on a pink table. Signed by the arti...

Saint Mark's Basilica Venice Oil Painting Signed, lower left dated, titled verso. Romanesque Bizantine Basilica. canvas 35"x45" framed 46.5 x56.5. Frank LeB...

"Dancing with" Abstract Acrylic on Linen Painting 46" x 30" inch by Hossam Dirar "Dancing with" (2016) by Hossam Dirar 46” x 30” Mixed media on linen canvas CHAOS This project i...

Frammento / Casa di Famiglia mixed media on cotton canvas 124x145 cm 2022 Original Art Ready to hang Fragments Family home this painting is part of a series of works of art, "Fragm...

Abstract textured acrylic painting on canvas 165x80x2 cm (65x31x0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides of the work are painted. The artwork is signed, dated and titled. Original artwork with signed Certificate of Authenticity. My artworks are a result of years of studying spiritual books written by Eckhart Tolle. Eckhart Tolle, a spiritual teacher and author, often uses flowers as a metaphor for living in the present moment, which is a central concept in his philosophy. He notes that a flower doesn't think about the past or the future; it simply exists in the present moment, fully expressing its beauty and essence. By observing and appreciating a flower, we can learn to live more fully in the present moment and experience the beauty of life around us. In Tolle's view, flowers can also remind us of the interconnectedness of all things. A flower is not separate from its environment; it relies on the sun, the soil, and other elements to grow and thrive. Similarly, we are not separate from the world around us; we are part of a larger interconnected web of life. By recognizing this interconnectedness, we can develop a greater sense of empathy and compassion for all living beings. International Exhibitions: 2024, January - International Art Fair, Paris Art Salon, Paris, France 2023, December - "Woman: Balancing Our World" at the Mora Museum, New York, USA 2023, October - International Art Exhibition “Rebirth”, Contemporary Art Gallery, Starnberg, Germany 2023, October - International Art Fair “Art Innsbruck”, Austria 2023, August - International Art Fair, "Art Monaco", Monte-Carlo, Monaco 2023, Mai - EOS Laboratorio delle Arti, "Emozioni in Mostra", La Galleria Sant'Andrea, Parma, Italy 2023, Mai - Collins Avenue in Miami, "Just Summer On My Mind", Miami, USA 2023, March - VERNICE Art Fair, BIANCOSCURO Art Exhibition, Forli, Italy  2023, January - International Art Fair, Paris Art Salon, Paris, France
2022, Dezember - "Golden Duck" Gallery, Budapest, Hungary 2022, November - EOS Laboratorio delle Arti, Parma, Italy 2022, November -ARTBOX.PROJECT Miami 3.0 , Miami, USA 2022, October - ARTBOX.PROJECT Palma 1.0, Palma de Mallorca, Spain - Semi-Finalist 2022, August - ARTBOX.PROJECT Zürich 4.0, Zug, Switzerland 2022, May - The State Darwin Museum, "Why does Android need nature?" Moscow, Russia 2022, May - BIENNALE ART EXPO / ARTBOX.PROJECT World 1.0, Venice, Italy 2022, February - ARTBOX.PROJECT World 2.0, URBANSIDE Gallery Zurich, Switzerland 2021, December - The largest project in the history of NFT art, Nikas Safronov...

Vibrant Colorful Abstract-0-18,' a stunning piece of state-of-the-art HAND EMBELLISHED artwork by the talented artist Irena Orlov. This Giclee Reproduction is a true masterpiece, me...

Samir Sarkar - Untitled 36 x 72 inches Acrylic on Canvas ( Unframed & Delivered ) Style : He says, “All my paintings have people wearing some headgear that has a face painted on the...

Hamilton Hamilton (American, 1847-1928) A large and impressive oil on canvas "Othello and Desdemona" after the William Shakespeare's play "Othello", depicting a young Desdemona pleading with an enraged Othello, and perhaps Iago is the seated figure, within a giltwood craquelure finished frame. Signed (l/r): H. Hamilton, 1921 . Canvas Height: 67 inches (170.2 cm) Canvas Width: 48 inches (121.9 cm) Frame Height: 75 inches (190.5 cm) Frame Width: 57 inches (144.8 cm) Frame Depth: 2 inches (5.1 cm) Hamilton Hamilton (1 April 1847 – 4 January 1928) was a painter and etcher, known mostly for his landscapes of the American West. Born in Oxford, England, he lived most of his life in the Eastern United States. He painted landscapes in New York, Connecticut, the American West, England, and France. He also painted portraits and drew illustrations. Artistic career Hamilton Hamilton was born in Oxford, England, on 1 April 1847. While young, he was a protégé of John Ruskin. In 1872, he began his mostly self-taught career as a portrait artist in Buffalo, New York. He created 47 landscape paintings during an 1873 expedition to Colorado which were chosen to be part of the 1876 Centennial Exposition in Philadelphia. He spent 1878 and 1879 painting in Pont-Aven, Brittany, alongside Barbizon School painters. He moved to New York City in 1881 and shortly after began to practice genre painting and etching.[6] He became an associate member of the National Academy of Design in 1886 and a National Academician in 1889. Until the end of the century, he and his family resided alternately in upstate New York, Long Island, Colorado, and England.[6] In 1907 and 1908, Hamilton spent two years painting landscapes in Southern California. In 1912 he and his family permanently moved to Norwalk, Connecticut. There he became involved with the Silvermine group of artists led by Solon Borglum...

The artwork features a vibrant blue background that dominates the composition like an ocean of intensity and emotional depth. On this base, a whirlwind of energetic strokes and paint...

"Winter Table" is a Neo Impressionist rustic still life of fresh Tuscan ingredients. A Fiorentina Steak, Moka pot, red wine, sliced-into cheese, oranges, and artichokes really situat...

Triptych (The size of the picture is 90x150cm. It will be sent in a TUBE! Therefore, it will be necessary to give it to the workshop to stretch the picture on a stretcher.) 150х270 c...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery)

In "Nostalgia" a 21st -century Nigerian painter uses an impressionist technique the brushwork clearly visible —to evoke the haziness between wakefulne...

A pair of beautiful oil paintings by Fritz Zuber-Buhler, titled "The New Arrival" and "After Bath," exemplify his dedication to academic traditions in the ...

A beautiful modern abstract, 100% handmade painting, made with professional varnished acrylics and Amsterdam acrylic sprays on stretched heavy canvas. Dimensions: 140X100X4 cm, 55.1...

Oil on canvas Canvas size: 32 x 45 inches Framed size: 35.5 x 50 inches Signed lower right

Artist/ School: French School, signed lower left, circa 1970's Title: The Interior. Medium: oil painting, on canvas, framed. Size: frame: 25 x 41inches painting: 23.5 x...

Boldly colored portrait of a woman on a sofa by Nealon A. Mundt (American, 1939-2015). A woman is reclining on a dark blue sofa, with a pink wall in the background. The woman is wearing a white top and a pink skirt, with a red bandana on her hear. Her skin is rendered in a fauvist style, mixing bold yellows and greens with skin tones. There are paintings hanging on the wall behind the sofa. Signed and dated in the lower right corner. Titled, signed, and dated on verso. Presented in a wood frame with a linen fillet. Canvas size: 24"H x 36"W Nealon Mundt...

Wonderful German genre painting of 17th century tavern scene in style of Franz Hals by Karl Josef Muller (German, 1864-1942) dated 1918. Signed and dated lower left corner "Karl Muller - Hamburg 1918". Condition: Good; professionally restored: Canvas restreched on new stretcher bars; five repairs made to small tears in canvas (see image); cleaned and re-varnished with UV-resistant varnish. Unframed. Image size: 39.5"H x 55"W. We have the original frame which needs some extensive repair to the gesso. Happy to include the frame with the painting as is. Karl Müller was born in Hamburg-Altstadt in 1865. His wealthy Jewish parents Abraham Müller (1832-1896), citizen of the Hanseatic city since 1869, and Henriette "Jette", b. Burchard (born 1832 Neubuckow / Mecklenburg), had a cigar factory at Spielbudenplatz 5 in St.Pauli. When Karl Müller was ten years old, next to factory and warehouse, now at Speersort 11 (Altstadt), there was also a branch in Altona-Ottensen with the address Am Felde 68. The family lived at the time at Pferdemarkt 13 (Old Town). After attending the Jewish Foundation School at the Zeughausmarkt, Karl Müller completed a three-year lithography apprenticeship. From 1886 to 1888, he studied at the Royal Saxon School of Applied Arts in Dresden with the history and decoration painter Donadini, then with Professor Hanke of the Prussian Academy of Arts in Berlin. Karl Müller's painting style was conventional-realistic and did not follow modern trends. In 1891, the oil paintings "Preparation for the Service", "In the guardroom", tattoo", "gymnastics lesson", "covert patrol” and "return from the field service exercise”, whose main motive almost always soldiers formed.In 1893, he painted the" invasion of the 76er " as a horizontal format in black and white, the painting was acquired by the Museum of Hamburg History in 1930. The disposition of Karl Müller could be classified as "kaisertreu" and "national" (Maike Bruhns) at this time - not by chance he acted with his Nicknamed "Soldatenmüller", he successfully participated in exhibitions in Berlin and Hamburg before the turn of the century. Even at this time, the frequent change of residence is striking: 1893 Papendamm 25 (Rotherbaum), 1896 Bundesstraße 9 (Rotherbaum). In 1898 he was in the Hamburg address book as a "genre and portrait painter" with the residential address 1. average 43 (Rotherbaum) out. At the age of 38, Karl married in 1903 in the Hanseatic city of the Jewish Louise Hauer (born 12.2.1872 in Hamburg), called "Lieschen". Before her marriage, she lived with her mother at Grindelberg 78. Her father, Martin Hauer (1836-1897), also born in Hamburg and was a citizen of the city since 1862, owned a factory for soap and perfume. In 1904 and 1911, the two daughters Karla and Lotte were born. 1904, the family lived at this time in the Bogenstraße 20, Karl Müller commissioned a portrait of the emigrated hamburger Henry Jones opening the same lodge in the Hartungstraße 9-11. Already at this time he might have been a member of the Hamburg Artists Association of 1832. Starting from 1908 further change of dwellings on the basis of the telephone books are comprehensible: nearly yearly the family moved and moved thereby from the Grindel quarter over Hoheluft east to Harvestehude and Winterhude. Around 1912 she moved into an apartment in Sierichstraße 156. Here, the landlord Schröder provided the artist with an area of ​​around 45 square meters as a studio on the dry floor. But the building police criticized this use and after some disputes, the painter had to move once again with family and studio. The official telephone directory recorded as an address from 1914 to 1918 Klosterallee 20 (Harvestehude). Friedrich Jansa described Karl Müller's changed motif choice in his artist's glossary in 1912: "In recent years he has been watercolouring a lot in the Hamburg area and now mainly takes his motifs from Hamburg harbor...

The young Dutch artist Lars van Wieren is seen by many as a great talent. We get that! Through one of our artists we were made aware of Lars' work. W...

Extra-large dramatic painting from 1985 by Francois Boissiere (1956 - )

"Lines Overheard at Art Base" Painting 48 x 36 in by Tetiana Kalivoshko Tetiana Kalivoshko is an American-based Ukrainian artist who specializes in painting, sculpture, and art inst...

(The size of the picture is 90x150cm. It will be sent in a TUBE! Therefore, it will be necessary to give it to the workshop to stretch the picture on a stretcher.) In this vibrant fu...

Richard Andres (American, 1927-2013) Blue Wall, c. 1959 oil on canvas signed and titled verso 42 x 60 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Participant SOLO EXHIBITION in Thun, Switzerland "Strength, and Vulnerability" December 2022. Please get in touch with us if you have any questions about this artwork. MATERIALS: Th...

ABOUT THE ARTWORK In my "PERICHORESIS SERIES," the painting titled "Faith is Tested in Difficult Times" captures the essence of enduring spiritual strength amidst life's adversities....

This superb British musical portrait oil painting is by noted Welsh artist Carey Morris. Painted circa 1925, it is a seated portrait of a white haired gentleman with a large beard, p...

In creating this piece, I wove the luminous warmth of a sunny morning in Venice with the textures and hues of oil, acrylic, and oil pastel. My brush strokes reflect a dance between i...

This is an impulsive abstraction with water lilies and a waltz rhythm. The artist Lana Ritter has created an expressive floral chaotic abstraction. She tri...

"Happy Family", Mid Century Sepia Figurative Interior Scene, Illustration Art by Charles Kinghan A classic and heartwarming mid-century sepia toned figurative interior scene by Charles Ross Kinghan (American, 1895-1984). Circa 1940's. This mid-century piece exemplifies the classic style of illustrations and advertisements from the period, and depicts a family gathered in their living room. Signed "Kinghan" in the lower right corner. Acquired with other works by the artist. Displayed in a period giltwood frame. Linen size: 36"H x 30"W. Framed size: 45"H x 38.5"W x 2"D. Charles Ross Kinghan (American, 1895-1984) was born in Anthony, KS on January 18, 1895. A teacher, he moved to Wichita as a teenager and did sign painting for the Western Sign...

An extra-large red abstract composition that invigorates the bystander with its powerful red and black color play. This oil painting is an exquisite example of a mid-century modern a...

Sunny Summer Vibes invites you into a world of color, energy, and joyful movement. This large-scale artwork on 100% linen canvas (155x155 cm / 61x61 inches, on the stretcher 145x145 ...

Antique American modernist interior scene with two monkeys. Oil on canvas. No signature found. Framed. Image size, 39H x 26L.

- Title: *The Model Posing* - Artist: Rosendo González Carbonell - Technique: Oil on canvas - Dimensions: 38.2 x 45.7 in (unframed) - Signed: Yes, in the lower left corner ...

Soft yellow abstract shapes with curves and lines, 'Still Life' from Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb, who creates autobiographical paintings that are comprised of both abstract and representational elements that consider the natural world as it intersects with utilitarian and architectural design. 'Still Life' — 3 x 4 feet (36 x 48 inches), — is from a series of paintings that characterize sacred spaces such as Mexican chapels...

A large (48 x 48 inch) painting of a scene in the art studio by American artist John Winslow (1938 - ).

A charming depiction of an interior scene with Piano and Chandelier. A cozy impressionistic scene with warmth and feeling. Whimsical details through out and beautiful brushwork. This...

In this contemporary oil painting on panel, two wooden tables stand against a white wall worn with marks from past artworks in an artist's quiet studio. The warmth of the golden brow...

Artist: Detlef E. Aderhold Medium: Mixed Media on Canvas Edition: Original Abstract Painting in Turquoise, Green, Yellow, Blue, Red and Black About the Artist: Detlef E. Aderhol...

In this monumental painting titled Bacchantes, Natasha Lelenco presents a vibrant and dynamic scene featuring mythological Bacchantes. The composition is rich with vivid colors and i...

Charles Hunt Jnr British, (1829-1900) A Deal to be Done Oil on canvas, signed Image size: 24.75 inches x 34.75 inches Size including frame: 32.25 inches x 42.25 inches A superb genre painting of two men and a boy with donkeys and other animals in cottage by Charles Hunt. Two men are depicted conversing at a table in rustic surroundings as a boy watches on. Meanwhile, two donkeys and a pig can be seen chewing the leaves of a turnip on the floor nearby as a small dog stares out at the viewer. Through the open door to the far left, we are shown a glimpse of a garden path leading to a gate with trees and a landscape beyond. Charles Hunt was a genre and figure painter born in Kensington, London in 1829. His sons Reuben Hunt...

Kirsten Jackson creates vibrant abstract paintings filled with sunny color blocks, showcasing her contemporary and original style. Fiercely independent, this Australian artist aims t...

Navy blue to light blue, with white, cream, and touches of yellow, are celebrated in this abstract geometric mixed media painting with acrylic, ink, polymers and layers of complex an...

This charming late 19th-century oil painting by English artist Walter Dendy Sadler RBA (1854-1923) depicts an introduction between a demure young Regency lady and her potential suito...

LOUIS GRANER Y ARRUFI (Spanish, 1863-1929) The Glow 1923 oil on canvas Signed & dated 23 lower left In a Fine Giltwood Carved Frame 33 by 25 ½ in. W/frame ...

Susan Washington seamlessly blends modern textiles, delicate threads, and captivating vintage pattern paper to create her mesmerizing mixed-media, abstract collage works. Through her masterful technique, she produces surfaces that are richly layered with textures and adorned with expressive line work, resulting in artworks that are both visually stimulating and aesthetically satisfying. Drawing inspiration from the early Synthetic Cubists, Abstract Expressionists, and the esteemed St. Ives School of Painters, she pushes the boundaries of her craft, forging a distinct artistic path that is both innovative and thought-provoking. This one-of-a-kind 48-inch tall by 36-inch wide oil artwork on canvas is wired and ready to hang. It bears the artist's signature on the front and back and comes with a certificate of authenticity from the art gallery. Free delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for US and international art collectors. Hailing from the vibrant artistic hub of Brooklyn, Susan Washington was raised in a creative family that fostered her innate talent from a young age. At the tender age of seven, her Japanese godmother imparted to her the ancient art of sumi ink painting, igniting a lifelong passion for art and fashion. With a solid foundation rooted in both disciplines, Washington honed her skills within the bustling fashion industry of New York City for over 15 years before finding her home in the serene Pocono Mountains. “My recent work continues the exploration of shapes that originate in tailoring pattern pieces,” says Washington. “My works over time have become more structural in their compositions. I utilize textile cutouts that have been previously sewn and/or painted. I allow threads and frayed edges to act as ‘painterly’ gestures within a loose grid of contrasting shapes that jostle for position across the canvas. I enjoy the tensions where shapes meet and create negative space or where color overlaps and interacts.” Washington's modernist approach to Cubist-inspired artworks has gained international recognition for asymmetrical geometric elements that combine to form a complex, layered composition. Her artworks have been exhibited and collected internationally, including in New York, Los Angeles, and Shanghai. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2024 Affordable Art Fair, NYC 2017-23 Artspace Warehouse, Los Angeles, CA 2021 Boom! Nitro Gallery Art She Says Solo Exhibition Affordable Art Fair Muriel Guepin 414 Light Exhibition Spring Exhibit at Muriel Guepin Gallery NYC 2019 SOFA CHICAGO with Inspired Interiors Affordable Art Fair NYC Market Art & Design Hamptons NY White Room Gallery All The Pieces 2018 Banana Factory Arts Center Bethlehem, PA Lachaise Gallery at Cedar Crest University Connexions Gallery Easton, PA Brick & Mortar Gallery Easton, PA 2017 Affordable Art Fair New York, NY 2016 Cherry Bomb...

Serigraphy and collage of elements on Lucio del Pezzo hand-painted hand-made paper. Graphic work created in the 80s in 50 numbered copies signed by the artist.  The sheet is in perfe...

Untitled 3 (ABlackJECTION 3), 2012 Oil on canvas 78.74 H x 39.37 W in. 200 H x 100 W cm The notion of “abjection”, which at the beginnings referred to the idea of spirit degradat...

Expressive Mid-Century figural painting of two women and child in pastel hues by Harold Kitner (American, 1921 - 2004). Image, 33"H x 48"W Walnut frame, 34"H x 49"W x 2"D Harold Kitner was born on May 18, 1921 in Cleveland, Ohio and was the son of Isaac and Frieda Kitner. He obtained his MA from Case Western Reserve University in 1947. Kitner was a postgraduate from Cleveland Institute, Ohio University, Cleveland College, Washington and Lee University. He obtained his Doctorate from Kent State University. Exhibition: Harold Kitner - Active / Figure / Exaltation at Kent State School of Art Gallery in Kent, Ohio in 2014. Harold Kitner taught for over 30 years at the Kent State University School of Art. Harold Kitner began teaching art and art history at Kent State University in 1947. During his career, he served as Director and Chairman of the Fine Arts Division. Kitner played a significant role in creating the Art School’s core program, organizing the Kent State Arts Festival, and the Blossom Festival School. He also served as President of the Kent chapter of the American Association of University Professors, and was an art critic for the Akron Beacon Journal. In 1967, Kitner became Kent State University’s first Faculty Ombudsman, officially titled Dean for Faculty Counsel. He held this position until 1974. At the time of the Kent State shootings, Kitner’s position as Ombudsman meant that he was involved in many of the decisions regarding University administration in the weeks and months following the Kent State shootings. Kitner began a partial retirement in 1980, and left Kent to become the director of the Institute of the South Florida Art...

I would always seek validation on every little thing. Validation to take the simplest action and most times the response breaks me even more. I realized to be confident in one’s body I had to work on my mind because the mind controls...

In this piece, I delve into the depths of emotion and the beauty of impermanence, using layers of acrylic to capture fleeting moments of clarity amidst chaos. The interplay of dark a...