Canvas Interior Paintings

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

"Winter Table" is a Neo Impressionist rustic still life of fresh Tuscan ingredients. A Fiorentina Steak, Moka pot, red wine, sliced-into cheese, oranges, and artichokes really situat...

Venetian painter (18th century) - Madonna with Child. 37.5 x 45.5 cm without frame, 55 x 63 cm with frame. Antique oil painting on canvas, in a carved wooden frame (not signed). C...

Peonies 1975. Oil on canvas, 100x92 cm The combination of the pink flowers and the blue vase creates a harmonious color scheme, evoking a sense of tranquility and elegance. The pa...

Artist: Harry McCormick, American (1942 - ) Title: Suzie Year: circa 1980 Medium: Oil on Canvas, signed l.r. Size: 41 x 52 inches (104.14 x 132.08 cm) Frame Size: 42.5 x 52.5 inches

Original acrylic photorealist architectural painting in full and dazzling color, where a "SOLD" sign hangs on a San Francisco Chinatown building for sale. The complex scene features light and shadow falling across tiered metal balconies...

Vita Merca Latvian artist born 1951. Her father was a conductor, her mother was fascinated with violin and entered Vita in the music world and later in fine arts. Vita has been interested in painting since thirteen years of age. "in the fairy tales by Karl Skalbe, in the poems ofFricis Bard. I also try to approach this subtle soul vibration," says Merca. She emphasizes that she feels free of pompousness and more when she is painting, painting as a means of expression, managing techniques and paying attention to the nuances and motifs, without excessive volume. "Conceptualism does not exist for me, I want more so that a person, by contacting the painting, reveals what I want to say. It is looking for my contemporaries, the souls of the soul," she says. The artist is painting very specific things, but the reflection of water in her is not only general, it connects the earth and the sky. "It's like serving beauty," says Merca about her relationship with painting. Education: Jahn Rozenthal Riga Art Academy(1963-1970) and the Department of Painting of the Latvian Academy of Arts (1970-1977), graduated in 1977. at Eduard Kalniņš, in 1983 graduated from the postgraduate studio of the Art Academy of the USSR Riga with Professor Eduard Kalniņa. Graduated from the Art Academy at the master's studio in Riga. Participated in exhibitions since 1976. Member of the Artists' Union of Latvia since 1980 and member of the association "B - 13" (1993 - 1998) from 1993. Has had personal exhibition in Jelgava (1991) and Riga (1993). Regularly participated in group exhibitions in Riga, Vilnius, Moscow, Finland, Sweden, Germany, Poland, Italy, France, Japan and elsewhere. Works are in the State Art Museum, the Latvian Artists' Union, the collections of the Latvian National Museum of Art, Riga and Talsi museum Ģederta Eliasa Jelgava History and Art Museum, Works in private collections in Latvia, Estonia, Denmark, Sweden, Germany, France, Russia, Canada, USA, Australia, Israel, Italy Popular painter...

"Madam Suburbia #III - Doing Dishes" Figurative in Oil on Canvas African-American woman at her kitchen sink by Patricia Gren Hayes (Canadian/American, b....

Sunflowers, Large Scale Modernist Floral Bouquet Still-Life by Tarmo Pasto. A stunning large-scale modernist oil on canvas still-life of sunflowers by Dr. Tarmo Pasto (American, 1906-1986). This modern floral bouquet still-life, painted by Pasto in 1973, harkens back to Van Gogh's world famous turn-of-the-century depiction of the same subject. Pasto uses a modern and fresh color palette of dark green, light yellow, lavender, and peach in this vibrant modern sunflower portrayal. Signed "Tarmo Pasto" and dated "73" lower right. Presented in a brown painted wood frame. Image size: 38"H x 30"L. Framed size: 44"H x 36"W x 2"D. Dr. Tarmo Pasto was a psychiatrist and artist, who taught psychology and art through the 1970s at California State College at Sacramento since the schools inception. He also authored a book on art...

This work consists of two canvases of Diptych Work composed of a wooden frame supported by a high-quality cotton fabric. It is a large work of marvelous beauty. The scene is an evoca...

Charles Léon Cardon 1850 – Brussels – 1921 Belgian Painter 'A Gentleman and a Maid' Signature: signed top right and dated ‘Ch. Léon Cardon - 1880’ Medium: oil on canvas Dimensions...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

Amit Kalla - Pratyabhigyan-2 - 36 x 72 inches (unframed size) Acrylic on Canvas, 2021 ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represent...

Beautiful mid century still-life of authentic Hopi Indian relics including terracotta pottery, an ear of corn, and colorful moccasins on a traditional patt...

Oil on canvasboard. Framed. No signature found.

Artist Adelie Bischoff sits in a chair while William Rushton looks on. The two artists met at an opening reception at the launch of an art exhibition both were participating in. Rush...

Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas Still life in a semi-cubist style by Irene Pattinson (American, 1909-1999). On a reddish-purple table, there is a plate with two apples, a bottle of wine, and an acoustic guitar. The guitar's headstock is shown extending from where the neck meets the body, implying a cubist interpretation of the scene. At the back of the still life arrangement, there is a (collage) newspaper with "Costa Rica!" in the headline. At the left of the composition, there is a curtain or cloth draped across part of the scene. Signed "Irene Pattinson" on verso. No frame. Canvas size: 32"H x 24"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance:The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works) Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963; Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...

Jonathan Pratt British, (1835-1911) Spinning Wool Oil on canvas, signed Image size: 12 inches x 17.75 inches Size including frame: 17.25 inches x 23 inches A pleasing genre paintin...

A contemplative, contemporary self-portrait of the artist with neon green by Bay Area artist Michael Pauker (American, b.1957). In the background of this piece are self-portraits fro...

In this oil painting, I've poured my soul into capturing the timeless elegance of roses, a symphony of color and emotion. Every brushstroke is imbued with passion, reflecting the dan...

Wonderful mid century portrait of woman named Charlotte by Irinia Belotelkin Roublon (Russian/American, 1913 - 2009), circa 1960. Signed lower right corner and on verso. Unframed. Image size: 14"H x 11"W. Irina Belotelkin Roublon, née Roudakoff, was born in Elisavetgrad, Ukraine to the Russian noblesse ancienne, descendant of Catherine the Great, she was a student at the Mariinsky Noble Ladies' Institute , Novocherkassk, Russia. She was orphaned at the time of the Russian Civil War after her father, General Paul Roudakoff, was fatally wounded in battle; 5 days later her mother died of typhus. Still unaware of her parents' death, and after witnessing her two sisters' deaths from starvation, the young Irina, then 8 years old, made her way over 1,000 kilometers, alone and through many privations to Moscow and the Estonian embassy there, with whom her Estonian uncle Volodya Blonsky had made arrangements. After a year in Moscow, and appeals to the Estonian consul, Irina was aided in a dramatic escape from the Soviet Union, to her aunt Anna Blonsky Lassburg (1882–1940) and her husband Doctor Genrick Lassburg in Tallinn, Estonia. Eventually, after in 1929, traveling through Ellis Island and admitted as a student, of voice studies, she joined her brother who had settled, in 1923, in the United States. Irina came to San Francisco during the Second World War, Among Irina's devotions were ballet and opera. She often entertained friends Rudolf Nureyev, Mikhail Baryshnikov, and Sergei Leiferkus when they were in town. Natalia Makarova and Yuri Possokhov were often guests at Irina's Russian Christmas and Easter parties. From the early 1960s through the late 1980s, Irina studied and prolifically created still life and portrait paintings in oil and water color, excelling in flower compositions. She held studio and feature exhibitions; she competed and won prizes. Her work is in holdings throughout the San Francisco Bay area, Europe and Russia. In 1965 she undertook private study with two prominent Russian painters, including Serge Ivanoff; she executed a portrait of her two masters. She cherished her portrait as executed by Serge Ivanoff. Among her most accomplished pieces are those of iris and the large white Matilija...

Francisco Chico da Silva was born in 1910 in Alto Tejo, Brazil. He started his career in 1935 in the city of Fortaleza. The artist grew up with north B...

"The Rembrandt Room" is a realist oil painting by Steven J. Levin. It depicts three people in a museum gallery. One person is looking at the art, another is seated on a bench, with t...

Realistic landscape painting by Edie Nadelhaft - Oil on canvas, 16 x 20 inches. An avid motorcyclist, Edie Nadelhaft takes annual weeks...

Early 20th century English oil painting of a chapel by Frank Moss Bennett English, 1918 Canvas: Height 35cm, width 25cm Frame: Height 57cm, width 47cm, depth 6cm This atmospheric oil on canvas by noted English painter Frank Moss Bennett (1874–1952) captures the quiet beauty of the Martyn Chapel within St Mary’s Church, Puddletown, Dorset. Known for his affinity for architectural subjects and historical scenes, Bennett presents here a masterful interpretation of medieval ecclesiastical design. Executed in November 1918, the painting demonstrates Bennett’s refined technique and keen eye for architectural accuracy. His skill in manipulating colour and light is evident throughout the work, particularly in the vivid portrayal of the chapel’s stained-glass window. Multicoloured light dances across the aged stonework, adding warmth and depth to the sacred interior. St Mary’s Church, originally built during the Norman period, retains many 12th century features alongside elements from later restorations. Bennett was deeply inspired by Dorset’s heritage buildings and natural scenery, and this location featured frequently in his body of work. The canvas is presented in a richly carved giltwood frame. It is signed and dated ‘FMB / Nov 1918’ at the lower right and inscribed on the reverse with the title ‘The Martyn Chapel, St. Mary’s, Puddletown’. An artist’s biography is also affixed to the back. This fine example of early 20th century British painting...

This exquisite genre painting showcases a darling slice of life for a young woman in the Belle Epoque era. Dressed in a frilly frock made of detailed lace, and wearing a v shaped pin...

The Restless Sea Holds Deep Passion by Carolyn Tryer Signed by the artist Acrylic on canvas. Work size: 80 x 100 cm The mesmerising light on the gorgeous waves sparkled like diamonds...

Original Graffiti Street Art on Canvas, Mixed Medium on Canvas Original Mixed Media Graffiti Street Art on Canvas Investment Opportunity - Unique - Original - Signed This is an ori...

Amit Kalla - Untitled - 86 x 120 inches (unframed size) Acrylic on canvas ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his co...

Bold and expressive large scale figurative abstract painting of two people conversing in a theater, with a silhouette of a third figure in the foreground, by Jane Voitle Mellin (Amer...

This beautiful painting by Jeroen Allart is part of his minimalist landscape and interior painting he did in his home country the Netherlands. 'A farm st...

A fine impressionist still life with irises in a glass vase by contemporary American artist Stephen Motyka (b. 1964). Stephen was born in Rhode Island and started painting and drawin...

"Separate Worlds, One Chair" Painting 24" x 24" inch by Tasneem El-Meshad Acrylic and Oil on Canvas Academy of Fine Arts Cairo graduate Tasneem El Meshad describes her art, as “a r...

One of a kind Mixed Medium on Canvas Artwork: Original abstract mixed media work on canvas, which combines new media - digital original hand painting, printed on canvas, then hand p...

Vintage still life in earthy hues of a wine bottle with two golden apples and a copper mug by California artist Friedel Riise (American, 20th century). Sign...

Medium: Oil on Canvas Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, October 22, 1955. The Post described, “Mother is making rapid progress...

The painting Above the City by Andrei Kreminsky is a poetic story of freedom, dreams and endless horizons. The canvas depicts a cityscape drowning in a mystical haze, which creates a...

In this whirlwind of vibrant strokes and passionate hues, I've imbued my soul into the canvas, portraying blossoms that dance with life's exuberance. The petals, rich in texture, see...

Amit Kalla - Abstract - 34 x 60 inches (unframed size) Acrylic on Canvas ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his com...

For over ten years, at art exhibitions in Kharkiv and Ukraine, fans of painting and graphics can see works signed with the ASK monogram. Sometimes these works are arranged in large s...

Antique American modernist signed still life oil painting. Oil on board. Signed. Framed.

Signed lower right, 'Lars Swane', dated 1986, and inscribed verso 'Tilhører Palle Nielsen'. A substantial, oil still-life showing variegated, red and yellow tulips informally arranged in a cobalt blue patterned vase, resting inside a cobalt and ivory bowl on a wooden table beside various books, with a view beyond through a window to a winter landscape. Son of the artists Sigurd Swane...

Pastel Fields by Fleur Park [2022] Signed by the artist Acrylic on Canvas Size of each work : H:80 cm x W:60 cm x D:2.5cm Complete size of diptych: H:80cm x W:120cm x D:2.5 Sold Unfr...

Oil paint on canvas Doug Newton’s hyper-real paintings observe reality, explore translucency, reflections and luminosity, and dazzle the viewer with all the ways light can transform...

ROGELIO DE EGUSQUIZA Spanish, 1845 - 1915 A REVERIE DURING THE BALL signed and dated "Rogelio Egusquiza, 1879" (lower right) oil on canvas 21-3/4 X 3...

Oil on canvas Canvas size: 27.5 x 19.5 inches Framed size: 33.75 x 26 inches Signed upper left

Modern Cubist inspired colorful abstract still life painting by the French artist Marcel Mouly. The work features a collection of bottles and vases arranged on a red table that has b...

Antique American modernist still life oil painting. Oil on canvas. Signed.

Robert W. Petrick City Life Acrylic on Canvas 36 x 36 x 1 inches This dynamic abstract "Construction" by Robert W. Petrick is inspired by city life. East Village, New York. Int...

female bathers by visionary artist Stephen Basso

This is an oil painting of the iconic house in California designed by the famous architect Richard Neutra. I love to paint this house from many different angles and always focusing o...

Impressive early American modernist interior scene oil painting. Framed. Oil on board. Signed verso. Image size, 20 by 27 inches.

"Patio in Peru" is an original oil painting on canvas signed in the lower right by Ernesto Gutierrez. It depicts an archway leading out to a patio where sunlight pours in. 10" x 8"...

Stately still life of terra cotta pottery by A. Peterson. Five pieces of pottery sit atop a table with a tablecloth. Each piece of pottery is decorated with ornate patterns, mostly i...

March 1989. Oil on canvas, 80x90 cm

Vintage American realist still life. Oil on canvas. Unframed.

Open window to the city in spring, light, roofs, City, Interior MAYA KOPITZEVA (Gagra, Georgia, 1924 - 2005) Maya kopitzeva’s works have been acquired by the Russian Ministry of ...

SUNLIT STILL LIFE Oil on canvas Size: 63 x 54 cm (including frame) A cosy and intimate mid-century still life composition that captures a warmly lit interior scene, executed in oil ...

A large (48 x 48 inch) painting of a scene in the art studio by American artist John Winslow (1938 - ).