Charles Hunt Jnr Art

Pocket Deep Blush Pear 1 [2023] Pocket Ripe Banana by Dani Humberstone [2022} original Oil paint on canvas Image size: H:7 cm x W:5 cm Complete Size of Unframed Work: H:7 cm x W:5 cm...

Italian painter (early 18th century) - Four Evangelists. 25.5 x 19 cm without frame, 29 x 22.5 cm with frame. Group of four oils on panel, in wooden frames (not signed). The serie...

This is a painting from my series of architecural paintings. In this particular painting I have played with colour by adding a striking cinematic pink sky which contrasts against a turquoise pool and a green grass garden. I love mid century architecture, its straight lines with its glass windows giving wonderful reflections. I also love to paint warm climates with tropical plants and palm trees which have an exotic feel good vibe. ADDITIONAL INFORMATION: Pink Sky Neutra House...

Card Game in the Parlour by ALEXANDER AUSTEN (1859-1924) signed oil on canvas, framed framed: 17 x 15 inches canvas: 12 x 10 inches Provenance: Private collection, Yorkshire, England...

Signed and dated lower left. Includes a beautiful later wooden frame cm. 137x8x182. Very Good conditions. Prov. Christie's London, February 15th 1974, n. 19. This artwork is shippe...

This charming painting depicts a group of gentlemen gathered around a kitchen table and admiring an English Setter. The snowy rooftops, just visible from the kitchen window, combined with the lit fire and holly decorating the picture frames in the room, implies that this is a Christmas scene. It also appears that the gentlemen have just returned from a fox hunt, and are now warming themselves, drinking port and smoking long pipes by the fire. Five men — three gathered behind the table and two standing in front — are identically dressed in long black riding boots...

Vintage Figurative Cat Oil Painting on stretched canvas by French artist Berthine Marceau, signed on the left and dated 1989. This gorgeous, unusual, charming and whimsical cat inte...

Caravaggesque painter (17th century) - Saint Jerome. 47 x 73 cm. Oil on canvas, unframed (not signed). The painting depicts Saint Jerome recumbent, wrapped in a red cloak, in a mo...

Vaclav Vytlacil Woman Reading in an Interior, circa 1915 Signed lower right Oil on canvas 16 x 20 inches As a child, Vytlacil had taken art classes at the Art Institute of Chicago....

Artist/ School: David Wilkie Wynfield, (British 1837-1887) Title: Elegant Ladies in a Drawing Room interior scene Medium: oil on panel, framed Framed: ...

Giovanni Domenico Valentino (Rome 1630 - Imola 1708) Signed with the monogram G.D.V in the center right, on a majolica vase The pharmacist in his laboratory Oil on canvas, 73 x 66 cm In gilded and lacquered frame cm. 86 x 80 This work, depicting a fascinating laboratory interior with a pharmacist busy in the preparation of medicines, is part of the typical production of the Roman Gian Domenico Valentini, also known as Giovanni Domenico Valentino (Rome 1630 - Imola 1708). The canvas, which is signed with the monogram G.D.V in the center right on a majolica vase, should have been painted in Rome, where the painter worked from 1662 until his death, except in 1680-1681, when he worked in Imola and Ravenna. The use of models by Flemish artists who populated the Eternal City appears essential in the development of Valentini's painting. The use of Nordic models in the development of this type of pictorial genre, with interior scenes and elements of still life, had gained great fortune with the Roman client, leading to an almost serial production, but always of great evocative charm. . Giovanni Domenico Valentini distinguished himself in the artistic panorama of the Italian seventeenth century precisely for the peculiarity of his favorite subjects: they are mainly kitchen interiors or as in our case of a laboratory, where countless objects are piled up arranged in picturesque disorder: here the tools of a pharmacy, in copper and terracotta, vases or pourers in metal and clay, jars and albarelli in majolica, bottles, flasks, glasses, cauldrons, basins and other containers in copper and terracotta, as well as an open oven. The large background wall is occupied by an angular hanging shelf for jars and apothecary jars all arranged in a row, in the foreground the still life featured various pharmaceutical tools such as apothecary bottles, mortar bowls, jars and jars with handles as well as pots and copper vessels. Particularly striking from a chromatic point of view, and a typical piece of furniture of the painter, is the painting above the door frame, which depicts a landscape. The interiors of the Valentini, of which our painting is a valuable example, which display large quantities of objects or furnishings, are arranged with a wisely studied organization: the whole represented is arranged according to the dictates of a pre-ordered exhibition and appears so to speak 'on display', exhibited and organized according to the very personal intent of a painter who aims to ennoble everyday life and make it the emblem of his art. The interior of our pharmacy is very similar to a monogrammed version kept in the Musée des Beaux-Arts, Palais Fesch, in Ajaccio (inv. 852-1-461) depicting a 'Young man visiting a pharmacy', in which the same elements, albeit varied: the half-open wardrobe...

Artist/ School: David Wilkie Wynfield (1837-1887) British Title: Elegant Figures in an Interior Medium: oil painting on canvas, framed. Indistinctly Ins...