Robert Gallon Art

Oil on canvas, 20 7/8 x 15 inches Framed: 29 x 23 inches Benjamin Ferris Gilman was a native of New York whose mother, Julia Ferris Gilman (died 1923), had taught elementary drawing classes at the Philadelphia School of Design for Women (now the Moore College of Art). In 1877 he enrolled at the Pennsylvania Academy...

Nicholas Berger Biography American, b. 1949 In his more than three decades as an artist, Nicholas Berger (b. 1949) has created an outstanding body of work that continues to evolve a...

Thelma Appel French Hill Spring, 2010 Acrylic and Oil on Canvas painting Hand signed and titled on the back Frame included Measurements: 35" x 51" x .5" This painting is inspired by French Hill, in Yorktown Heights, Westchester County, New York where the artist once lived. The place has great history as it is the location where the French Army encamped, not far from the Hudson River, while assisting the Americans during the American Revolution in the late 1700s. This painting was exhibited in the Fall of 2018 at the show, "Thelma Appel: Landscapes, Cityscapes & Biblical Journeys", Edward & Bernice Wenger Center for the Arts, Greenvale, New York, curated by art advisor and director Susan Seelig. A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been working and teaching for more than six decades. In 2019, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams. She has also exhibited at the Mattatuck Museum in Connecticut, which acquired one of her fabric collages for their permanent collection. Thelma Appel was raised in Darjeeling, India and educated in London, England, at St. Martin's School of Art (now Central St. Martins) and Hornsey College of Art before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary...

An original signed oil painting on canvas by English artist John Cheltenham Wake (1837-1882) titled "Fishermen Unloading the Day's Catch, Dover", 1874. Hand signed and dated by Wake ...

A monumental Italian landscape oil painting. "Apuan Mountains" of Italy (The Italian Alps) Shepherds in the mountains with the village of Seravezza below. Painted by Andreas Marko...

BRITISH SCHOOL 19th Century HMY VICTORIA AND ALBERT INSPECTING THE FLEET OFF PORTSMOUTH Oil on canvas, dated Image size: 22 ½ × 33 inches (57 ×84 cm) Contemporary gilt frame HMY Victoria and Albert was a twin-paddle steamer launched 25 April 1843. It functioned as a royal yacht of the sovereign, owned and operated by the Royal Navy. She was laid down in 1842 at Pembroke Dock and was designed by William Symonds. She measured 1,034 tons burthen, carried two guns, and was the first royal yacht to be steam powered, being fitted with a 430 horsepower engine. One of the notable features that distinguished the Royal Yacht from other paddle steamers of the time, was the extremely tall masts she carried. This was in order to fly the over-sized ensigns when Queen Victoria was onboard - the Royal Standard...

Figures by a Pond, with Cattle and a Church beyond by Sarah Ferneley (1812-1903) Oil on canvas 76.5 x 63.5 (30 ⅛ x 25 inches) Executed circa 1840 Beautifully presented in a heavy pe...

John Frederick Herring Junior, Antique 19th century English, Cart Horses in a farmyard landscape with cottage. John Frederick Herring Jnr. was a painter of sporting and animal subjects in oil and watercolor. His style was very similar to that of his father, John Frederick Herring Snr...

Oil on canvas by Louis-Georges ALATERRE, France. "Snow in Saint-Julien-Chapteuil". with frame: 59.5x75 cm - 23.4x29.5 inches. without frame: 46x61 cm - 18.1x24 inches. 12P format. Signed lower left "Louis Alaterre". Titled on the back. On the back, a handwritten date of 1935 and a label of a send to a salon in 1952. Akoun guide : €2,000 Louis-Georges Alaterre was born in Chateaudun (Eure-et-Loire), French school. Student of Cormon, he has his studio at Montparnasse, 9 rue...

Large seascape painting of Mill Bay, Cornwall by David James (British, 1853-1904) British, 1887 Frame: height 80cm, width 143cm, depth 6cm C...

Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson and Jimmy Ernst....

George Nemethy finds his inspiration in moments of quiet and solitude. Where he finds himself one with the sea and the sky and the tranquil world which he freely escapes to. Trained from an early age by his father Albert Nemethy, a world-renowned painter known best for his large scale steamer boats, George found...