Oil Interior Paintings

Original art by Lesia Danilina. Abstract acrylic painting on canvas "Support". Water has many images, symbols, associations, its ordinariness and singu...

Pierre Bergian (Bruges, Belgium, b. 1965) explores the essence of space, depicting architectural interiors with an expressive line that renders them out of time. Bergian lives and wo...

Still Life of Fruit by Josine Vignon (French 1922-2022) signed and stamped verso oil painting on canvas, unframed canvas: 18 x 22 inches very good condition provenance: from the art...

French School, mid 20th century signed oil painting on canvas, framed framed: 17 x 13 board: 13 x 9.5 inches provenance: private collection, France condition: very good and sound co...

Canvas Size: 28 x 36" (71 x 91cm) Outside Frame Size 36 x 44" (91 x 111cm) It is signed on the middle right on the wooden window. This is a stunning painting of a racehorse signed and dated J F Herring Sen 1842. The horse is named above the water trough as Attilla. As Herring was a renowned painter of racehorses it is likely that this was done for a wealthy patron who owned several. Although he painted many of the winners of the St. Ledger Cup Attilla was not one of these. Free carriage worldwide John Frederick HERRING Snr 1795 – 1865 A sporting painter, born in Surrey of American/Dutch extraction. At first he was a sign and coach painter. He then worked as a stable boy and coachman in Yorkshire until with the help of patrons he was able to study with Abraham Cooper RA, the only art education he appears to have had. He specialised in racing subjects and his few hunting scenes are rare. Herring painted the start of the 1844 Derby, which became known as ‘the dirtiest Derby in history’. He sometimes collaborated with his three sons, J.F.Jnr, Benjamin Jnr and Charles. He also collaborated with James Pollard on a number of racing scenes inc. ‘The Doncaster Gold Cup’, 1838, ‘The Emperor of Russia’s Cup at Ascot’ 1845 and ‘The Dead Heat for the Doncaster Great St. Ledger’ 1849 Herring painted 33 successive winners of the St. Ledger and not surprisingly lived a large part of his life in the Doncaster area before settling in Newmarket in 1830 and then in London in 1835. He suffered serious financial difficulties after his move to London which, thanks to a great friend and patron William Taylor Copeland (1797 – 1868) head of the Spode Porcelain factory at Stoke on Trent, was resolved. He painted many pictures of the Copeland family, some of which were adapted and used as designs on the Spode china...

Original painting on canvas. Hand signed lower front by Ferjo. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers...

This beautiful painting by Jeroen Allart is part of his minimalist landscape and animal painting he did in his home country the Netherlands. 'A farm stands before you on the horizon....

White Houses Mijas is an Original Painting by Eleanor Woolley. This painting began as a Plein Air sketch and was developed in the Studio. I love these traditional Spanish villages, and on this spring day they looked so impressive. The striking contrast of blue sky against the white houses, with their traditional blue pots...

Original Lachlan Goudie ROI oil painting entitled "The Piano Lesson" measuring 39cm x 30cm inclusive of frame. Signed lower left. Goudie lives and wor...

Large scale French still life of a vase with flowers by André Vagh Weinmann. The painting is signed and dated bottom right. Presented in a very fine patinated wood frame. An imposin...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

A most attractive and striking image of daffodils placed against a darker background Howard J Morgan (1949-2020) Daffodils in a china jug Signed and S...

Interior Jungle 2021 Original Unique Artwork oil on linen Interior Jungle 2021 oil on linen 46 x 36 cm A figure surreal looking figure seemingly without a face sits on a red and white patterned sofa in an interior. Sarah Jeffries...

"White on White Blue" is a monochromatic, interior still life by Philadelphia born Expressionist painter Bernard Harmon. The 20" x 16" oil on canvas painting is framed and signed "B ...

Aiko MIYAWAKI graduated from Japan Women's University (Western History Department) in 1952. In 1953, she was introduced to the Western-style painter Nob...

Vintage American modernist abstract interior painting. Oil on canvas, circa 1930. No signature found. Image size, 20L x 16H. Framing available.

The surfaces Susan Washington works with are derived from her memories of the graffitied subway car, public telephone booths, and rolling steel cages that secure neighborhood stores ...

The artwork is made using large voluminous strokes, in the impressions technique. Painted with brushes on the canvas. This work is unique, this is not a copy. Signed on the front side and accompanied by a Certificate of Authenticity. Ready to hang. Canvas painted from all sides. This painting is a perfect gift for Mother's Day or Easter! Please contact us if you have any questions about this piece. Anna Reznikova's artworks are presented on 1stDibst by Art Voyage Gallery.

Original oil painting by Polish born painter Wlodzimierz Zakrzewski (1916-1992) and depicting Elvezia Ratti in her home in Milan Italy. Włodzimierz Zakrzewski (Petersburg 1916 - War...

Sparkling horizon by Georgie Dowling [2023] An original oil painting on canvas portraying a view out to sea from the beach on a clear summers day. The sunlight sparkles on the sea i...

The impressionistic painting with the bright sunlight, the dramatic sky and a calm field is a beautiful wall decor, the painting was created en plein-air, combinations of warm and co...

Tulips and Lemons by Fiona Carver [2022] original Oil Paint on Linen Panel Image size: H:30 cm x W:20 cm Complete Size of Unframed Work: H:30 cm x W:20 cm x D:0.4cm Frame Size: H:40...

"Beach Boat" Painting 28" x 10" inch by Tasneem El-Meshad Acrylic and Oil on Canvas Academy of Fine Arts Cairo graduate Tasneem El Meshad describes her art, as “a reflection of the...

Still life with apples 1961. Canvas, oil, 50x70 cm Published at book Biruta baumane on 78 page "Still Life with Apples" is a stylized still life pain...

"Lilacs, Coffee, Wine" is a Neo-Impressionist rustic still life in Tuscany. Familiar characters in Fenke's kitchen table still lifes include a tea pot, Moka pot, cheese, red wine, a ...

CELSO LAGAR Spanish, 1891 - 1966 LES MUSICIENS signed "Lagar" (lower right) signed again, located & dated "Lagar / Paris 1928" (on the reverse) oil on canvas 23-3/4 x 28-3/4 inches ...

Oil measures 100x100 cm. Frameless. Painter, psychoanalyst and poet, he exhibits his works regularly in Barcelona since 1982. Focused mainly on painting, he also makes drawings and ...

Nature Morte French School, late 20th century signed verso oil painting on canvas, unframed canvas: 13 x 16 inches provenance: private collection, France condition: very good and sou...

French School, mid 20th century Still life of books oil on board unframed board: 10.5 x 13.75 inches provenance: private collection, France condi...

Oil on canvas, monogrammed lower left and inscribed on reverse Image size: 20 x 24 inches (51 x 61 cm) Original gilt frame Provenance Mrs. Georgina Gale (Artists Widow) Bristol, Br...

Sunny impressionistic landscape with a river and the last snow is a beautiful, lively and light interior decoration, the plein air painting is created in soft pleasant colours. Last ...

Anders Ståhl, Swedish painter, born 1966. Since modernism, outdoor painting has largely been forgotten by professional painters, but the Swedish artist A...

Impressionistic painting with blooming spring tree is a beautiful landscape for your interior. For the artist, springtime is one of the most beautiful period of the year. Nikolay is ...

"Ceremony" Abstract Oil Painting 39" x 59" in by Muzaffar Abdullaev ABOUT: He was born in 1953 in Bukhara, where he lives and works. Boasting forty years of experience, the artist...

Professional impressionistic painting with the setting Sun, warm soft light and beautiful purple shadows on the snow is a wonderful lively interior decoration. The painting was start...

signed in the lower left Artz oil on canvas 26 x 19 ⅝ inches (66 x 50 cm.) PROVENANCE D. Sala & Zonen, Leiden , prior to 1936 Private Collection, Florida, circa 1968 until the present time Much like their seventeenth century counterparts, a group of painters known as the Hague School in the 1870s came to embrace as their subject matter the native Dutch landscape and the everyday lives of its rural inhabitants, most notably the fisher folk of the coastal villages. Within ten years the Hague School artists’ works would prove so popular that incredibly a mania for all things Dutch would be felt throughout the world, and would dominate the art in Holland until well after the turn of the century. By embracing simple themes remarkable for their ordinariness, the Hague School succeeded in striking a chord with a public whose own placidity was constantly being rattled by the evolving modernity of the times. Conveyed through the employment of subtle tones, hazy skies and subjects of happenstance their mix of nostalgia and realism enchanted viewers. The Hague became the center of the movement because it was semi-rural surrounded by meadows, polders, waterways, dunes and woods, and nearby Scheveningen provided a wealth of material for artists seeking to paint the shore and its fishing community. Jozef Isräels was considered the dean of the Hague School and David Adolphe Constant Artz his most important follower. Artz began his training in 1855 at the Amsterdam Academie under Louis Roijer and Johannes Egenberger, and would remain in Amsterdam until 1864. During this period, he would be influenced by August Allebé but more importantly a lifelong friendship with Jozef Israëls formed. In 1859 they traveled together to Zandvoort. He would also be the first of the Hague School artists to follow Isräels’ lead of working on the beach at Scheveningen. In 1859 Artz publically exhibited for the first time, taking part in the Tentoonstelling von Levende Meesters (Exhibition of Living Masters). In 1864 he left Amsterdam to live in Zweeloo, Drenthe for a year. From 1866 until 1874 he shared a studio with Jacob Maris and Frederick Hendrik Kaemmerer. He was one of the first of the Hague School artists to work in Paris (Jacob Maris having preceded him by one year) enabled by his patron and benefactor Johannes Kneppelhout. Artz created quite a commotion upon his arrival by including in his baggage a large collection of Scheveningen peasant costumes. As previously in Holland, Artz during his sojourn in Paris continued to paint beach scenes and interior views that featured the fishing communities of the North Sea. During this period Artz became interested in Japanese prints which had recently become available in Paris, and painted a few genre scenes of interiors with Japanese décor and subjects. While based in Paris he also traveled to Scotland from May-June 1869, Germany in November of that year, England in 1870 and Italy in January, 1872. By 1874 he returned to the Netherlands to live permanently in The Hague. Artz in his own time was held in high esteem by the public as well as his fellow artists. He was awarded gold medals at exhibitions in Munich and Vienna, as well as a Diploma and Medal of Honor in Dresden. In 1879 he was made Knight of the Oaken Crown of Luxembourg and in 1889 also became a Knight of the Order of St. Michael of Bavaria. In 1880 he received an Honorable Mention at the Salon in Paris and won a gold medal in 1883 at the International and Colonial Exhibition, Amsterdam. In Paris he was a member of the Société Nationale des Beaux Arts and a Chevalier of the Legion of Honor by 1889. He also served as Vice President of the International Jury of Award at the 1889 Exposition Universelle, Paris. In 1893 four works by Artz were chosen to be included in the World’s Columbian Exposition, Chicago. An American reviewer wrote of this show “The works of giants like Rembrandt, Van der Neer, Ruysdael, Holbein and Franz Hals are almost equaled now by masters like Israels, Mesdag, Bosboom, Maris, Mauve and Artz”. Artz’s entries A Girl Knitting, The Pet Lamb, Idle Hours on the Dunes and Girl Sleeping on the Dunes were listed under the category of “Immortal Works”. His works formed part of museum collections of Amsterdam (Rijksmuseum and Municipal Museum); Cambridge, England; Chicago; Dordrecht; Glasgow; Haarlem; The Hague (Gemeentemuseum and Mesdag Museum); Leewarden; Montreal; New York (Brooklyn and the Metropolitan Museum); Oxford; Rotterdam; St. Louis; Tulsa and Zandvoort. Much enamored with the picturesque dwellings of the rural population, a favorite subject of the Hague School was the depiction of a family group gathered around a table sharing a simple meal. Ronald de Leeuw in his introduction for The Hague School Book remarked that the group “derived poetry from a view of the kitchen”. Artz excelled at this type of interior scene in which every detail has been carefully recorded in emulation of his seventeenth century predecessors. Vincent van Gogh, an admirer of the Hague School in general and Artz in particular, wrote to his brother Theo in a letter dated Etten, Friday, August 26, 1881 about an exhibition in The Hague he had just visited in which he described a drawing by Artz of an “old man and woman eating porridge, very important, very good and serious.” There is a large version of At Grandmother’s (131.5 x 91.5 cm.) in the Rijksmuseum, Amsterdam. It was painted in 1883 and shown in an exhibition in The Hague in 1884 where it was purchased by the museum. This undoubtedly must have sparked interest in the composition and created a demand for the image to be replicated as several versions of the composition in varying sizes are recorded, and Artz was known for executing repetitions of his own works. Regarded as one of the highlights of the collection in the Philbrook Museum of Art in Tulsa, Oklahoma is another version by Artz of At Grandmother’s. The iconic nature of the image must have appealed to contemporaries as the perfect summation of the mix of idealism and realism that characterized these artists and their times. In a cottage under a wooden beamed ceiling a grandmother with her two granddaughters clothed in the traditional garb of Katwijk (where the artist spent his summers and maintained a cottage in the dunes) sit on wooden chairs around a gate-leg table in a kitchen sharing a simple meal of bread and an apple. The grandmother carefully slices a piece of bread while the younger girl looks on expectantly. Her sister sips milk from a small delftware bowl watching...

Title: Interconnected Dream Bold Abstract Contemporary Colorful Masculine Investment Red Yellow Grey Blue Orange Texture Detail This series expresses our unity and our interconnecte...

Liquorice Sweets Cartoon Pop Art on Abstract Background by British Urban Graffiti Artist, Chris Pegg. Chris Pegg is a self-taught Street Artist producing artwork with a strong social...

Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Péczely Antal Anton 1891 - 1963 Known for his Jewish genre scenes, Chess scenes and other early 20th Century salon style paintings. In the tradition of Moritz Oppenheim...

"Pastel Prism" is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. This series focuses on geometric patterns and combinations of shapes to form...

Thomas Pollock Anshutz (American, 1851-1912) Sewing by the Hearth, c. 1884 Original frame Oil on canvas, 17 x 24 inches; Framed: 34 x 27 inches Label (handwritten in ink) on stretcher verso: “Artist Thos Anshutz” Label on backing verso: (printed) “PORTLAND MUSEUM OF ART”; [...] (typewritten) “Thomas Pollock Anshutz/American, 1851 1912/INTERIOR/oil on canvas/stretcher: 17 x 23 15/16 inches/not signed/COLLECTION OF MRS. NORMAN B...

Frederik Victor Van Bloemart, British 20th Century signed oil painting on board, framed framed: 13.5 x 11 inches board: 10 x 8 inches provenance: private collection, England condit...

At cafe 1950, cardboard, oil, 51x71 cm The main focus of the artwork is a stylized representation of a cafe scene. The artist's intention is to capture the vibrant and lively atmosphere of a bustling cafe setting. The painting features numerous figures dancing in the background, creating a sense of movement and excitement. The artist's stylized approach involves using bold and expressive brushstrokes, vibrant colors, and abstracted forms to depict the figures and the overall energy of the scene. In the foreground, there is a man sitting behind a table with wine bottles, adding a focal point to the composition. The red interior of the cafe provides a warm and inviting ambiance, adding to the overall atmosphere of the painting. Biruta Baumane...

Is a captivating masterpiece that embodies the essence of the action painting movement. With its vibrant display of colors against a pristine white backdrop, this artwork emanates an...

Floral Still Life with Zinnias and Roses - Oil on Canvas Bright still life in a classic style by an unknown artist (20th Century). Red, pink, white, and yellow flowers sit in a brow...

The surfaces Susan Washington works with are derived from her memories of the graffitied subway car, public telephone booths, and rolling steel cages that secure neighborhood stores ...

Original oil on panel 2011 Signed N. Patten, verso

From a collection by a long time Miami Beach art dealer on the old Lincoln Rd. This is a piece he brought back from hungary. from a collection of good Hungarian artists and Illustrat...

Tango Passion, is an abstracted art work, multi layered and impasto textured with elements of printmaking. It is oil and acrylic on canvas. Discover beautiful artwork by Maggie LaPor...

Introducing a captivating oil painting by Johan Christoffer Boklund (1817-1880). The artwork depicts a young boy practicing his painting skills. Seated beside him is a wooden horse t...

Charles DOUSSAULT 1814 - 1880 Oil on canvas 32.5 cm x 24.5 cm (52 x 41 cm with the frame) Signed and dated lower left "Ch. Doussault / 1836" Very beautiful period frame in gilded wood Charles Doussault was an orientalist painter-traveler. He made a portrait of Sultan Abdulmecid in 1846 and numerous paintings and drawings from Romania, Syria and the Holy Land. He studied with Ingres and Eugène Devéria before becoming the collaborator of the Devéria brothers. He then exhibited at the Paris Salon mainly in the 1830s to 1850s, first troubadour subjects before leaving and travelling first to Romania and then to the Middle East in 1844, to Turkey, to Damascus and to the Holy Land from where he brought back subjects for oils and watercolors which made him famous in Paris in the 1840s and 1850s. Our painting dates from his first period, precisely 1836. It was painted when Charles Doussault was still young and working as a collaborator of the Devéria brothers . It may be a portrait of an actress in costume in an opera or theater play like Achille Devéria did many of them (Marie Dorval, Elisa Rachel, Fanny Elssler...

At home in the headlands by Georgie Dowling [2022] original Oil paint on canvas Image size: H:75 cm x W:75 cm Complete Size of Unframed Work: H:75 cm x W:75 cm x D:4cm Sold Unframed...

Fish Whirlpool Sardines Underwater Art Ocean by Olga Nikitina 🎨 Title: Fish Whirlpool 🎨 Size: 24 by 24 inches, 60x60cm 🎨 Materials: oil, 100% cotton stretched canvas, palette knife 🎨 Shipping: gallery standards packaging, ships with tracking number Immerse yourself in the mesmerizing world beneath the waves with this captivating original oil painting on canvas by Olga Nikitina. Using a palette knife technique, Nikitina skillfully captures the swirling motion of a fish whirlpool, showcasing the graceful dance of sardines in their oceanic habitat. The vibrant colors and dynamic textures of this underwater artwork evoke a sense of wonder and awe, inviting viewers to experience the beauty and serenity of marine life. Whether displayed in a home, office, or gallery, this fish painting is sure to become a cherished centerpiece, radiating the artist's mastery of impasto technique and love for the sea. Fih painting will be a good addition to your original oil painting collection. Fish wall art...

A striking Mid Century oil on board showing a darkened bar room interior with gestural figures sitting around the room on a checkered floor. The artist h...

The Spanish artist Mònica Castanys is inspired by everyday scenes. Moments, femininity and light are the basis of her paintings. Her color palette is r...

There’s something different about the homes of creative people. They like to surround themselves with inspiring things, from unique tablecloths to the incredible paintings on the wal...

Signed still life oil on canvas by French expressionist and fauvist painter Charles Camoin. The work depicts a bright bouquet of flowers in reds, yellows, blues and pinks in a stoneware vase. Signature: Signed lower right Dimensions: Framed: 36"x28" Unframed: 29"x21" Provenance: Galerie Marcel Bernheim Exhibitied: Paris, Galerie Druet, March 1929, n°23 This work is included in the Archives Camoin and a certificate from Madame Grammont-Camoin is available on request Charles Camoin was the son of a paint manufacturer in Marseilles who died when Charles was six years old. His mother travelled extensively, absenting herself for long periods at a time, and Camoin's studies suffered accordingly. At 16, he enrolled at a commercial college in Marseilles, but also attended courses at the École des Beaux-Arts, where he was awarded a first prize for drawing and composition. In 1896, at the age of 17 (or in 1898 according to other, possibly more reliable sources), Camoin moved to Paris where he was admitted to Gustave Moreau's class at the École des Beaux-Arts, shortly before the latter's death. He soon left on his travels in the company of Albert Marquet - no doubt following Moreau's advice to 'go and paint buses', his recommendation to the two artists to search out their subject matter on the streets and in the cabarets of Paris. During his short time in Moreau's class Camoin made a number of lasting friendships, notably with artists who would go on to pioneer Fauvism: Henry Manguin, Georges Roualt and, in particular, Jean Puy and Henri Matisse, with whom he exchanged letters on a regular basis.In 1900, Camoin did his military service, first in Arles, where he painted compositions inspired by Van Gogh motifs, then in 1902 in Aix, where he frequently met with Cézanne, with whom Camoin maintained a life-long correspondence and whose advice and counsel he cited repeatedly. In 1903, Camoin exhibited for the first time - at the Salon des Artistes Indépendants in Paris. The following year (1905), he met Claude Monet (at Cézanne's instigation and, appropriately perhaps, underneath Giverny's Nympheas); he then held his first solo exhibition at the Berthe Weill Gallery in Paris. In 1905, Camoin exhibited alongside the 'Animals' at that year's Salon d'Automne, although it must be said that he did not share the graphic and chromatic violence of a Matisse or a Derain...