Oil Interior Paintings

In Chemistry Lab This artwork were painted from nature. Painting is on stretched canvas and are ready to hang. This is the “hidden frame” behin...

Сontemporary Art. Original painting. Oil on canvas 50/40 cm. It is perfect for modern interiors. Painting is covered with UV varnish and art-resin in the middle. Color on com...

Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmody’s compositions start very traditional in subject and composition; however, she further transforms her skilled hand b...

Sophie DUMONT's abstract is not a concept, it is an approach where each canvas is built around graphics put into perspective by color. Geometric abstraction of an artist's studio in...

Woman reading after Henri Matisse by Claire Ragueneau Impressionist seated woman reading a book after Henri Matisse by San Francisco artist Claire Ragueneau (American, 1901-1971). Cl...

"Day Dreaming" by RU8ICON1 is an oil painting on canvas, from 2022. It is a figurative interiors and portrait painting that depicts a woman lounging on...

Elizabeth Zanzinger's (US based) "Cowboy Kettle" is an oil painting that depicts a whimsical still life featuring a copper kettle with artichokes. Elizabeth Zanzinger is an award-w...

Medium: Oil on Canvas Signature: Signed Lower Right Sight Size 25.75" x 23.50," Framed 33.00" x 30.50"

Richard Andres (American, 1927-2013) Blue Wall, c. 1959 oil on canvas signed and titled verso 42 x 60 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

The painting "Ros" embodies the tranquility and immensity of Ukrainian water bodies. The painting depicts a wide river that gently reflects the shades of the sunset, creating a profo...

'On The Town: New York', depicts a scene from a night in the town in NY. NY, from a series of paintings that depict dining - food and drink experiences by artist Mimi Jensen, who use...

Singing by the Fire Oil on Board Size: 31 x 36 cm (including frame) A fun and joyful composition of an interior home setting, executed in oil onto board and dated 1982. This charming narrative painting features an array of details for us to explore, from the patterns of the rugs and walls, to the curtains and objects on the walls and the tiled stove with a fire. A family of adults and young children are sat by a table laid out with drinks. They appear to have a song book...

Still Life by Christian Duriaud (French b. 1943) signed and dated, oil on canvas inscribed verso canvas: 20 x 24 inches provenance: private collection, France condition: very good ...

In the creation of this artwork, I poured my soul into capturing the essence of serenity and mystery. As an artist, I sought to blend the realms of figurative grace and impressionist...

This is a painting from my architectural series of works. In this particular painting I tried to capture a graphic and simple use of colour by keeping the colours neutral and modern....

Medium: Oil on Canvas Signature: Signed Lower Left Probable proposed fuel advertisement or calendar illustration for Koppers Coke.

Contemporary Large-Scale Cubist Figurative Abstract Lavender Interior Scene Bursting with bright colors and whimsical energy, this contemporary figurative abstract painting by San ...

In this oil painting, I've poured my passion into capturing a moment of pure, serene anticipation. The subject, viewed from behind, gazes upon the vast, vibrant ocean, embodying a se...

Taulé was born in 1945 in Sabadell, Barcelona. His father imparted the taste for painting to Antoni as a boy as the young artist watched him paint. After his primary studies, he began studying architecture in Barcelona and graduated in 1970. In 1965, he arrived in Paris and worked in architectural firms. It was Sartre's Paris, the construction of Unesco, the year of Le Corbusier's death and the end of Chandigarh, the French Cinematheque and Antonioni's films. Since the age of 14, he has never stopped painting and made his first personal exhibition in 1966 at the Academie de Belles Arts in Sabadell. Upon receiving his degree in architecture, he worked on the construction of l’Université autonome de Barcelone for a year. In 1971, he was asked to work on the development of a large shipyard on the small island of Formentera. There he met Laetitia Ney of Elchingen, who he would go on to marry. He devoted himself entirely to painting, and Formentera, like Paris, became one of his favorite places in both his life and to work. His first exhibition in Paris was in 1975 with Mathias Fels, presented to him by Hervé Télémaque—showing many paintings of his young daughter Djamilla, then three years old. The exhibition was titled, Espace hors temps (Space out of Time), with a foreword by Alain Jouffroy. In 1976, Taulé exhibited Contre-Jour (Against Day) at Fabien Boulakia on rue Bonaparte with a preface by Gérald Gassiot-Talabot and in Barcelona at the Aimé Maeght gallery—an exhibition visited by Joan Miró and Alexander Calder. In 1977, he exhibited at the Beaubourg gallery, with then associates Nahon and Trigano. In 1983, he met Jorge Luis Borges and Julio Cortázar, who wrote the novella Fin d’étape (End of Stage) for Taulé That same year, he was named Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) by Jack Lang...

A summer landscape with sunset over a lake and wonderful clouds is a beautiful decoration for any interior. The painting is created en plein-air. Th...

Interno con due figure ,realismo magico, l'artista cattura un momento magico tra madre e figlia che stanno per leggere un libro. Colori chiari Igor SMEKALOV (Orenburg, 1965) Form...

This series of pieces is the result of an investigation into the use of light as a tool for the representation of reality and image creation. Starting in the 40s, the work of the art...

Oil on canvas Canvas size: 21.5 x 17.75 inches Framed size: 33.25 x 29.5 inches Signed lower right

Vegetable Abstract by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 19.5 x 24 inches provenance: artists estate, France condition: very good and sound condi...

Wonderful English Abstract scene of an interior with still life, landscape and table top. William Yates painted exciting colorful vibrant scenes often of interiors and abstract fig...

Jeff Legg's (US based) "Citrus and Brass" is an oil painting created in 2022 depicting a golden brass jar with purple leaves, grapes and orange citrus. About the artist: Jeff C. Leg...

"Nostalgia" features soft hues of brown, orange, yellow, purple and blue. Richard Thomas Scott is inspired by the work of Rembrandt, Andrew Wyeth,...

Artist/ School: Robert Sales, French School second half 20th century, signed Title: Still life with lemons. Medium: oil painting on canvas, unframed Size: painting: 23.75 x 28.75...

A beautiful c.1950 oil on board by Lord Paul Ayshford Methuen RA depicting the artist's studio with light pouring in through two large sash windows. The ...

Plant Still Life by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 18 x 24 inches provenance: artists estate, France condition: very good and sound condition

In this vibrant fusion of acrylic and oil, I've captured the raw energy and beauty of nature. The impressionist strokes evoke a sense of movement, while the expressionist colors stir...

French Bread Still Life by Guy Nicod (French 1923 - 2021) oil on artist paper, unframed painting : 20 x 25.5 inches provenance: artists estate, France...

'Jester Admires His Own reflection' by artist Mimi Jensen, who uses bold colors to depict theatrically lit objects. "Her paintings invite speculation into possible metaphors" – Calif...

It is with great pride that we present a recently completed oil painting by Azerbaijani artist, Fidan Kim. Ms. Kim is a classically trained painter whose paintings evoke the surreal...

Acquired by the gallery directly from the artist

Stuart Dunkel has spent decades refining his hyper-realistic style. He paints realistic imagery based on real-world inspirations. His paintings show that everyday objects can be fasc...

"Moroccan Sink" is an original oil painting made using high quality oil paints on 3/4" cradled hardwood panel and framed in a birchwood floater frame. T...

Oil on canvas laid on board, cottage interior scene, signed with indistinct date circa 1860, Image size 10" x 15", very nicely framed More Information Good clean condition, no sign o...

A strange card to the wail of the unseen host, somewhere in Africa across the fields, turning over an unfortunate card and laying them slickly in the firelight, winking in such dark,...

Bernard Blommers 1845 – The Hague – 1914 Dutch Painter 'First Steps' Signature: signed lower right 'B/Blommers' Medium: oil on canvas, ca. 1865 Dimensions: image size 56,5 x 76,5 c...

Christopher Clark's "Toulouse Canal de Brienne Bridge" is an original, handmade oil & acrylic painting that depicts an abstracted landscape with a small bridge going over a river sur...

Artist/ School: Christof Gracieuse, signed and dated 1979 Title: 'Modernist Still life with teapot' Medium: oil on canvas, framed Framed: 23 x 38 inches Painting: 16 x 31 inches ...

Interior of a House is an original oil painting realized during the 19th Century by anonymous italian artist. Includes frame: cm 39 x 0.1 x 47.5 ...

Still Life painting of a pink peony in a domestic setting Painted by Hudson Valley based artist, Carl Grauer, in 2022 oil on canvas 16 x 12 inches, 19.5 x 15.5 inches with an artist-...

Bright California Seascape Oil Painting Enhance your original oil painting collection with this vibrant and captivating Bright California Pain...

In this oil painting, I've captured the transient beauty of blossoms, conveying a blend of vitality and tenderness. My brushstrokes reflect the impressionism's play with light and ex...

Initialed lower right, 'A.E.M.' for Anthony McNaught (American, born 1952); additionally signed verso, 'Anthony McNaught', titled 'Still Life with Green Jug', and dated 2019. This California Post-Impressionist artist studied at the Esalen Institute with Erin Gafill...

Painting of The Merry Wives of Windsor attributed to John Calcott Horsley English, 19th Century Frame: Height 97.5cm, width 74cm, depth 7cm Panel: Height 78cm, width 54cm, depth 0.5c...

Geometric trompe l'oeil, oil on canvas, measurements 100 x 100 x 3 cm. By Danish artist Peter Kramer, who creates an optical illusion on the canvas through his meticulous brush strok...

In this vibrant oil painting, I've poured my soul into capturing the essence of a serene springtime moment. The swirling water cradles the spirited Koi as they dance beneath the surf...

Armand LELEUX Paris, 1818 – Dardagny (Switzerland), 1885 The Abbot's Servant Oil on canvas signed lower right "Armand Leleux" 73.5 x 61 cm (87 x 70.5 cm with the frame) Painting exhi...

Mid Century Expressionist oil on canvas tablescape of flowers and Champagne. This wonderfully energetic painting straddles the line between impressionism and expressionism. The form...