John Callcott Horsley

Painting of The Merry Wives of Windsor attributed to John Calcott Horsley

19th Century

This beautiful view of a Florentine courtyard was painted by A. Marrani, an artist who, in the late 19th Century, painted many views of the Tuscan city. The cortile (‘courtyard’) sho...

Italian oil on canvas painting of a lacemaker by Paoletti Italian, late 19th Century Frame: Height 119cm, width 93cm, depth 5cm Canvas: Height 101cm, width 76cm This beautiful paint...

Pair of French Neoclassical oil paintings by Dubost French, 1809/11 Frame: Height 70.5cm, width 86cm, depth 9cm Panel: Height 45cm, width 61c...

Painted by the Polish artist Arthur Bryks, this work depicts five males seated around an open book. The pictorial emphasis is on their heads, the five of which transcribe a circular ...

This large and impressive oil on canvas painting depicts the Procession of the Torah, an event that occurs during the Jewish festival of Simchat Torah. The location is a synagogue in Livorno, Italy; the scene isdimly light, low light highlighting the many pious figures who occupy the interior of the synagogue. The work is after Solomon Alexander Hart...

'Love lyrics,' a romantic Italian genre painting by Antonio Paoletti Italian, Late 19th Century Panel: height 40cm, width 50cm, depth 1cm Frame:...

A very characterful image of a farrier or blacksmith enjoying a drink in an interior. Alfred H Green (working 1844-1878) A farrier in an interior enjoying a drink Signed Oil on boar...

A very characterful image of a farrier or blacksmith enjoying a drink in an interior. Alfred H Green (working 1844-1878) A farrier in an interior enjoying a drink Signed Oil on boar...

George Goodwin Kilburne British, (1839-1924) A Tender Moment Oil on canvas, signed Image size: 15.75 inches x 12.75 inches Size including frame: 20.5 inches x 17.5 inches George G...

Marcel Brunery French, (1893-1982) A Good Hand Oil on panel, signed Image size: 18.75 inches x 23.5 inches Size including frame: 26.75 inches x 31.5 inches Provenance: Frost & Reed ...

**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 20 INCHES X 18 INCHES** Jean Pierre Haag French, (1842-1921) Daily Chores & Little Drummer Boy Oil on panel, pair, both sig...

Frank Moss Bennett British, (1874-1952) Papers to Discuss Oil on canvas, signed & dated 1922 Image size: 13.5 inches x 19.5 inches Size including frame: 20.25 inches x 26.25 inches A finely painted scene by Frank Moss Bennett depicting three gentlemen in 18th century costume conversing at a table. One of the men, dressed as a lawyer, looks over a document whilst the others smoke from clay tobacco pipes. Frank Moss Bennett was a portrait and genre painter who was born in Liverpool on November 15, 1874. He was the son of the Iron Founder Henry Mellor Bennett who was also became mayor of Liverpool. His family’s wealth enabled him to receive a good education, initially with a governess and then at Clifton College in Bristol. His talent for art emerged at a young age, however it was not until he left Bristol that he decided to follow a career in painting. He moved to London in 1892, most likely with his family who went to live in Croydon after his father’s retirement. There he studied at the Slade School of Art where he was taught by Henry Tonks and John Singer Sargent. He also met fellow artist Eddie Wells who became his friend, travel partner and brother-in-law. He later attended the St John’s School of Art and in 1896 entered the Royal Academy school, winning a gold medal and a scholarship to travel. He began exhibiting at the Royal Academy from 1898 with a work entitled ‘A Book Plate’, continuing to exhibit there until 1929. He also exhibited at the Paris Salon, the Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolour. In 1900, Bennett used his scholarship money to go on a painting expedition to Italy with his friend Wells. On his return he lived with his family at 18 Warrington Road, Croydon and took a studio nearby at Alipore, Duppas Hill, where he began specialising in historical genre and portraits. His work portrayed life in seventeenth and eighteenth century England, depicting figures in tavern interiors, gentlemen discussing affairs of State or at leisure in their homes. He wanted his works to be historically accurate and used authentic props and antiques. He also accrued a large collection of costumes, some of which were later given to the Platt Hall Museum, Manchester and the Museum of London. He also developed an interest in historical architecture, particularly Tudor and made many sketches of buildings...