Victorian Interior Paintings

M. Jackson (English School, late 19th Century) Chickens in a Hen House Oil on board, circa 1890 Monogrammed lower left This charming late Victorian farmyard scene captures the quiet...

Emil Ferdinand Heinrich VOLKERS Oil painting on canvas signed and dated A fantastic painting for all sporting and equestrian collectors. Picture Size: 10 x 13" (26 x 33cm) Framed ...

Classical Still Life English School, signed and dated 1968 signed oil on board, unframed board : 28 x 25.5 inches Provenance: private collection, England Condition: a very few minor ...

Still Life of Fruit by Frederick J Stanier (1830-c.1912) oil on canvas, unframed canvas: 8.25 x 10 inches provenance: private collection, England condition: a few minor scuffs and m...

M. Jackson (English School, late 19th Century) Chickens in a Hen House Oil on board, circa 1890 signed lower left This charming late Victorian farmyard scene captures the quiet beau...

Ornate Still Life of Classical Flowers by Frank Lonsdale, British early 20th century signed oil on board, unframed dated 1936 or 8 board : 28 x 25 inches Provenance: private collecti...

John F Herring Senior Signed, dated 1842 and titled Attilla Oil on canvas Antique frame Canvas Size: 28 x 36" (71 x 91cm) Outside Frame Size 36 x 44" (91 x 111cm) It is signed in the middle right on the wooden window. This is a stunning painting of a racehorse signed and dated J F Herring Sen 1842. The horse is named above the water trough as Attilla. As Herring was a renowned painter of racehorses it is likely that this was done for a wealthy patron who owned several horses which would have raced in races such as the St. Leger which is the oldest of Britain's five Classic races having established itself in 1776. Free carriage worldwide John Frederick HERRING Snr 1795 – 1865 A sporting painter, born in Surrey of American/Dutch extraction. At first he was a sign and coach painter. He then worked as a stable boy and coachman in Yorkshire until with the help of patrons he was able to study with Abraham Cooper RA, the only art education he appears to have had. He specialised in racing subjects and his few hunting scenes are rare. Herring painted the start of the 1844 Derby, which became known as ‘the dirtiest Derby in history’. He sometimes collaborated with his three sons, J.F.Jnr, Benjamin Jnr and Charles. He also collaborated with James Pollard on a number of racing scenes inc. ‘The Doncaster Gold Cup’, 1838, ‘The Emperor of Russia’s Cup at Ascot’ 1845 and ‘The Dead Heat for the Doncaster Great St. Ledger’ 1849 Herring painted 33 successive winners of the St. Ledger and not surprisingly lived a large part of his life in the Doncaster area before settling in Newmarket in 1830 and then in London in 1835. He suffered serious financial difficulties after his move to London which, thanks to a great friend and patron William Taylor Copeland (1797 – 1868) head of the Spode Porcelain factory at Stoke on Trent, was resolved. He painted many pictures of the Copeland family, some of which were adapted and used as designs on the Spode china...

Edwin Hughes Signed and dated 1875 Framed oil on canvas Picture Size: 14 x 20" (36 x 51) Framed Size: 20 x 26" (51 x 66cm) Exhibited 1875 – 1895 Figure and portrait painter Edwin H...

Lucienne Lemercier was a French painter from the latter part of the 19th century through the early 20th century. She came from a family of creative people and took to painting at a...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...

James Loder of Bath (British, active early 19th century) Portrait of a Standing Terrier Signed and dated 1819, lower right Oil on board Presented in a period giltwood frame A refine...

Portrait of a Spaniel English School, 19th century based on a comparable work by Sir Edwin Landseer oil on board with cardboard backing, framed in antique deep gilt frame framed: 21 ...

Vincent De Vos Two Terriers in a Stable Interior Oil on panel Circa 1870 Signed lower right; further inscribed verso Original frame A finely executed and characterful 19th-century a...

Artist/ School: French School, late 19th century/early 20th century, signed by Barthelemy Title: Profusion of flowers in a deep blue vase. Medium: oi...

This absolutely charming exhibited British Victorian oil painting is by female artist Maria Louisa Angus. Painted in 1891, it was exhibited at the Royal Academy that same year. The composition is an interior scene with two young girls on a sofa, looking at a picture book and keeping 'out of mischief' as it is entitled. The room holds an exotic mix of oriental objects and a gorgeous umbrella plant in a gleaming terracotta pot. The girls themselves are sat on a beautifully detailed fur throw, looking at a book, with a marine painting on the wall behind them. The brushwork and colouring are superb and the pink of the older girl's dress is picked up throughout the room. A really lovely painting by a very talented Victorian female artist. Signed and dated M.L. Angus 1891 lower left. Provenance. Exhibited at the London, Royal Academy, 1891, no. 841 entitled Out of Mischief. Anonymous, sale, Doyle, New York, May 20, 1998, lot 161, illustrated. Private collection, Newport, Rhode Island. Condition. Oil on canvas, 27 inches by 20 inches unframed and in good condition. Frame. Housed in a gilt frame, 34 inches by 27 inches framed and in good condition. Maria Louisa Angus (1863 - 1934) was born in Southwark on 29th July 1863, the daughter of a printer. She studied at the Lambeth School of Art in 1886 and established a studio at 1a Cowley Street in Westminster, later she worked out of Powers Studio in Ruskin House, Rochester Row. She specialised in genre subjects and some landscapes. She exhibited 10 pictures at the Royal Academy between 1888 and 1893 as well as many London Galleries and Societies. In 1913 she exhibited in the Anglo German Exhibition...

The Country House Interior British School, 19th century oil painting on canvas, framed canvas: 21 x 17 inches framed: 24 x 20 inches conditon: very sound, presentable and good. Frame...

The Two Puppies by Gabriel Metsu, Continental artist late 20th century signed oil on panel, framed framed: 11 x 13.5 inches panel : 7 x 9.5 inches Provenance: private collection, UK ...

Collie Dog with Kittens English artist, 19th century oil on canvas, framed framed: 22 x 30 inches canvas: 16.5 x 23.5 inches Provenance: private collection, England Condition: The ...

Artist/ School: David Wilkie Wynfield (1837-1887) British Title: Elegant Figures in an Interior Medium: oil painting on canvas, framed. Indistinctly Ins...

Terriers Ratting in the Barn by Frank Cassell (British 1862-1908) signed and dated 1889 oil on canvas, framed framed: 14.75 x 19.75 inches canvas : 12 x 16 inches Provenance: private...

Robert Alexander Hillingford British, (1828-1904) The Duke’s Musicians – A Reminiscence of Hardwick Hall, Derbyshire Oil on canvas, signed Image size: 40 inches x 59 inches Size including frame: 47.5 inches x 66.5 inches Exhibited at the Royal Academy in 1883, no. 844 Exhibited at the Yorkshire Institute A large-scale Royal Academy painting...

Arthur Batt (British, 19th century) Scottie with Parrot Oil on canvas Circa 1880 In the original frame Signed bottom right This charming and unusual animal subject is a fine example...

Feeding Time, the Cottage Interior Scottish School, 19th century signed lower corner oil on board, framed framed: 19 x 24 inches board: 14.5 x 18 inches Provenance: private collecti...

This charming British Victorian oil painting is by noted artist Albert Chevalier Tayler. Painted in 1896 the composition is four women in a sitting room. One young woman is holding u...

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was larg...

Item is in excellent condition and has only been displayed in a gallery setting. Item includes frame; framed dimensions are approximately 31 x 38 inches. Cornelis le Mair is truly a renaissance man, encompassing all disciplines of the arts. He enjoys painting, drawing, writing, architecture, sculpture, and interior design. Le Mair was born in Eindhoven, The Netherlands in 1944. He began drawing and painting at the young age of five and while in kindergarten, he was often made to show his paintings in other classes even though he was shy about doing so. “When I could not play outside because of bad weather, I would sit in my bedroom and would draw.” His early art studies were widely influenced by the Rembrandt exhibit in the Rijksmuseum (1956) that he attended with his father. There le Mair was inspired by the Old Masters and “the desire to unravel all the mysteries hidden under the cracked varnish” began. Already having painted a lifesize copy of “The Nightwatch” on the wall of his bedroom, le Mair was continually driven by the Rembrandt exhibit. He began to experiment with resins, pigments and oils in order to hone and perfect the technique of the old masters. He studied drawings and paintings and early on developed the feeling of color and composition. After completing high school, he worked for a short period as a designer of woven fabrics. Although his heart desired to paint, he enjoyed having a pencil and brush in hand and a case full of art books and says, “This treasure of inspiring information took me further on track to the traditional trade.” At this same time, le Mair’s artistic endeavors led him to learn the art of music. First learning to play the guitar from friends, he began performing at youth centers. This love of music expanded into him learning to play the mandolin, turning lye, banjo, and bagpipes. Just after his eighteenth birthday, le Mair was accepted into military service where his lack of conforming led him to a maximum solitary confinement sentence. After a month in training, the army physician and le Mair agreed that he was born to be an artist and released le Mair from military services. Once he returned home, with the encouragement from his parents, le Mair began his art schooling at the Art Academy (Kustacademie) in ‘s-Hertogenbosch, The Netherlands. There he found that the school was geared for modernism and after painting a portrait of a fellow classmate, his teachers advised le Mair to look for a school where the traditional ideas were still taught. Longing to study the classical arts, he applied and was accepted to the Academy of Fine Arts (Koninklijke Kunstacademie) in Antwerp, Belgium in 1965. After studying under Professor Victor Dolphijn, le Mair graduated cum laude in portrait and figure paintings in 1968. He was then promoted to study as a student of the Higher Institute, a structure at a higher university level where he studied under Rik Slabbinck...

Artist/ School: David Wilkie Wynfield, (British 1837-1887) Title: Elegant Ladies in a Drawing Room interior scene Medium: oil on panel, framed Framed: ...

James William Cole English, 19th century Children Playing Dress-Up Oil on canvas Signed and dated lower right A finely observed Victorian genre scene depicting two young children ...

Three Terrier Dogs in Barn Interior Attributed to George Armfield (British 1808-1893) oil on canvas, framed within antique oval inset gilt swept frame framed: 27 x 31 inches canvas: ...

Chasing the Rat! by Frank Cassell (British 1862-1908) oil on canvas, framed framed: 14.75 x 19.75 inches canvas : 12 x 16 inches Provenance: private collection, UK Condition: very go...

Still Life of Roses French School, circa 1930's period signed oil on board, unframed board: 10 x 15 inches provenance: private collection, France condition: very good and sound condi...

The Cottage Interior English artist, 19th century oil on canvas, unframed canvas: 24 x 36 inches provenance: private collection, UK condition: a few small scuffs to the surface and m...

Very decorative animal scene of two dogs in an interior surprising a cat walking towards them. Grover Hawking was a late 20th-century painter active in New Jersey and Long Island. ...

This superb, large British Victorian portrait in an interior oil painting is attributed to circle of Ralph Peacock. Peacock painted a large number of children of wealthy 19th century families, often with luscious ornate backgrounds and textiles such as the wall paper, marquetry piano...

Charles Hunt Jnr British, (1829-1900) A Visitor Calls Oil on canvas, signed Image size: 24.75 inches x 34.75 inches Size including frame: 32.25 inches x 42.25 inches A wonderful genre painting by Charles Hunt of two men and two boys with horses and other animals in a cottage. A farmer and his two sons can be seen eating lunch at a table in rustic interior as a visitor approaches. Perhaps encouraged by the boys, a piglet seems to have found its way onto the table whilst a rabbit and guinea pig eat cabbage leaves on the floor. To the far right, a horse is shown in a stable area along with some piglets. To the far left, a terrier waits on the step by its master. Charles Hunt was a genre and figure painter born in Kensington, London in 1829. His sons Reuben Hunt...

M. Jackson (English School, late 19th Century) Chickens in a Hen House Oil on board, circa 1890 Monogrammed lower left This charming late Victorian farmyard scene captures the quiet...

Letitia Bonnet Hart (American, 1867-1953) Victorian Ladies Oil on canvas, 21 x 16 1/4 inches FRAMED: 28 x 23 inches (approx.) Signed at lower right: "Letitia B. Hart" Label on stretcher: "Marbella Gallery, New York" Daughter of the Hudson River School painter James McDougal Hart, Letitia was born into an extended family of accomplished artists. After preliminary study with her father and mother, she attended the Brooklyn Academy of Design and the National Academy of Design. She began exhibiting at the age of eighteen, and continued to exhibit in Brooklyn, Philadelphia, Massachusetts, Louisiana Purchase Exhibition, and the 1893 World’s Columbian Exposition...

Arthur Wardle 1864 - 1949 At the Window Oil on board, signed lower left Image size: 13 1/2 x 7 3/4 inches (34.25 x 19.5 cm) Hand made gilt frame Arthur Wardle Wardle, who was self-...

Haynes King British, (1831-1904) The Daily News Oil on panel, signed & dated 1871 Image size: 20.5 inches x 16.5 inches Size including frame: 27.5 inches x 23.5 inches Provenance: W...

Still Life of Fruit by George Clare (1830-1900) *see notes below signed oil on canvas, framed framed: 12 x 14 inches canvas : 7 x 9 inches Provenance: private collection, UK Conditio...

Orange and Green French, mid 20th century oil on canvas, unframed canvas: 25.5 x 32 inches Provenance: private collection, France Condition: very sound and good condition For more ...

Victorian Stable Interior With Family Pony Pig & Child English School (early 19th Century) Oil on canvas, unframed Canvas: 22 x 30 inches Provenance: Private Collection, UK. Conditio...

Victorian Oil Painting of a Blacksmith Forge with Figures and a Horse in a Smithy Interior. Small Oil on Panel in its original gilt frame in excellent condition. A real find, depic...

After the painting by John Lomax,who was an English genre painter The scene is great fun, as we can see different groups all enjoying the Classic English Pub interior...

Farm yard Friends English artist, mid 19th century circle of John Frederick Herring Snr (1795-1865) bears signature verso oil on canvas, unframed canvas: 7 x 8 inches provenance: pri...

Painting of The Merry Wives of Windsor attributed to John Calcott Horsley English, 19th Century Frame: Height 97.5cm, width 74cm, depth 7cm Panel: Height 78cm, width 54cm, depth 0.5c...

Artist/ School: French School, early 20th century Title: Still Life of Roses Medium: signed oil painting on canvas, unframed. canvas: 17 x 21.75 inches Provenance: private col...

'A Game of Cards' George Goodwin Kilburne (1839-1924) British watercolor on board, framed framed: 10 x 11 inches board: 9.5 x 10.5 inches Provenance: private collection, England Cond...

'A Game of Cards' George Goodwin Kilburne (1839-1924) British signed watercolor on board, framed framed: 10 x 11 inches board: 9.5 x 10.5 inches Provenance: private collection, Engla...

Frank Cassell (British 19th century) signed oil painting on canvas, framed framed: 18.5 x 22 inches canvas: 12 x 16 inches provenance: private collection...

Still Life of Flowers by Frederick J Stanier (1830-c.1912) signed oil on canvas, unframed canvas: 8.25 x 10 inches provenance: private collection, UK condition: a very few scuffs and...

This superb Victorian animal portrait oil painting is by noted listed artist Carl Suhrlandt. Painted in 1884 it is a lovely portrait of a cat and dog in a living room at supper time....

Discussing Ailments by ALEXANDER AUSTEN (1859-1924) signed with monogram oil on canvas, framed framed: 13.5 x 17 inches canvas: 9 x 12 inches Provenance: Private collection, Yorkshir...

Playing for her Father by William Maw Egley (British, 1827-1916) inscribed verso oil on board, framed framed: 13 x 16 inches board: 9 x 12.5 inches provenance: private collection, En...

The Victorian Interior English School, 19th century oil on board, framed behind glass hence photo reflection glare framed: 7 x 8.5 inches board: 4 x 5 inches inscribed verso provenan...

Fruit Still Life Attributed to Ferdinand Cirel (Welsh 1884 - 1968) signed bottom right oil on board, framed framed: 14 x 15 inches painting: 10 x 12 inches provenance: from a collect...

An original oil on canvas painting measuring 17 x 8 inches by F.S. Muschamp, signed lower right. In the nineteenth century, the Neo-Classical movement bloomed, bringing forth a new style and interpretation of the past. F. Sydney Muschamp...

This superb French Victorian portrait oil painting is by noted French society painter Jules-Elie Delaunay. Painted in 1883 it is a three-quarter length profile portrait of the Marquesa de Escombreras. Her full name was Trinidad Maria Piedad Fulgenico de Aguirre. She was born in 1824 in Cartagena, Spain, the seventh and last child of Jose de Aguirre, a retired naval officer. On October 22nd 1843 she married Frenchman Hilarion Roux (1819-1898) who was a banker from Marseille who settled in Cartegena in January 1843. After her marriage she was known as Trinidad Roux. Hilarion Roux had arrived in Cartagena first to trade silver. He quickly became one of the main lead industrialists in Catagena then in the Mediterranean area. The couple later lived in France again, in Marseille and later in Paris, where Trinidad died in 1905 aged 81. Interestingly there is no similar portrait of her husband. In this superb painting, the Marquesa, aged about 60 in reality, is wearing a black off the shoulder dress...

This superb, large British Victorian oil painting is by noted Newlyn and Menton artist Arthur Alfred Burrington. It was painted circa 1890 when Burrington was most likely in Newlyn, ...

19th century Chinese school oil painting on canvas of scholars in an interior scene. Presented in a parcel gilt ebonized wood frame. Unsigned.