Antonio Ermolao Paoletti

Italian oil on canvas painting of a lacemaker by Paoletti

Late 19th Century

Painted by the Polish artist Arthur Bryks, this work depicts five males seated around an open book. The pictorial emphasis is on their heads, the five of which transcribe a circular ...

This large and impressive oil on canvas painting depicts the Procession of the Torah, an event that occurs during the Jewish festival of Simchat Torah. The location is a synagogue in Livorno, Italy; the scene isdimly light, low light highlighting the many pious figures who occupy the interior of the synagogue. The work is after Solomon Alexander Hart...

Austrian genre painting of children in a classroom by Rudolf Geyling Austrian, late 19th Century Frame: Height 94cm, width 126cm, depth 8cm Canvas: Height 75cm, width 101cm, depth 2c...

This fine antique oil painting depicts two ladies seated in a 19th Century style interior. In front of the woman on the right is an antique wool spinner; the woman pauses her work at...

Large Italian genre painting of 'The Little Model' by Francesco Beda Italian, 1840-1900 Frame: height 111cm, width 168cm, depth 7cm Canvas: height 96cm, ...

This charming painting depicts a group of gentlemen gathered around a kitchen table and admiring an English Setter. The snowy rooftops, just visible from the kitchen window, combined with the lit fire and holly decorating the picture frames in the room, implies that this is a Christmas scene. It also appears that the gentlemen have just returned from a fox hunt, and are now warming themselves, drinking port and smoking long pipes by the fire. Five men — three gathered behind the table and two standing in front — are identically dressed in long black riding boots...

In 2001 the German art historian Art historian and Raphael Expert, Prof. Jürg Meyer zur Capellen, published the painting "Die Heilige Familie" in a monographic article, ascribing the present work to the Venetian painter Giovanni Battista Pittoni (1687 -Venice - 1767). (Newspaper "Weltkunst", October 2001, No 12, p. 1850 f. ill.) He describes it as a typical work by this artist. Pittoni was one of the most influential and successful artists of the Venetian Settecento. He was a pupil of the Veronese Master Giovanni Balestra (1666-1740). His style is influenced by Sebastiano Ricci (1659-1734) and Giambattista Tiepolo (1696-1770). Giovanni Battista Pittoni was already successful at a young age and soon lead his own workshop. He created large-scale hitoria paintings, as well as large, religious altarpieces. In addition to Venetian and Upper Italian patrons, Pittoni also had many interested parties from Europe. His work is accordingly scattered in many different museums and private collections today. Pittoni - like other painter colleagues of his time - repeated his own compositions both by hand and with the help of his workshop. He repeatedly incorporated details into other pictures and contexts. Prof. Meyer zur Capellen noted the very good condition of the present work and the high quality of the paint with fine graduations and the vivid brushstrokes. Provenance: The panting has not been on the art market for at least 300 years. In the year 2000 the work was donated by the Münster-based, Noble Family Ketteler zu Harkotten to a private collection in Westphalia. Most probably the canon Nikolaus Hermann von Ketteler zu Harkotten bought the piece in Venice in 1750 together with the altarpiece of the Clemens Church in Münster. On the reverse of the work is a fideicommissum number by Ketteler zu Harkotten. As it belonged to the family commission, the painting was inalienable until 1919, when the corresponding law was repealed, and after that time it remained in the family's possession without interruption. Pittoni's only direct relationship to Münster is the commission for the high altar painting of the Baroque St. Clemens Church. It can be assumed that then canon von Ketteler saw this painting in the artist's workshop during his stay in Venice and acquired it for himself. This would also explain the discrepancy in dating. (ca. 1735/1750). However, it is also possible that the painting originated in the possession of Ferdinand von Plettenberg...

Giuseppe-Maria CRESPI (1665, Bologna - 1747), circle of Dressmakers surprised at work Oil on canvas H. 35 cm; L. 23 cm This small painting, charming and of very good quality, is representative of Italian genre painting...

Signed lower right “Henningsen” and dated 1881 at reverse. Attributed by Erik Ludvig Henningsen (1855 - 1930) was a Danish painter and illustrator. Masterly painted genre scene “testing grandfather’s pipe” depicting lively domestic moment. The little prankster wants to be like his grandfather, but how can he not try his grandfather’s pipe, which he loves so much and does not let go of even in his sleep. The curious and brave sly man, despite the consequences, took off his shoes to approach quietly... One can imagine his disappointment and emotions after he accomplished what he had planned... The boy's faithful friend, a small dog, looks at all this with interest and curiosity. Loved and admired for his talent to realistically portray life and tell a story at the same time, Henningsen took great pride to never include any personal feelings or philosophy, but to stay neutral to the subject matter for whichever painting he was doing. Antique oil painting on canvas, signed, framed. Size: 43 cm x 35 cm (roughly 16.9 x 13.8 in), frame 52 x 43.5 cm (roughly 20.5 x 17.1 in). Very Good pristine condition with minimal wear. Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 1 kg is going to measure some 2 kg packed for shipment. Erik Henningsen was educated at the Copenhagen Royal Academy of Art. He Traveled and studied in Germany, Italy, France and Holland, and received numerous awards and medals throughout Europe. He later became a member of the Royal Academy of Art. Exhibited in Charlottenborg, Copenhagen, Vienna, Paris, Berlin, Munich, Lubeck, and many more. Erik Henningsen is always mentioned in the same breath as his older brother, painter Frants Henningsen. Both with their traditionally classic approach to realism, anecdotal undertones and bold use of dark colors, they were the most loved and celebrated illustrators of life and times; often depicting the hardships and trials of that day and age. One of Erik Henningsen’s large...

Measures 22" x 18" and framed 27" x 24" x 3". About this artist: Born in Galatz, Romania, John Barber became a modernist painter of figures and scenes of...

Thomas Pollock Anshutz (American, 1851-1912) Sewing by the Hearth, c. 1884 Original frame Oil on canvas, 17 x 24 inches; Framed: 34 x 27 inches Label (handwritten in ink) on stretcher verso: “Artist Thos Anshutz” Label on backing verso: (printed) “PORTLAND MUSEUM OF ART”; [...] (typewritten) “Thomas Pollock Anshutz/American, 1851 1912/INTERIOR/oil on canvas/stretcher: 17 x 23 15/16 inches/not signed/COLLECTION OF MRS. NORMAN B...

Multidisciplinary artist. Twenty years of artistic experience in the Fine Arts. Eight years of practice as a University professor of Fine Arts. Broad knowledge of design software: Ad...