Oil Interior Paintings

Franklin-Sanchez leads the viewer into the imaginative world of the children sitting on the floor of a cozy room. An idyllic view of the Italian countryside is visible through the wi...

A Royal Greenhouse Interior, Brussels Marcotte Marie-Antoinette Troyes 1869 – 1929 Paris French School Signature: Signed bottom left Dimensions: Image size 101 x 80,50 cm, frame size 103,50 x 93,50 cm Medium: Oil on canvas Biography: Marcotte Marie-Antoinette was a French luminist and impressionist painter and a watercolourist of genre scenes, landscapes, still-life, gardens and flowers. Born in Troyes, France on May 31 in 1869. Settled in a very young age with her family and raised in Antwerp. Follows in the age of nineteen several months lessons in the studio of the famed Jules Joseph Lefèbvre in Paris. Further education at the Academy Royale des Beaux-Art of Brussels (1889 -1891) pupil of Jean François Portaels and Emile Claus...

Night Time Trafalgar Square [2020] original and hand signed by the artist Oil paint on canvas board Image size: H:15 cm x W:19 cm Complete Size of Unframed Work: H:15 cm x W:19 cm x D:0.5cm Frame Size: H:25 cm x W:29.5 cm x D:2cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Marie Robinson Night Time Trafalgar Square Original Painting Oil Paint on Canvas Board Board Size: H 15cm x W 19cm x D 0.5cm Framed Size: H 25cm x W 29.5cm x D 2cm Sold Framed in a Dark Grey Painted Wood Frame with gold detail Please note that insitu images are purely an indication of how a piece may look. Marie Robinson’s Night Time Trafalgar Square is an original urban landscape painting of one of the fountains in Trafalgar Square, London on a Winter's evening. Marie was inspired by the lights of the fountain and the lights of the Canada House...

Artist/ School: French School, mid 20th century, signed lower left Title: Pink & White Flowers in a Blue Vase Medium: oil on board, framed framed: 15 x 12 inches board: 10 x 7 in...

Very decorative animal scene of two dogs in an interior surprising a cat walking towards them. Grover Hawking was a late 20th-century painter active in New Jersey and Long Island. ...

Antique American modernist interior easel painting. Oil on canvas, circa 1960. Signed on verso. Housed in a period modern frame.

Oil on canvas, signed and dated in the upper left and inscribed on the reverse. Painting features a Swedish girl knitting by the fire. The work has a lovely warm feel to it. Sam Uhrdin...

Artist Jill Keller Peters abstract color-field oil paintings communicate ideas through color. By juxtaposing pure and vivid hues that speak to each other w...

Vibrant floral still life by Marilyn Simandle (American, b.1946). Splashes of color and white petals pop out against a dark background and glossy blac...

This Italian 19th century oil on alabastrer painting depicts an opulent interior in full ancient neoclassical Pompeian style with people festing. The figurative inner scene is painted on a rectangular alabaster slab and housed in a wonderful giltbronze frame resting on casted arrow feet. This is a single section of a bigger surtout de table. You can now use it as a decorative centrepiece on a table or on a console or turn it into a wall decoration. We can provide framing options in this case. The characters enjoy a rich banquet in an elaborate interior, the room renderings...

"Sheets" by RU8ICON1 is an oil painting on canvas, from 2022. It is a figurative interiors and portrait painting that depicts a woman lounging on a bed with her clothing and the she...

Artist/ School: French School, mid 20th century Title: Colorful Still Life of Flowers in Vase Medium: oil painting on board, framed. Size: framed: 31 x 26.5 inches painting:...

HERRMANN LEON Charles (1838-1908) Portrait of a Dog in interior Oil on canvas signed low left Old frame re-gilded with gold leaves Dim canvas : 56 X 46 cm Dim frame : 69 X 59 cm HERRMANN LEON Charles (1838-1908) French painter 19th century Born 22 july 1838 in Le Havre. Died 1...

Artist Jill Keller Peters abstract color-field oil paintings communicate ideas through color. By juxtaposing pure and vivid hues that speak to each ...

Marina has created a figurative wall display reminiscent of a poor student with an apartment that is falling to bits, yet the art - however small in size - is still prevalent in the ...

This artwork "Nuns at the Museum" c.1950 is an oil painting on hardboard by Australian artist Joan Wilkie, 1903-? It is signed at the lower right corner by...

Artist/ School: French School, signed and dated 1940's Title: Post-Impressionist oil depicting this 'Van Gogh' chair in an interior with fruit. Medium: oil on canvas, unframed C...

Cloudy Deddington Skies [March 2022] original Oil Paint on Gesso Board Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:15 cm x W:15 cm x D:3.8cm Sold Unframed Please...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Behind Pretty Things (2022), oil on wood panel painting by Max Vesuvius Budnick, portrait, patterns, faux naif Classic faux naif portrait and interiors oil painting by Max Vesuvius Budnick. The artist cannot resist painting an appealing pattern and loves to render them by hand. In this painting he renders the ribbed pattern of his green corduroy hat, the tropical jungle motif of his bandana neckerchief complete with tropical birds, the tropical palm leaf pattern of his cell phone case, the blue stripe pattern of his button down shirt and the purple gradient of the walls behind him as he poses for a selfie in the mirror. His red beard peeks out from behind his bandana and on the wall behind him is a framed print of the painting, "Floral Still Life," by WWI veteran and African American artist, Horace Pippin...

Mid 20th Century oil on board Post-Impressionist still life by Polish painter P Mostowski, signed bottom right, presented in modern contemporary frame. ...

Flute,Music,Little Girl,Grey,Taupe color,Minimalist Shipment included in the price 1965 He was born in Orenburg, where he lives and works. 1984 He graduated in Art. 1990-1995 He ...

Artist/ School: Monique Le Bret, French b. 1920, signed lower left corner Title: A Balcony overlooking the Sea Medium: oil painting on canvas board, unframed and inscribed verso S...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! PLEASE SEE VIDEO IN LISTING A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery...

Dusk Til Dawn by Peggy Cozzi [2020] Signed by the artist oil on linen Image size: H:80 cm x W:60 cm x D:2cm Please note that insitu images are purely an in...

In "Nostalgia" a 21st -century Nigerian painter uses an impressionist technique the brushwork clearly visible —to evoke the haziness between wakefulne...

A realist painting of people in a pool hall. The red pool table is the centerpiece of the painting, seemingly illuminating the space, and particularly t...

Emma Hartley Original Landscape painting Oil on Linen H30 W40 D2cm (Please note that in situ images are purely an indication of how a piece may look). Original Landscape painting by ...

The greens are blooming. Cardboard, oil, 48x67 cm Spring beginning by the river. Landscape with threes

1998 Oil parting of pears and apples in a pink bowl in front of an abstract painting. in the foreground, there is a book on the left and on the right 3 dollar bills. These are all l...

"At the Door" by C. Colombe is a charming late 19th century European realistic oil of a domestic interior scene capturing the Victorian sense of humor. Signed lower right. The pain...

"Lilacs, Pecorino, Wine" is a contemporary impressionist earthy tone still life. A moka pot, jug of olive oil, and pecorino make this still life uniquely Italian. The hard cheese lay...

The overall dimensions including the frame are 70 x 42 inches. Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Voge...

Life’s Souvenirs by Tito Salomoni, Italian (1928–1989) Date: 1984 Oil on Canvas, signed lower left Size: 20 x 24 in. (50.8 x 60.96 cm) Frame Size: 25 x 2...

Enoch Wood Perry, Jr. (1831 - 1915) A Quiet Afternoon, 1876 Oil on canvas 15 1/4 x 21 inches Signed and dated lower right Born in 1831 in Boston, Enoch Wood Perry, Jr, is internatio...

Written based on sketches from the Volodymyr Cathedral in Kyiv

Written in the workshop based on sketches made in the Volodymyr Cathedral, Kyiv

Signed lower right, 'A. Naur' for Albert Naur (Danish, 1889-1973) and painted circa 1955. A cheerful, mid-century oil showing a pair of leisure chairs wit...

Flower composition. Canvas, oil, 40x30 cm impasto painting in earth color gamma

Cozy, warm interior of a home.

"Cactus Bouquet" Oil Painting 55" x 47" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and...

Into the tunnel is an original modern artwork realized by Isidore Odorico (1893-1945) in the early 20th Century. Oil on board. Hand signed on the lower margin. Includes frame

"Cactus in Beige" Oil Painting 27.5" x 24" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and finished school. In 1973...

Artist/ School: signed lower right corner, Italian School, 20th century Title: sprig of blossom in a clear glass with water. Medium: oil painting on canvas, framed Size: framed:...

A Garden with Tulips Daens Antoine Brussels 1871 – 1946 Belgian Painter Signature: Signed bottom left and dated 1936 Dimensions: Image size 53 x 69 cm, frame size 61 x 77 cm Medium...

Antique American school museum interior oil painting by Nathaniel E. Reich. Oil on board, circa 1940. Signed. Image size, 32L x 24H. Housed in a period wood frame.

Studio Window by Charmaine Chaudry [2021] original Oil paint on canvas board Image size: H:20 cm x W:15 cm Complete Size of Unframed Work: H:20 cm x W:15 cm x D:0.1cm Sold Unfram...

"Day Dreaming" by RU8ICON1 is an oil painting on canvas, from 2022. It is a figurative interiors and portrait painting that depicts a woman lounging on...

Elegant still life with calla lilies and amaryllis by an unknown artist. Completed in a classical style, two calla lilies and two amaryllis flowers sit in a vase with Chinese designs...

Pink peonies in vase. 1983, canvas, oil, 60x70 cm Light pink peonies bouquet in day light in brown vase on the table

GENTY Emmanuel (1830-1904) Portrait of an Elegant Lady Oil on canvas signed low right and dated 1897 Old Frame regilded with gold leaves Dim canvas : 100 x 81 cm Dim frame : 120 x 10...

A realist painting of the interior of a museum gallery. Soft light streams in through the skylights of the coffered arch ceiling, while spotlights...

Oil on artist board signed and dated lower right featuring pool players playing a point match in the pool hall. Great WPA feel and texture impasto. Most likel...

Untitled (Still Life with Pink Roses) is an oil on canvas painting by David Spivak (1893-1932) . Presented in a custom gold frame, outer dimensions measure 19 ⅞ x 24 x 1 ¼ inches. Image size is 12 x 16 inches. Painting is clean and in very good vintage condition - please contact us for a complete condition report. Provenance: Private Collection, Denver, Colorado Expedited and international shipping is available - please contact us for a quote. About the Artist: Born in Philadelphia in 1893, David and his family moved to Denver in 1895 due to his mother’s ill health. He attended elementary and high school in Denver, and was briefly enrolled at the University of Denver, where his mother taught Russian. He was drawn to art at a young age, however the University of Denver did not offer a degree program in fine art, and art education in the Denver area was lacking. Spivak’s father, Dr. Charles Spivak, prominent Denver physician and founder of the Jewish Consumptives Relief Society, was concerned about his son’s career choice, hoping David would instead follow in his footsteps. David’s mother, however, recognized her son’s artistic talent and felt it needed nurturing. In 1912, Spivak moved to Chicago to attend the Chicago Art Institute where he worked under John Morton and Wellington Reynolds (1865 – 1949). After a two-year stint in Chicago, Spivak spent 3 years in New York attending the Arts Students League where he studied under Robert Henri, a prominent Ashcan School artist. Between 1914 and 1917, Spivak mostly painted portraiture, and Henri’s artistic influence can be seen in Spivak’s work during this period. Spivak was drafted into the Army in 1918 because of World War I. He spent a year stationed at Kelly Field in San Antonio, Texas. In 1919, he moved back to Denver in and began working as an artist. His dedication to art extended beyond art making into education. He taught at various high schools throughout Denver, as well as the Denver Academy of Applied Arts, the Denver Art Institute, and the Chappell School of Art. Spivak was also a central figure in the art community, helping to develop the Denver Art Museum, as a founding member, along with Dean Babcock and Albert Bancroft, of the Denver Artists’ Guild in 1928 (where he served as president at the time of his death), and as the head of fine art exhibits at the Colorado State Fair. He believed that bringing art into the lives of all people, regardless of status or class, was paramount. In his short life, Spivak was quite prolific, producing over 300 paintings between 1914 and 1932. He excelled in landscape painting and portraiture, and his style was rooted in impressionism. Spivak’s contemporaries who also painted in an impressionistic manner include Robert Graham, Frank Vavra...