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Richard SargentDoggy Buffet, Saturday Evening Post Cover1957
1957
About the Item
Approximate Date: 1957
Medium: Oil and Pencil on Board
Signature: Signed Lower Left
Sight Size 23.50" x 20.75", Framed 29.50" x 26.50"
Original cover illustration for The Saturday Evening Post, January 5, 1957.
The Post described, ““I wish to establish.” cries Dick Sargent, “that my wife is one of the best cooks in these United States!” All right, nobody is arguing. Maybe this explains how Sargent achieved such a frantically mouth watering expression on the face of Foxy, the dog; he had that tableful of taste-bud provocation in his studio for days without being able to do anything about it but paint it—so maybe he imagined what he would look like with a dog’s face, and executed a self-portrait…. Well, Foxy, as this is New Year’s-tide, when everybody should be happy, grab a few slices of ham and an orange basket, and go someplace fast. The hostess will recover, and join the other humans there in feeling happy too. In this year-turning time, may all the humans in every home feel likewise, and all the Foxys too.”
(The Saturday Evening Post, January 5, 1957, p. 3)
- Creator:Richard Sargent (1911 - 1978, American)
- Creation Year:1957
- Dimensions:Height: 23.5 in (59.69 cm)Width: 20.75 in (52.71 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fort Washington, PA
- Reference Number:Seller: 25831stDibs: LU38431244643
Richard Sargent
Richard 'Dick' Sargent, one of The Saturday Evening Post’s most prolific illustrators, was a Midwesterner born in Moline, Illinois, on March 26, 1911. His early career in art began just after his graduation from Moline High School when he went to work for a local printing and engraving plant. While there, Sargent attended night classes at the Moline Illinois Art School, the foundation for his future career as an artist. Sargent then studied at the Corcoran School of Art, and in 1951, he completed his first cover for The Saturday Evening Post, “Truth About Santa,” for the December 15 Christmas issue. While Sargent’s popularity grew through the exposure he received with the Post, he also did illustration work for magazines such as Fortune, Woman’s Day, Photoplay, and American Magazine among others. Americans adored Sargent and his art for his ability to show relatable, pregnant scenes with open-ended conclusions that commented on the situational comedy of life. In the late 1960s he retired to the Andalusia region of Spain and died there in 1978.
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