1950s Interior Paintings

Vintage American modernist flower still life oil painting . Oil on board. Framed. Measuring: 10 by 6 inches overall, and 9.75 by 5.75 painting alone.Excellent condition, ready to han...

Classic mid century still-life of a green drape with vase, by W. Gray (American, 20th Century). Dated and signed by the artist lower right, "57 W. Gray." ...

Vintage American modernist abstract interior scene oil painting. Oil on canvas. Framed. Signed and titled verso, "Bertoia Chair". Handsomely framed in a period molding. Excellent ...

A dynamic ca. 1958 Mid-Century Modern painting titled "Refreshment" by Woman Artist, Lucille Leighton. Oil on canvas, in original frame. Artwork size: 22" x 18". Framed size: 27 1...

Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas Still life in a semi-cubist style by Irene Pattinson (American, 1909-1999). On a reddish-purple table, there is a plate with two apples, a bottle of wine, and an acoustic guitar. The guitar's headstock is shown extending from where the neck meets the body, implying a cubist interpretation of the scene. At the back of the still life arrangement, there is a (collage) newspaper with "Costa Rica!" in the headline. At the left of the composition, there is a curtain or cloth draped across part of the scene. Signed "Irene Pattinson" on verso. No frame. Canvas size: 32"H x 24"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance:The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works) Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963; Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...

5117 Vintage oil on canvas of a Cat by the window

Gorgeous mid-century still life of a vase of white lilies next to a green teapot and lemon by listed California artist Helen Enoch Gleiforst (American, 1903-1997). Signed "Gleifors...

Presenting an outstanding original oil painting by American artist Thomas Prentiss b.1920. Three Pears, is painted in the hyper realistic trompe l'oeil style, viewing this painting ...

Poetically inspired piece of a small top floor room in Paris filled with paintings, birds and and a lively scarecrow made of clothing, 1950. Signed lower right, artist unknown. Orig...

Vintage American modernist New Orleans street scene oil painting by Charles Whitfield Richards (1906 - 1992). Oil on canvas. Gallery provenance. Framed. Unsigned. Provenance from a ...

Mid Century French Figurative Portrait -- The Young Ballerina en Pointe This mid century figurative painting by George Andre Klein (French, 1901-1992) depicts a young ballerina in a...

Signed upper right, 'G. Simonka' for Georges Simonka (Hungarian, 1916-2001) and dated 1955. A substantial, mid-century modernist, oil still-life showing an assemblage of items on a ...

child,mother,book Boris Nicolaie (1925/2017) Signature on the back Museums St. Petersburg: Museum of History St. Petersburg: Museum of the Academy of Fine Arts Moscow: Ministry of...

Delicate mid century still-life of white and pink roses in crystal vase with a soft, lime green background by listed California artist Helen Mae Enoch Gleiforst (American, 1903-1997)...

Nicely painted American school modernist still life painting. Nice color and modernist composition. Excellent ready to hang condition. Oil on canvas. Image size, 18"H x 24"L.

'Still Life of Tulips' by Poul Nielsen, 1954. Post-Impressionist, Royal Academy of Art, Copenhagen ---- Signed lower left with monogram 'P/N' for Poul Nielsen (Danish, 1920-1998) an...

Medium: Oil on Board Signature: Signed Lower Left Sight Size 27.00" x 23.75;" Framed 34.50" x 37.50" Original cover illustration for The Saturday Evening Post, September 12, 1959. ...

Antique American modernist oil painting by William Edward Starkweather (1879 - 1969). Oil on board. Framed. Signed lower right.

Mid Century Figurative Oil Painting -- Young Woman in Elegant Blue Gown This intimate painting depicts a familiar scene of a young woman caught in a quiet moment determining which dress to wear to a formal occasion. Dressed in a flowing blue gown with red floral accents, she stands in three-quarter profile gazing at her reflection with one arm raised as if adjusting her bodice of her dress. The interior of her room displays another green gown draped over the pink upholstered chair...

Important work by the artist, were exhibited at Kunsthalle Recklinghausen, Radical Innovations, 2024-25. Signed lower right. Natalia Dumitresco (or Dumitrescu) was born in Buchare...

A vivid and densely populated cockfighting scene painted in 1950 and signed Allatteini L., lower right, with the inscription St. Thomas 50. This large-scale oil captures the spectacl...

Unfinished Problem, by 1953, oil on canvas, signed lower right, signed and inscribed verso on stretcher “Charles Goeller/1272 Clinton Place, Elizabeth, NJ...

Mid Century Floral Bouquet and Splendor Still Life Beautiful still life of orange and white flowers next to a bowl of fruit by Los Angeles and Carmel artist Helen Enoch Gleiforst (A...

An intensely textured abstract work characterized by bold, impasto brushstrokes and a rich palette of reds, deep greens, browns, and blacks. The composition is constructed through ov...

Domoto’s painting is a visceral exploration of energy and movement, rendered in layers of black, orange, red, and hints of other vivid hues. Richly textured, each stroke conveys inte...

Wonderful post impressionistic still life of autumn yellow chrysanthemums with boughs of bronze maple leaves in a vase. Painted in style of Albert Andre (French, 1869 - 1954). Circa ...

Vintage French modernist still life oil painting. Oil on canvas. Framed. Signed. Measuring: 35 by 20 inches overall. In excellent original condition. Handsomely framed in a modern...

Modernist interior scene with a kitchen still life by Johannes Gecelli (1925 - 2011) . Oil on board. Signed and dated lower right and verso. 24 3/8 x 32 1/8. Nicely framed.

Mid Century Naturaleza Muerta Con Mangoes (Still Life w. Mangoes) by Francisco Dosamantes Substantial and brilliant modernist still-life painting mangoes by Francisco Dosamantes (Mexico, 1911-1986) Exhibition label on verso (circa 1957), "Salon De Plasticas Mexicana - Instituto Nacional De Bellas Artes - Francisco Dosamantes, Naturaleza Muerta Con Mangoes." Image 24"H x 31.5"W. "Francisco Dosamantes was born in Mexico City on October 4, 1911. His father was Daniel Dosamantes who was a builder, interior decorator and painter. Since its founding in 1949, the Hall of Plastic Mexican SPM, has accommodated the most representative work of the national art. Throughout its existence they have been part of hundreds of painters, sculptors, engravers, designers, ceramists and photographers of all tendencies and generations. Jut names: Diego Rivera, David Alfaro Siqueiros, Gerardo Murillo "Dr. Atl" Frida Kahlo, Rufino Tamayo, Francisco Dosamantes, Jorge González Camarena, Leopoldo Mendez...

Nicely painted mid century abstract oil painting by Ken Munowitz. Oil on canvas. Framed.

Adelaide Lawson Gaylor Restaurant Signed lower right Oil on canvas 24 1/4 x 30 inches Modernist artist Adelaide Jaffrey Lawson Gaylor was born in New York City and studied at the A...

Vintage American modernist surreal interior scene oil painting. Oil on canvas. Signed. Framed. Provenance from a Sag Harbor, NY collection. Measuring: 27 by 30 inches overall. Hands...

Cover of The Saturday Evening Post, December 25, 1954 The Post's writes on page 3: Christmas is for happiness. There was the star above Bethlehem, and it shone joyfully. Its light ...

Alexander Sharpe Ross gives us a voyeur view of an attractive couple kissing and embracing on a couch. Sharpe's radical use of composition is on ...

One of a kind work or art with a unique, somber, and overwhelming atmosphere. It recalls the legacy of the great Giorgio De Chirico (1888-1978), the foremost representative of the ...

powerful abstract composition defined by a restrained, almost monochromatic palette of blacks, greys, and subtle earthy tones. The surface is richly worked, with sweeping gestures an...

Very impressive mid 20th century modernist interior view. So well painted with great color and bold expressive strokes. Signed illegibly. Housed in a period modernist frame. Oil ...

Woman reading after Henri Matisse by Claire Ragueneau Impressionist seated woman reading a book after Henri Matisse by San Francisco artist Claire Ragueneau (American, 1901-1971). Cl...

"Garden Roses" in a Vase Still Life by Masayoshi Himeno Beautiful still life oil painting on canvas of a vase of multicolored Garden Roses sitting upon a table with a background in hues of green and red by Masayoshi (Masara) Himeno (Japanese/American, 19th-20th century). A green vase is the focal point as it sits upon a table with red, pink and yellow roses in full bloom. The artist uses a oil wet brush technique similar to a watercolor artist. Masayoshi a possible San Francisco Bay area artist who emigrated to America form Japan. Signed "M. Himeno" lower right. Presented in a giltwood frame. Image: 19" W x 23"H. Frame: 26"W x 30"H. Signed on verso, artists label, Japanese Kanji...

Beautiful mid century still-life of authentic Hopi Indian relics including terracotta pottery, an ear of corn, and colorful moccasins on a traditional patt...

Ruth Todd (1909-2006, American Woman Artist) one of Colorado’s most prominent avant-garde artists and played a significant role in Colorado’s art history. Known for painting and collage. Still life with lemon and banana on kitchen table. Ruth Thomas Todd was born in 1909 in Sanford, North Carolina. She arrived in New York City in the 1930s where she began her career as a fashion model supporting herself as she attended classes at the Art Students League. For reasons of health she moved to Colorado Springs to treat her condition. During her recuperation she started to draw and studied under famous American abstract painter Robert Motherwell, who was teaching at the Colorado Springs Fine Arts Center at the time. By the 1950s, her career as an abstract expressionist painter was blooming. She was one of Colorado’s most visible and avant-garde artists. Ruth married Littleton Todd, a poet and a woodworker. In 1953, Todd traveled to Europe (Paris, France) to study art and to paint. Littleton Todd opened a design studio in Denver where he manufactured and sold modern furniture. She would incorporate sawdust and other found materials from the workshop imbued with oil paint into her abstract work to create unique topographies and patterns. She showed at numerous Gilpin County Art Exhibitions, the Denver Art Museum, the Colorado Springs Fine Arts Center, Colorado Women’s College, the University of Colorado, Boulder, the Colorado State Fair, and the Jewish Community Center. Among the Colorado Modernists that she exhibited with were Vance Kirkland, Frank Vavra, Martha Epp, Ardis Sturdy...

Artist: Paul von Ringelheim, Austrian/American (1933 - 2003) Title: Sanford Beresofsky's Bathroom Year: 1958 Medium: Oil on Canvas, signed and dated Size: 44 x...

Vintage American modernist interior scene oil painting. Oil on canvas. Signed. Framed. Image size, 30L x 24H. Great color and a nice period modern wood frame. Ready to hang.

Birches. 1957, oil on board, 45x60 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landsc...

Mid Century Modern Jazz Quartet Figurative -- "The Band Box" Signed A vivid, mid-century modernist interpretation of a jazz ensemble by Louis M. Centofanti (American, 1921-2018). "B...

Albert Heckman Untitled, circa 1950 Signed lower right Oil on canvas 24 x 30 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...

ISMAEL DE LA SERNA Spanish, 1898 - 1968 HARLEQUIN AND HIS DOG signed and dated "I DE LA SERNA 55" (upper left) oil on cardboard 42 x 27-1/2 inches (107 x 70 cm.) framed: 49-1/4 x 35 ...

This work by Jeanne Coppel belongs to a powerful and expressive gestural abstraction. The surface is animated by layered textures, vigorous brushwork, and strong contrasts between de...

Approximate Date: 1957 Medium: Oil and Pencil on Board Signature: Signed Lower Left Sight Size 23.50" x 20.75", Framed 29.50" x 26.50" Original cover illustration for The Saturday E...

Marie Antoinette Boullard-Deve French, 1890-1970 Segovie Oil on canvas 29 by 21 ½ in. W/frame 39 by 31 ½ in. Signed lower left and titled and dated 1951 on the back Marie was born...

French Landscape by Bernard Labbe (French mid 20th century) Signed original watercolour/ gouache painting on artist paper, mounted on board unframed Size: 25.5 x 21 inches Condition:...

The Progressive Farmer magazine cover, January 1958 This dynamic scene of a mid-century New Year's Eve party captures the excitement across generations. While adults eagerly anticipate midnight, children watch from the staircase, and an older couple in the background enjoys a quiet moment together at the buffet table. Sarnoff's use of diagonals brings the scene to life, and the inclusion of noisemakers evokes the festive atmosphere. Created as a cover for the January 1958 issue of The Progressive Farmer, this is a prime example of Sarnoff's vibrant style. Approximate Date: 1958 Medium: Oil on Board Signature: Signed Lower Right Size: 25.00" x 22.00" Exhibited: Masters of the Golden Age: Harvey Dunn and His Students South Dakota Art Museum, Brookings, South Dakota May 5, 2015 - September 13, 2015 Norman Rockwell Museum...

Sombre Gentlemen, Male Portrait, Original Impressionist Oil Painting British School, Mid 20th Century Oil painting on board, unframed Board size: 18 x 24 inches Incredibly stylish p...

Charles Green Shaw (American, 1892-1974) By the Dawn's Early Light, 1955 Oil on masonite Signed lower left, dated and titled verso 35.5 x 23.75 inches 38 x 26.25 inches, framed Provenance: The estate of the artist to Charles H. Carpenter Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

Medium: Tempera Painting Signature: Signed Lower Left Cover of The Saturday Evening Post Magazine, December 5, 1953

Medium: Oil on Canvas with an Element of Collage Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, February 27th, 1954. The Post described, “...

French expressionist artist, 1955 signed oil painting on canvas, framed dated 55' framed: 22 x 29 inches canvas: 15 x 22 inches provenance: private collection, France condition: ove...

A large and elegant still life with grapes and pears on a table which also features a pristine white bowl and a candle stick. Painted with simplicity, clarity of structure, and restrained emotion, this is a superb modernist work by Jean Chauffrey (1911-) dating from circa 1950. At the time, Chauffrey had a contract with mythical Paris art dealers...

Oil on canvas by Roger Charles Halbique (1900-1977), France, 1950s. Still Life With Roses. With frame: 85x98 cm - without frame: 60x73cm. 20F format. Signed lower left "R. Halbique"....

Approximate Date: 1957 Medium: Oil on Board Signature: Signed Lower Left Size: 18.70" x 27.00" Story illustration for The Master Move by George Loveridge, published in Good Housekeeping, November 1957. An excerpt from the story reads: “In the evening Mowbray dined at a mahogany table designed to seat ten persons. To his left, in an intricate, gilded frame, hung an oil portrait of his father — a man with a majestic, full gray beard and the same beaked nose that his son had, but with milder eyes (p. 237)…Every Sunday, Mowbray and the boy had dinner together, the two of them at the long, broad, polished table under the eyes of Peter Mowbray. Mowbray often had to fly hundreds of miles to be on time for Sunday dinner with his son, but he did not once fail to be there.” (p. 239-240) A Native American finding a Raggedy Ann doll...