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Period: 1950s
Roger Halbique, Oil on Canvas, Still Life with Roses, 1950s
Located in Saint Amans des cots, FR
Oil on canvas by Roger Charles Halbique (1900-1977), France, 1950s. Still Life With Roses. With frame: 85x98 cm - without frame: 60x73cm. 20F format. Signed lower left "R. Halbique"....
Category
Post-Impressionist 1950s Interior Paintings
Materials
Canvas, Oil
Birches. 1957, oil on cardboard, 45x60 cm
Located in Riga, LV
Birches. 1957, oil on board, 45x60 cm
Edgars Vinters (1919-2014)
Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and ...
Category
Impressionist 1950s Interior Paintings
Materials
Oil, Cardboard
Portrait of Woman in Red Hat - American 50s art Post Impressionist oil painting
By David L Swasey
Located in London, GB
This captivating post-Impressionist portrait is by American artist David L Swasey circa 1953. The painting depicts a seated woman, turning to look at the artist with stunning blue ey...
Category
Post-Impressionist 1950s Interior Paintings
Materials
Oil
Interior of Brighton Railway Works 1950 - British art Industrial oil painting
Located in London, GB
This historically interesting British 1950's industrial interior oil painting is by noted female artist Veronica Burleigh. Burleigh grew up in Hove with artist parents Charles and Av...
Category
Realist 1950s Interior Paintings
Materials
Oil
"Garden Roses" in a Vase Still Life by Masayoshi Himeno
Located in Soquel, CA
"Garden Roses" in a Vase Still Life by Masayoshi Himeno
Beautiful still life oil painting on canvas of a vase of multicolored Garden Roses sitting upon a table with a background in hues of green and red by Masayoshi (Masara) Himeno (Japanese/American, 19th-20th century).
A green vase is the focal point as it sits upon a table with red, pink and yellow roses in full bloom. The artist uses a oil wet brush technique similar to a watercolor artist. Masayoshi a possible San Francisco Bay area artist who emigrated to America form Japan.
Signed "M. Himeno" lower right.
Presented in a giltwood frame.
Image: 19" W x 23"H.
Frame: 26"W x 30"H.
Signed on verso, artists label, Japanese Kanji...
Category
Impressionist 1950s Interior Paintings
Materials
Canvas, Oil
The Fisherman, 20th century Cleveland School artist
Located in Beachwood, OH
William Schock (American, 1913–1976)
The Fisherman, c. 1955
Oil on canvas
Signed lower right
26 x 40 inches
34 x 48 inches, framed
William Schock was born in Porto Alegre, Brazil ...
Category
American Modern 1950s Interior Paintings
Materials
Oil
Vintage Interior oil painting, vignette and tapestry
Located in AIGNAN, FR
Large vintage French impressionist interior scene of a vignette and tapestry, most likely situated in a French Chateau, signed in the lower left corner, J George. This is a very attractive, traditional French look oil painting on canvas. A French cabinet or commode, flanked by two antique chairs stands in front of a paneled wall which is covered in a huge tapestry. On top of the commode sits a detailed 18th century French clock...
Category
French School 1950s Interior Paintings
Materials
Oil
Modernist Floral Arrangement in a Mod Vase 1957 Oil Painting
Located in Surfside, FL
Helen was a well known Michigan artist with national and international acclaim for her oil paintings and sketches. She was a member of many organizations including the Detroit Societ...
Category
American Modern 1950s Interior Paintings
Materials
Oil
'Woman Seated', Paris, Louvre, Académies Chaumière, LACMA, SFAA
Located in Santa Cruz, CA
Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950.
A loose study of a woman seated in a dress, resting her chin on her hand and recli...
Category
Post-Impressionist 1950s Interior Paintings
Materials
Oil, Paper
At cafe 1950, cardboard, oil, 51x71 cm
Located in Riga, LV
At cafe
1950, cardboard, oil, 51x71 cm
The main focus of the artwork is a stylized representation of a cafe scene. The artist's intention is to capture the vibrant and lively atmosphere of a bustling cafe setting.
The painting features numerous figures dancing in the background, creating a sense of movement and excitement. The artist's stylized approach involves using bold and expressive brushstrokes, vibrant colors, and abstracted forms to depict the figures and the overall energy of the scene.
In the foreground, there is a man sitting behind a table with wine bottles, adding a focal point to the composition. The red interior of the cafe provides a warm and inviting ambiance, adding to the overall atmosphere of the painting.
Biruta Baumane...
Category
Fauvist 1950s Interior Paintings
Materials
Cardboard, Oil
Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas
Located in Soquel, CA
Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas
Still life in a semi-cubist style by Irene Pattinson (American, 1909-1999). On a reddish-purple table, there is a plate with two apples, a bottle of wine, and an acoustic guitar. The guitar's headstock is shown extending from where the neck meets the body, implying a cubist interpretation of the scene. At the back of the still life arrangement, there is a (collage) newspaper with "Costa Rica!" in the headline. At the left of the composition, there is a curtain or cloth draped across part of the scene.
Signed "Irene Pattinson" on verso.
No frame.
Canvas size: 32"H x 24"W
Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56.
Provenance:The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art
Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works)
Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963;
Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection
Exhibitions:
1963 The Art Bank of the San Francisco Art Association, San Francisco, CA
1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA
1962 The Art Bank of the San Francisco Art Association, San Francisco, CA
1961 San Francisco Museum of Art, San Francisco, CA
1960 California...
Category
American Modern 1950s Interior Paintings
Materials
Newsprint, Oil, Canvas
Untitled (Still Life, Interior)
Located in Chicago, IL
An exquisite orange and yellow-toned still life painting of flowers by Danish artist, Knud Mülhausen.
Knud Mühlhausen was an artist and illustrator that first showed his works at th...
Category
Modern 1950s Interior Paintings
Materials
Oil
White on White Blue, Expressionist Still Life by Philadelphia Artist
Located in Doylestown, PA
"White on White Blue" is a monochromatic, interior still life by Philadelphia born Expressionist painter Bernard Harmon. The 20" x 16" oil on canvas painting is framed and signed "B ...
Category
Expressionist 1950s Interior Paintings
Materials
Oil, Canvas
The Sunflowers
Located in Cotignac, FR
French oil on panel still life of sunflowers in a typical provencal glazed vase by Deldos. The work is signed and dated bottom right and presented in a wood, plaster and gilt frame.
...
Category
Post-Impressionist 1950s Interior Paintings
Materials
Wood Panel, Oil
Mid Century Modern Portrait Polka Dot Suit Clown by Joan Tidwell
Located in Soquel, CA
Portrait of a Man in a Polka Dot Clown Suit - Oil on Canvas
Portrait of a man in a white and red polka dot suit by a Joan Tidwell (American, 1930-2005...
Category
Modern 1950s Interior Paintings
Materials
Canvas, Oil
Mid Century Modern Sumptuous Interior Scene Signed Original Oil Painting
Located in Buffalo, NY
Modernist interior scene with a kitchen still life by Johannes Gecelli (1925 - 2011) . Oil on board. Signed and dated lower right and verso. 24 3/8 x 32 1/8. Nicely framed.
Category
Modern 1950s Interior Paintings
Materials
Canvas, Oil
Cocktails for Two, Grand Canal, Venice, Mid Century Italian
By Louis Bosa
Located in Beachwood, OH
Louis Bosa (American, 1905-1981)
Cocktails for Two, Grand Canal, Venice, 1951
Oil on canvas
Signed lower left
18 x 30 inches
25.5 x 37.25
Born in Codroipo, a small village only a few miles from Venice, Italy in 1905, the son of a stonemason. Bosa emigrated to the U.S. at age 18 after studies at the Accademia della Belle Arti in Venice and became an American citizen. He then studied under John Sloan, of the Ashcan School, at the Art Students League in New York. A distinguished painter, Louis Bosa's work has been likened to that of artists ranging from Pieter Breughel the Elder to John Sloan and the Ashcan School.
Being an acute observer of the human condition, Bosa's paintings, which are primarily oil on canvas, often focus on people and street scenes from his native Italy. Bosa was known to have followed his subjects around, making many sketches and mental notes, and combined his observations in the final work to create visionary, fantastical images. The subjects of his paintings are highly stylized and expressionistic, and border on caricature. "People are so funny at times they are sad," he said: The people in his paintings are accessible and seem to portray human emotion and everyday life, conquering such concepts as mortality, humility and sometimes futility. His work often reveals comedy in the midst of tragedy. Many of his paintings include whimsical images of nuns riding bicycles and similar authority figures engaged in mundane activities.
He traveled extensively through Europe and often returned to his native Italy. Bosa painted for the Works Progress Administration and the Whitney Museum. He taught at the Cleveland Institute of Art, the New York Art Students League, the Parsons School of Design, Syracuse University, and the University of Notre Dame at South Bend, Indiana. His paintings and watercolors are on display at many well-known art studios and museums across the United States such as:
The Metropolitan Museum of Art - New York
The Whitney Museum - New York
The Philadelphia Museum - Pennsylvania
The Worcester Museum - Massachusetts
The Springfield Museum - Massachusetts
The Toronto Art Museum - Canada
Notre Dame University Museum
The Butler Museum - Ohio
The Columbus Museum of Arts and Crafts - Ohio
The University of Illinois - Illinois
The Montclair Museum - New Jersey
The James A. Michener Art Museum - Doylestown, Pennsylvania
The Clearwater Museum - Florida
The Wilmington Museum - Delaware
The Athenian Museum - Connecticut
The Herron Art Institute - Indiana
The Rochester Museum - New York
The Delgado Museum - New Orleans
The Richmond Art Museum - Virginia
The Academy of Arts and Letters
The Hosanna Fund
The Encyclopedia Britannica Collections
International Business Machines...
Category
Expressionist 1950s Interior Paintings
Materials
Oil
Large Mid Century Modern Abstract Expressionistoj Interior View Signed Painting
Located in Buffalo, NY
Antique American modernist abstract oil painting. Oil on board, circa 1950. Signed.
Category
Abstract 1950s Interior Paintings
Materials
Canvas, Oil
"The Marriage Proposal (Family Gathering), " Leo Schutzman, Jewish Folk Art
Located in New York, NY
Leo Schutzman (1878 - 1962)
The Marriage Proposal, circa 1958
Oil on canvas
24 x 20 inches
Signed lower left
Leo (Kyle) Schutzman (1878-1962) developed ...
Category
Folk Art 1950s Interior Paintings
Materials
Canvas, Oil
Snow White
Located in Genève, GE
Work on cardboard
Golden wooden frame
38.8 x 46.5 x 3.2 cm
Category
1950s Interior Paintings
Materials
Oil
'Still Life of Roses on a Tea Table', Paris, Academie de la Palette, Benezit
Located in Santa Cruz, CA
Signed lower right, 'A. Naur' for Albert Naur (Danish, 1889-1973) and painted circa 1955.
A cheerful, mid-century oil showing a pair of leisure chairs wit...
Category
Post-Impressionist 1950s Interior Paintings
Materials
Canvas, Oil
Abstract expressionist, white and yellow mid-century modern geometric painting
Located in Beachwood, OH
Richard Andres (American, 1927-2013)
White & Yellow, c. 1953
oil on canvas
signed lower right, signed and titled verso
30 x 20 inches
Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University.
Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school.
They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages.
At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute).
He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.”
Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...
Category
Abstract Expressionist 1950s Interior Paintings
Materials
Oil
Old Hollywood Portrait -- Peter Lorre
Located in Soquel, CA
Wonderful old Hollywood portrait of a middle age Peter Lorre (1904-1964) by Charles Kingham (American, 1895-1984), circa 1955. Unsigned. Acquired with othe...
Category
American Impressionist 1950s Interior Paintings
Materials
Linen, Oil
By the Dawn's Early Light, mid-century abstract black, red, yellow oil painting
Located in Beachwood, OH
Charles Green Shaw (American, 1892-1974)
By the Dawn's Early Light, 1955
Oil on masonite
Signed lower left, dated and titled verso
35.5 x 23.75 inches
38 x 26.25 inches, framed
Provenance: The estate of the artist to Charles H. Carpenter
Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art.
After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons.
The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...
Category
Abstract 1950s Interior Paintings
Materials
Oil
"Nude by the Mirror" Mid-Century Modern Expressionist and Cubist Figure
By Byron Browne
Located in New York, NY
Byron Browne (1907 - 1961)
Nude by a Mirror, 1958
Oil on canvas
26 x 20 inches
Signed lower right
Provenance:
Doyle New York, Doyle + Design, June 7, 2017, Lot 20
Born in Yonkers,...
Category
American Modern 1950s Interior Paintings
Materials
Canvas, Oil
Blue Wall, mid-century abstract expressionist, geometric blue, black & pink work
Located in Beachwood, OH
Richard Andres (American, 1927-2013)
Blue Wall, c. 1959
oil on canvas
signed and titled verso
42 x 60 inches
Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University.
Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school.
They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages.
At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute).
He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.”
Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art.
The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery.
In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting.
Andres described himself as a 1950’s...
Category
Abstract Expressionist 1950s Interior Paintings
Materials
Oil
Artist's Studio, Painting by John Hultberg
Located in Long Island City, NY
Artist: John Hultberg, American (1922 - 2005)
Title: Untitled - Artist's Studio
Year: circa 1960
Medium: Acrylic on Board, signed l.r.
Size: 24 x 29.5 in. (60.96 x 74.93 cm)
Frame: 2...
Category
Abstract Expressionist 1950s Interior Paintings
Materials
Acrylic
Antique French Impressionist School Opera Scene Interior Framed Oil Painting
Located in Buffalo, NY
Antique French impressionist opera scene oil painting. Oil on canvas, lain to board. Framed. No signature found
Category
Modern 1950s Interior Paintings
Materials
Canvas, Oil
1950’s French Expressionist Signed Oil Still Life Lemons Oranges on Table
Located in Cirencester, Gloucestershire
French expressionist artist, 1955
signed oil painting on canvas, framed
dated 55'
framed: 22 x 29 inches
canvas: 15 x 22 inches
provenance: private collection, France
condition: ove...
Category
Abstract Expressionist 1950s Interior Paintings
Materials
Oil
Antique American Modernist Interior Scene Kitchen Still Life Framed Oil Painting
Located in Buffalo, NY
Antique American modernist abstract interior scene oil painting. Oil on board. Framed. No signature found.
Category
Modern 1950s Interior Paintings
Materials
Canvas, Oil
'Venice, Petit Pont Sur Le Rio di San Aponal, 1959" Jacques Martin Ferrières
Located in SANTA FE, NM
Beautiful and atmospheric, this painting perfectly captures the tones and colors of a steamy summer's day in Venice during a trip to that city in 1959.
"Venice, Petit Pont sur le Ri...
Category
Post-Impressionist 1950s Interior Paintings
Materials
Canvas, Oil
'Reclining Nude', Paris, Louvre, Académie Chaumière, LACMA, SFAA, California
Located in Santa Cruz, CA
Painted circa 1955 by Victor Di Gesu, (American, 1914-1988) and stamped verso with Victor Di Gesu Estate stamp.
Winner of the Prix Othon Friesz, Victor di Gesu first attended the Lo...
Category
Post-Impressionist 1950s Interior Paintings
Materials
Oil, Paper
1950’s South French Post Impressionist Oil Interior Room Flowers in Window
Located in Cirencester, Gloucestershire
View over the French Riviera
French Post Impressionist painter, circa 1950’s
oil painting on canvas, unframed
painting: 13.5 x 9.5 inches
provenance: private collection, France
con...
Category
Post-Impressionist 1950s Interior Paintings
Materials
Canvas, Oil
Quartet
By Ron Blumberg
Located in West Hollywood, CA
Presenting a magnificent mid 1950s oil painting by American artist Ron Blumberg (1908-2002)
During this period Blumberg painted exclusively with pallet knife on panel which give the...
Category
Post-Impressionist 1950s Interior Paintings
Materials
Oil
Portrait of a Family in an Interior - British 1950's art oil painting
Located in London, GB
This interesting British Post Impressionist figurative interior oil painting is by noted artist Charles Cundall and entitled A Conversation Piece. Painted circa 1955 the composition ...
Category
Post-Impressionist 1950s Interior Paintings
Materials
Oil
Monumental American School Modernist Indoor Plant and Cat Abstract Painting
Located in Buffalo, NY
Antique American modernist abstract oil painting. Oil on canvas. Framed.
Category
Modern 1950s Interior Paintings
Materials
Canvas, Oil
Vintage French Impressionist Paris Cafe Signed Interior Scene Framed Painting
Located in Buffalo, NY
Antique French impressionist cafe scene. Oil on board. Framed. Signed. Packed with detail!
Category
Impressionist 1950s Interior Paintings
Materials
Oil, Canvas
Vintage Mid-Century Swedish Framed Interior Oil Painting - The Sitting Room
Located in Bristol, GB
THE SITTING ROOM
Size: 52 x 60 cm (including frame)
Oil on board
A finely executed mid-century modernist painting of an interior setting, executed in oil onto board and dated 1954.
...
Category
Modern 1950s Interior Paintings
Materials
Board, Oil
Vintage Mid-Century Swedish Framed Still Life Oil Painting - The Kitchen Table
Located in Bristol, GB
THE KITCHEN TABLE
Size: 53 x 64 cm (including frame)
Oil on board
A brilliantly executed and charming mid-century interior setting composition, executed in oil onto board.
A kitche...
Category
Modern 1950s Interior Paintings
Materials
Board, Oil
Vintage Mid-Century Swedish Framed Interior Oil Painting - A Quiet Afternoon
Located in Bristol, GB
A QUIET AFTERNOON
Size: 53 x 29 cm (including frame)
Oil on board
An intimate and beautifully executed composition of an interior setting, painted in oil onto board.
In the center ...
Category
Modern 1950s Interior Paintings
Materials
Board, Oil
“The fairy tale” oil cm 40 x50 1955
By Boris Nicolaiev
Located in Torino, IT
child,mother,book
Boris Nicolaie (1925/2017)
Museums
St. Petersburg: Museum of History
St. Petersburg: Museum of the Academy of Fine Arts
Moscow: Ministry of Culture
Kiev: Museum of ...
Category
Impressionist 1950s Interior Paintings
Materials
Oil
Large Mid Century Art School Interior View Signed Nicely Framed Oil Painting
Located in Buffalo, NY
Antique American modernist interior view oil painting. Oil on canvas. Framed. Signed illegibly.
Category
Modern 1950s Interior Paintings
Materials
Canvas, Oil
Women Observed - Scottish art Edinburgh Expressionist artist nude oil painting
Located in London, GB
A superb oil on panel nude portrait by the noted Scottish artist Sir Robin Philipson PRSA. A fabulous painting painted circa 1970, the composition three women in various states of un...
Category
Impressionist 1950s Interior Paintings
Materials
Oil
"Das graue Zimmer" ( Gray Room ) Oil Painting 1955 by Walter Wellenstein
Located in Berlin, DE
Oil on hardboard, 1955 by Walter Wellenstein ( Dortmund 1898-1970 Berlin ). Signed and dated lover right: Wellenstein 55. Framed.
Height: 31.1 in ( 79 cm ), Width: 40.94 in ( 104 cm ...
Category
Abstract Impressionist 1950s Interior Paintings
Materials
Board, Oil
Vintage Mid-Century Swedish Framed Still Life Oil Painting - Teapot & Fruit 1958
Located in Bristol, GB
TEAPOT & FRUIT
Gouache on card
Size: 61 x 70 cm (including frame)
An inviting and elegant still-life composition, executed in gouache and dated 1958.
In a well-decorated interior s...
Category
Modern 1950s Interior Paintings
Materials
Gouache, Cardboard
The Birdcage
Located in West Hollywood, CA
Robert McIntosh(1916-2010), was a prolific American artist that worked and exhibited throughout his life in California. In 1948, McIntosh was awarded first prize at the Los Angeles County Museum of Art, and again ion 1949 at the San Francisco Museum of Art.
"The Birdcage...
Category
Modern 1950s Interior Paintings
Materials
Oil
Vintage Sleeping Cat in Chair Modernist Interior Scene Framed Oil Painting
Located in Buffalo, NY
Antique American modernist interior scene cozy chair oil painting. Oil on canvas. Framed. Image size, 22H x 18L.
Category
Modern 1950s Interior Paintings
Materials
Canvas, Oil
Dahlias in a Pitcher - Post Impressionist Oil, Still Life Flowers by Marcel Dyf
By Marcel Dyf
Located in Marlow, Buckinghamshire
Large signed still life of flowers oil on canvas circa 1950 by French post impressionist painter Marcel Dyf. The work depicts a bouquet of dahlias in reds and yellows in a gold jug...
Category
Post-Impressionist 1950s Interior Paintings
Materials
Canvas, Oil
Antique Trompe L"Oeil "The Wind At The Window" Nova Scotia Canada Oil Painting
Located in Buffalo, NY
Antique American modernist oil painting by William Edward Starkweather (1879 - 1969). Oil on board. Framed. Signed lower right.
Category
Modern 1950s Interior Paintings
Materials
Canvas, Oil
Mid Century Jewish Expressionist Oil Painting Floral Vibrant Colorful Flowers
Located in Surfside, FL
Gestural impasto painting of flowers in a vase.
23.5" x 17.5" sight size , 22" x 28" framed
hand signed lower right.
Born in 1899, Belle Golinko is a listed Jewish mid...
Category
Expressionist 1950s Interior Paintings
Materials
Oil, Board
Lady Reclining Portrait - British 50's Impressionist oil painting female artist
Located in London, GB
This large oil on canvas portrait was painted by Caroline Hutchinson circa 1955. It depicts a lady reclining on a sofa and is painted in an Impressionist palette and manner. A beauti...
Category
Impressionist 1950s Interior Paintings
Materials
Oil
The Onlooker, Mid-20th Century Italian Scene in Venice
By Louis Bosa
Located in Beachwood, OH
Louis Bosa (American, 1905-1981)
The Onlooker, 1952
Oil on canvas
Signed lower left
18.25 x 16.25 inches
27.5 x 26 inches, framed
Provenance: Kleemann Galleries, New York
Born in Co...
Category
Expressionist 1950s Interior Paintings
Materials
Oil
Vintage Mid-Century Swedish Framed Interior Oil Painting - Still life with Lamp
Located in Bristol, GB
STILL LIFE WITH LAMP
Size: 61 x 72.5 cm (including frame)
Oil on canvas
A beautifully textured and very expressive still life composition, executed in oil onto canvas and dated 1959...
Category
Modern 1950s Interior Paintings
Materials
Canvas, Oil
Walter Wellenstein Oil Painting "Bodenraum" ( Floor Space ) 1953
Located in Berlin, DE
Oil on hard board, 1953 by Walter Wellenstein ( Dortmund 1898-1970 Berlin ), Signed and dated lower right: Wellenstein 53. Framed.
Height: 33.46 in ( 85 cm ), Width: 41.34 in ( 105 ...
Category
Abstract Impressionist 1950s Interior Paintings
Materials
Board, Oil
Girl on the Armchair - Oil on Canvas by Anonymous Italian Artist - 1950s
Located in Roma, IT
Girl In The Armachair is an artwork realized in the 1950s by Anonymous artist.
Original oil painting on canvas applied to cardboard.
Includes wooden frame:60 x 7 x 50.5 cm
Good co...
Category
Modern 1950s Interior Paintings
Materials
Oil
Large Signed French Impressionist Ballet Dancer Original Cafe Scene Oil Painting
Located in Buffalo, NY
Antique French impressionist oil painting. Oil on canvas. Signed. Framed. Image size, 40L x 30H.
Category
Impressionist 1950s Interior Paintings
Materials
Canvas, Oil
Antique American School Modernist Fruit Still Life Signed Framed Oil Painting
Located in Buffalo, NY
Antique American modernist signed still life oil painting. Oil on board. Signed. Framed. Image size, 12L x 9H.
Category
Modern 1950s Interior Paintings
Materials
Canvas, Oil
Antique French Impressionist Nicely Framed Signed Pear Fruit Still Life Painting
Located in Buffalo, NY
Antique French impressionist signed still life oil painting by Leon Detroy (1857/59 - 1955). Oil on canvas. Signed. Framed. Image size, 13L x 10H.
Category
Impressionist 1950s Interior Paintings
Materials
Canvas, Oil
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