1950s Interior Paintings

Oil on canvas by Roger Charles Halbique (1900-1977), France, 1950s. Still Life With Roses. With frame: 85x98 cm - without frame: 60x73cm. 20F format. Signed lower left "R. Halbique"....

Birches. 1957, oil on board, 45x60 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and ...

This captivating post-Impressionist portrait is by American artist David L Swasey circa 1953. The painting depicts a seated woman, turning to look at the artist with stunning blue ey...

This historically interesting British 1950's industrial interior oil painting is by noted female artist Veronica Burleigh. Burleigh grew up in Hove with artist parents Charles and Av...

"Garden Roses" in a Vase Still Life by Masayoshi Himeno Beautiful still life oil painting on canvas of a vase of multicolored Garden Roses sitting upon a table with a background in hues of green and red by Masayoshi (Masara) Himeno (Japanese/American, 19th-20th century). A green vase is the focal point as it sits upon a table with red, pink and yellow roses in full bloom. The artist uses a oil wet brush technique similar to a watercolor artist. Masayoshi a possible San Francisco Bay area artist who emigrated to America form Japan. Signed "M. Himeno" lower right. Presented in a giltwood frame. Image: 19" W x 23"H. Frame: 26"W x 30"H. Signed on verso, artists label, Japanese Kanji...

William Schock (American, 1913–1976) The Fisherman, c. 1955 Oil on canvas Signed lower right 26 x 40 inches 34 x 48 inches, framed William Schock was born in Porto Alegre, Brazil ...

Large vintage French impressionist interior scene of a vignette and tapestry, most likely situated in a French Chateau, signed in the lower left corner, J George. This is a very attractive, traditional French look oil painting on canvas. A French cabinet or commode, flanked by two antique chairs stands in front of a paneled wall which is covered in a huge tapestry. On top of the commode sits a detailed 18th century French clock...

Helen was a well known Michigan artist with national and international acclaim for her oil paintings and sketches. She was a member of many organizations including the Detroit Societ...

Stamped, verso, with estate stamp for Victor Di Gesu (American, 1914-1988) and created circa 1950. A loose study of a woman seated in a dress, resting her chin on her hand and recli...

At cafe 1950, cardboard, oil, 51x71 cm The main focus of the artwork is a stylized representation of a cafe scene. The artist's intention is to capture the vibrant and lively atmosphere of a bustling cafe setting. The painting features numerous figures dancing in the background, creating a sense of movement and excitement. The artist's stylized approach involves using bold and expressive brushstrokes, vibrant colors, and abstracted forms to depict the figures and the overall energy of the scene. In the foreground, there is a man sitting behind a table with wine bottles, adding a focal point to the composition. The red interior of the cafe provides a warm and inviting ambiance, adding to the overall atmosphere of the painting. Biruta Baumane...

Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas Still life in a semi-cubist style by Irene Pattinson (American, 1909-1999). On a reddish-purple table, there is a plate with two apples, a bottle of wine, and an acoustic guitar. The guitar's headstock is shown extending from where the neck meets the body, implying a cubist interpretation of the scene. At the back of the still life arrangement, there is a (collage) newspaper with "Costa Rica!" in the headline. At the left of the composition, there is a curtain or cloth draped across part of the scene. Signed "Irene Pattinson" on verso. No frame. Canvas size: 32"H x 24"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance:The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works) Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963; Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...

An exquisite orange and yellow-toned still life painting of flowers by Danish artist, Knud Mülhausen. Knud Mühlhausen was an artist and illustrator that first showed his works at th...

"White on White Blue" is a monochromatic, interior still life by Philadelphia born Expressionist painter Bernard Harmon. The 20" x 16" oil on canvas painting is framed and signed "B ...

French oil on panel still life of sunflowers in a typical provencal glazed vase by Deldos. The work is signed and dated bottom right and presented in a wood, plaster and gilt frame. ...

Portrait of a Man in a Polka Dot Clown Suit - Oil on Canvas Portrait of a man in a white and red polka dot suit by a Joan Tidwell (American, 1930-2005...

Modernist interior scene with a kitchen still life by Johannes Gecelli (1925 - 2011) . Oil on board. Signed and dated lower right and verso. 24 3/8 x 32 1/8. Nicely framed.

Louis Bosa (American, 1905-1981) Cocktails for Two, Grand Canal, Venice, 1951 Oil on canvas Signed lower left 18 x 30 inches 25.5 x 37.25 Born in Codroipo, a small village only a few miles from Venice, Italy in 1905, the son of a stonemason. Bosa emigrated to the U.S. at age 18 after studies at the Accademia della Belle Arti in Venice and became an American citizen. He then studied under John Sloan, of the Ashcan School, at the Art Students League in New York. A distinguished painter, Louis Bosa's work has been likened to that of artists ranging from Pieter Breughel the Elder to John Sloan and the Ashcan School. Being an acute observer of the human condition, Bosa's paintings, which are primarily oil on canvas, often focus on people and street scenes from his native Italy. Bosa was known to have followed his subjects around, making many sketches and mental notes, and combined his observations in the final work to create visionary, fantastical images. The subjects of his paintings are highly stylized and expressionistic, and border on caricature. "People are so funny at times they are sad," he said: The people in his paintings are accessible and seem to portray human emotion and everyday life, conquering such concepts as mortality, humility and sometimes futility. His work often reveals comedy in the midst of tragedy. Many of his paintings include whimsical images of nuns riding bicycles and similar authority figures engaged in mundane activities. He traveled extensively through Europe and often returned to his native Italy. Bosa painted for the Works Progress Administration and the Whitney Museum. He taught at the Cleveland Institute of Art, the New York Art Students League, the Parsons School of Design, Syracuse University, and the University of Notre Dame at South Bend, Indiana. His paintings and watercolors are on display at many well-known art studios and museums across the United States such as: The Metropolitan Museum of Art - New York The Whitney Museum - New York The Philadelphia Museum - Pennsylvania The Worcester Museum - Massachusetts The Springfield Museum - Massachusetts The Toronto Art Museum - Canada Notre Dame University Museum The Butler Museum - Ohio The Columbus Museum of Arts and Crafts - Ohio The University of Illinois - Illinois The Montclair Museum - New Jersey The James A. Michener Art Museum - Doylestown, Pennsylvania The Clearwater Museum - Florida The Wilmington Museum - Delaware The Athenian Museum - Connecticut The Herron Art Institute - Indiana The Rochester Museum - New York The Delgado Museum - New Orleans The Richmond Art Museum - Virginia The Academy of Arts and Letters The Hosanna Fund The Encyclopedia Britannica Collections International Business Machines...

Antique American modernist abstract oil painting. Oil on board, circa 1950. Signed.

Leo Schutzman (1878 - 1962) The Marriage Proposal, circa 1958 Oil on canvas 24 x 20 inches Signed lower left Leo (Kyle) Schutzman (1878-1962) developed ...

Work on cardboard Golden wooden frame 38.8 x 46.5 x 3.2 cm

Signed lower right, 'A. Naur' for Albert Naur (Danish, 1889-1973) and painted circa 1955. A cheerful, mid-century oil showing a pair of leisure chairs wit...

Richard Andres (American, 1927-2013) White & Yellow, c. 1953 oil on canvas signed lower right, signed and titled verso 30 x 20 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Wonderful old Hollywood portrait of a middle age Peter Lorre (1904-1964) by Charles Kingham (American, 1895-1984), circa 1955. Unsigned. Acquired with othe...

Charles Green Shaw (American, 1892-1974) By the Dawn's Early Light, 1955 Oil on masonite Signed lower left, dated and titled verso 35.5 x 23.75 inches 38 x 26.25 inches, framed Provenance: The estate of the artist to Charles H. Carpenter Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

Byron Browne (1907 - 1961) Nude by a Mirror, 1958 Oil on canvas 26 x 20 inches Signed lower right Provenance: Doyle New York, Doyle + Design, June 7, 2017, Lot 20 Born in Yonkers,...

Richard Andres (American, 1927-2013) Blue Wall, c. 1959 oil on canvas signed and titled verso 42 x 60 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Artist: John Hultberg, American (1922 - 2005) Title: Untitled - Artist's Studio Year: circa 1960 Medium: Acrylic on Board, signed l.r. Size: 24 x 29.5 in. (60.96 x 74.93 cm) Frame: 2...

Antique French impressionist opera scene oil painting. Oil on canvas, lain to board. Framed. No signature found

French expressionist artist, 1955 signed oil painting on canvas, framed dated 55' framed: 22 x 29 inches canvas: 15 x 22 inches provenance: private collection, France condition: ove...

Antique American modernist abstract interior scene oil painting. Oil on board. Framed. No signature found.

Beautiful and atmospheric, this painting perfectly captures the tones and colors of a steamy summer's day in Venice during a trip to that city in 1959. "Venice, Petit Pont sur le Ri...

Painted circa 1955 by Victor Di Gesu, (American, 1914-1988) and stamped verso with Victor Di Gesu Estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Lo...

View over the French Riviera French Post Impressionist painter, circa 1950’s oil painting on canvas, unframed painting: 13.5 x 9.5 inches provenance: private collection, France con...

Presenting a magnificent mid 1950s oil painting by American artist Ron Blumberg (1908-2002) During this period Blumberg painted exclusively with pallet knife on panel which give the...

This interesting British Post Impressionist figurative interior oil painting is by noted artist Charles Cundall and entitled A Conversation Piece. Painted circa 1955 the composition ...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

Antique French impressionist cafe scene. Oil on board. Framed. Signed. Packed with detail!

THE SITTING ROOM Size: 52 x 60 cm (including frame) Oil on board A finely executed mid-century modernist painting of an interior setting, executed in oil onto board and dated 1954. ...

THE KITCHEN TABLE Size: 53 x 64 cm (including frame) Oil on board A brilliantly executed and charming mid-century interior setting composition, executed in oil onto board. A kitche...

A QUIET AFTERNOON Size: 53 x 29 cm (including frame) Oil on board An intimate and beautifully executed composition of an interior setting, painted in oil onto board. In the center ...

child,mother,book Boris Nicolaie (1925/2017) Museums St. Petersburg: Museum of History St. Petersburg: Museum of the Academy of Fine Arts Moscow: Ministry of Culture Kiev: Museum of ...

Antique American modernist interior view oil painting. Oil on canvas. Framed. Signed illegibly.

A superb oil on panel nude portrait by the noted Scottish artist Sir Robin Philipson PRSA. A fabulous painting painted circa 1970, the composition three women in various states of un...

Oil on hardboard, 1955 by Walter Wellenstein ( Dortmund 1898-1970 Berlin ). Signed and dated lover right: Wellenstein 55. Framed. Height: 31.1 in ( 79 cm ), Width: 40.94 in ( 104 cm ...

TEAPOT & FRUIT Gouache on card Size: 61 x 70 cm (including frame) An inviting and elegant still-life composition, executed in gouache and dated 1958. In a well-decorated interior s...

Robert McIntosh(1916-2010), was a prolific American artist that worked and exhibited throughout his life in California. In 1948, McIntosh was awarded first prize at the Los Angeles County Museum of Art, and again ion 1949 at the San Francisco Museum of Art. "The Birdcage...

Antique American modernist interior scene cozy chair oil painting. Oil on canvas. Framed. Image size, 22H x 18L.

Large signed still life of flowers oil on canvas circa 1950 by French post impressionist painter Marcel Dyf. The work depicts a bouquet of dahlias in reds and yellows in a gold jug...

Antique American modernist oil painting by William Edward Starkweather (1879 - 1969). Oil on board. Framed. Signed lower right.

Gestural impasto painting of flowers in a vase. 23.5" x 17.5" sight size , 22" x 28" framed hand signed lower right. Born in 1899, Belle Golinko is a listed Jewish mid...

This large oil on canvas portrait was painted by Caroline Hutchinson circa 1955. It depicts a lady reclining on a sofa and is painted in an Impressionist palette and manner. A beauti...

Louis Bosa (American, 1905-1981) The Onlooker, 1952 Oil on canvas Signed lower left 18.25 x 16.25 inches 27.5 x 26 inches, framed Provenance: Kleemann Galleries, New York Born in Co...

STILL LIFE WITH LAMP Size: 61 x 72.5 cm (including frame) Oil on canvas A beautifully textured and very expressive still life composition, executed in oil onto canvas and dated 1959...

Oil on hard board, 1953 by Walter Wellenstein ( Dortmund 1898-1970 Berlin ), Signed and dated lower right: Wellenstein 53. Framed. Height: 33.46 in ( 85 cm ), Width: 41.34 in ( 105 ...

Girl In The Armachair is an artwork realized in the 1950s by Anonymous artist. Original oil painting on canvas applied to cardboard. Includes wooden frame:60 x 7 x 50.5 cm Good co...

Antique French impressionist oil painting. Oil on canvas. Signed. Framed. Image size, 40L x 30H.

Antique American modernist signed still life oil painting. Oil on board. Signed. Framed. Image size, 12L x 9H.

Antique French impressionist signed still life oil painting by Leon Detroy (1857/59 - 1955). Oil on canvas. Signed. Framed. Image size, 13L x 10H.