People Interior Paintings

Louis Recchia's (US based) "Urban Zoo" is an oil painting that depicts a lama, giraffes, and a whale in a surreal urban environment Louis Recchia has been producing contemporary ar...

'Two Pools ' still life painting of a pair of women's heels on stripes by California artist Kim Frohsin, who employs mixed media, acrylic, Stabilo pencil, Prismacolour, watercolor, w...

The Musical Performance by Antonio Ermolao Paoletti An italian genre painting showcasing two boys playing a trumpet and a guitar for their sist...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "White Transparent Apples" presents a scene suffu...

In crafting this piece, I delved into the interplay of texture and color, using acrylics, oils, and oil pastels to weave a tapestry of emotion and motion. I embraced the spontaneity ...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery)

Oriental Bathroom is an original modern artwork realized by Alexander Sergheev. Mixed colored oil painting on canvas. Includes frame: 34 x 3.5 x 29 cm

Artist/ School: French School, circa 1951, signed with initials and stamped reverse. Title: Modernist still life coffee pot and fruit Medium: oil...

A fine oil by Italian artist Ugo de Cesare (b.1950) depicting a lady and a young boy lighting a traditional Italian advent calendar table. Signed to the lower right. On canvas on str...

Hand signed by artist Figurative, Human figure, Realism, Drawing, Collage, paper, pencil

Paul De Frick 1864 - Paris - 1935 French Painter “A Lady playing with a Cat” Signature: signed lower left and dated ‘P. de Frick. 96’ Medium: oil on canvas
 Dimensions: image size ...

Bernard Dunstan, R.A. Original Oil on Board beautifully framed. Title: The Rehearsal: Verklarte Nacht ll Initialed lower left “B.D.” and signed in graphite on the verso “Bernard Duns...

Jean François Portaels 1818 - Brussels - 1895 Belgian Painter ‘Oriental Girls - Mediants à Tanger, Maroc’ Signature: signed lower right ‘J. Portaels’ Medium: oil on canvas Dimensions: image size 40,5 x 28,5 cm, frame size 67,5 x 56 cm Biography: Jean François Portaels, also known as Jan Portaels, was a versatile Belgian painter born on April 3, 1818, in Vilvoorde and passed away on February 8, 1895, in Schaerbeek. He was celebrated for his genre scenes, biblical stories, landscapes, portraits, and Orientalist subjects. As a teacher and director of the Academy of Fine Arts of Ghent and the Académie Royale des Beaux-Arts in Brussels, Portaels significantly impacted Belgian art, becoming a pivotal figure in the Belgian Orientalist school. His works were known for their 'everyday elegance and feminine grace,' and he played a crucial role in influencing the next generation of Belgian artists, including notable figures like Théo van Rysselberghe. Portaels was the son of a wealthy brewer who also served as Vilvoorde's mayor. Showing an early passion for drawing, he was sent to the Académie Royale des Beaux-Arts in Brussels in 1836, where he studied under François-Joseph Navez, a former student of Jacques-Louis David. Navez invited him to his studio, which was renowned at the time, allowing Portaels to refine his skills alongside other talented students like Charles de Groux and Joseph Stallaert. In 1841, Portaels moved to Paris, enrolling at the Ecole des Beaux-Arts and studying under Paul Delaroche. He became influenced by the emerging Orientalist movement, which was gaining traction in Paris. In 1842, he won the Grand Prix de Rome, which funded his travels across Italy and other regions, including Morocco, Algeria, Egypt, Lebanon, Judea, Spain, Hungary, and Norway. These journeys profoundly influenced his artistic vision, particularly his Orientalist works. Upon his return to Belgium in 1847, Portaels was appointed Director of the academy in Ghent. In 1849, he married Marie Hélène Navez, the daughter of his first teacher. Despite being offered the directorship of the Brussels Academy, he initially declined, opting to preserve his independence. He later accepted a teaching position at the Academy and eventually became its director in 1878, succeeding Eugène Simonis. Portaels was known for his broad range of artistic talents, including history painting, portraiture, and genre art. He was particularly recognised for his Orientalist depictions, often portraying the 'Oriental woman' with distinctive features like arched eyebrows and almond-shaped eyes. His style, marked by charm and elegance, distinguished him from the dominant artistic movements of Classicism and Romanticism. He was a pioneer in monumental art in Belgium, working with Jean Baptiste van Eycken to introduce fresco techniques like water glass painting...

"Damsel" is a work of art that immediately draws the viewer's attention to the glorious charm of the woman at its center. Adewale's portrayal of her low-cut hairstyle is a powerful statement that challenges conventional norms of beauty. With her hair styled so boldly, the subject exudes a sense of self-assuredness, breaking free from societal expectations and embracing her uniqueness. The woman's choice of a vibrant yellow dress further reinforces the celebration of feminine allure. Yellow, a color often associated with happiness and positivity, complements the woman's radiance, illuminating the canvas with her inner glow. This striking hue symbolizes her inner strength and vibrant spirit, echoing the confidence and dynamism that emanate from her presence. The blue background, in contrast, serves as a calming and harmonious setting, providing a perfect backdrop for the woman's portrayal. The serene blue not only accentuates her poise and elegance but also serves as a reflection of her depth and wisdom. It suggests that beneath her external charm lies a profound reservoir of inner grace and strength, making her all the more captivating and multidimensional as a subject. "Damsel" is more than just a beautiful portrait; it is a celebration of the richness and diversity of womanhood. Adewale's brushwork masterfully captures the subtle details of her facial features, highlighting the delicate contours of her lips and the gentle curves of her cheekbones. The artist's attention to detail emphasizes the individuality and uniqueness of the subject, celebrating the fact that each woman possesses her own distinct brand of charm and beauty. This artwork is not merely a passive representation but a self-conscious portraiture that actively engages the viewer. As we gaze upon the woman in "Damsel," we become participants in this celebration of femininity. Adewale invites us to appreciate and honor the beauty that exists within all women, encouraging us to recognize and celebrate the allure that each woman carries in her own unique way. In its essence, "Damsel" is a testament to the empowering nature of art. It breaks away from conventional stereotypes and standard definitions of beauty, presenting a woman who embraces her identity unapologetically. The artwork's appeal lies not only in its visual aesthetics but also in the powerful message it conveys to society, urging us to appreciate and cherish the diverse expressions of feminine charm. In conclusion, "Damsel" by Busari Adewale...

This lovely Edwardian oil painting is by French artist William Albert Ablett. Dated 1901, the brush work and use of light are superb. Ablett has perfectly captured the movement and f...

Original acrylic photorealist architectural painting in full and dazzling color, where a "SOLD" sign hangs on a San Francisco Chinatown building for sale. The complex scene features light and shadow falling across tiered metal balconies...

Work on wood Brown wooden frame 49 x 58 x 4 cm

female bathers by visionary artist Stephen Basso

JOSÉ GARCÍA Y RAMOS Spanish, 1852 - 1912 FAUST signed "J. García y Ramos" (lower right) oil on canvas 21-1/2 x 24-5/8 inches (54.5 x 62.5 cm.) framed: 24-5/8 x 27-3/4 (62.5 x 70.5 cm.) PROVENANCE Private Collection, France José García y Ramos (Seville, 1852-ibídem, 1912) was a Spanish painter and illustrator. He was a student of the Provincial School of Fine Arts of Seville from a young age, completing his training in the workshop of José Jiménez Aranda...

Hermann Werner Samswegen 1816 – 1905 Düsseldorf German Painter ‘Meal Time for all’ Signature: signed lower right and dated ‘H. Werner. 1870
' Medium: oil on canvas
 Dimensions: ima...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

The decorative panel Maritime history is dedicated to the well-known story of the little mermaid, written by the Danish writer Hans Christian Andersen. This work will immerse you in ...

Oil on canvas. Gold. "Female Aesthetics in Chrome and Gold" The figure of a woman in this oil painting is turned away from us, creating an aura of mystery and intrigue. The nude fo...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

A whimsical oil painting depicting a Venetian Powder Room Scene with Figures getting ready for the masquerade. A truly intimate scene with a ornate mirror, flowers in a vase and whit...

Edgard Farasyn 1858 – Antwerp – 1938 Belgian Painter 'The Mischievous Little Artists' Signature: signed middle lower left and dated 'Edg. Farasyn 1881' Medium: oil on canvas Dimens...

Subrata Gangopadhyay - The Mirror - 30 x 24 inches (unframed size) Oil & Acrylic on Canvas Inclusive of shipment in roll form. Style : He is widely considered one of India's leadin...

François-Marius GRANET (Circle of) Aix-en-Provence, 1775 – Aix-en-Provence, 1849 Convent interior with nuns Oil on canvas 35 x 27.5 cm (39.5 x 31 cm with frame) Beautiful black and g...

Vintage American modernist interior scene with figures by Carol Lauttenbauch. Oil on canvas. Large scale work. Amazing detail and an intricate composition. Very impressive in per...

"Audience" Mid 20th Century American Figurative Theatre Performance Contemporary Leon Bibel (1912 - 1995) "The Audience," 52 ½ x 41 ¼ inches. Oil on canvas, c. 1963. Signed lower right. Framed. BIO Painter, printmaker and sculptor, Leon Bibel was born in San Francisco in 1913. He trained at the California School of Fine Arts and received a scholarship to study under the German Impressionist Maria Riedelstein. He worked in collaboration with Bernard Zackheim, a student of Diego Rivera, to create frescoes for the San Francisco Jewish Community Center and the University of California Medical School. In 1936 Bibel moved from California to join the Federal Art Project at Harlem Art...

Hiroshi Sato's (US based) "Mannequins" is an original, handmade oil painting that depicts two white mannequins in a contrapposto stance with a sleek background of red, white and blue...

Original painting on canvas. Hand signed on front by Ferjo. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers wil...

This 18th-century painting, attributed to Christian Wilhelm Ernst Dietrich (1712–1774), depicts a rustic inn interior, a subject frequently explored by Dutch and German genre painter...

Story illustration for "The Valley of the Giants," by Peter B. Kyne, published in The Red Book Magazine, June 1918, vol. 31, issue 2, pages 30-39 Kyne's tale was first serialized in...

Andre Cottavoz (French, 1922-2012) Untitled, Paris scene with multitude of French flags. Canvas on board, framed. Frame: 20 1/2" x 22" x 1 1/4, Board 13 3/4" x 15"

Di Gesu estate stamp verso and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Center and the Chouinard Art School before movi...

Figurative oil painting on a square canvas. A mystical being, a sprite from another dimension, connects with an invisible world where peace exists without thought. Created with profe...

Early 20th Century oil on board interior bar scene by Simon Joseph Simon-Auguste. The painting is signed bottom right and presented in a fine gilt carved wood Montparnasse frame. The...

"Woman with Earrings" is an oil on board portrait painting by Philadelphia born Expressionist painter Bernard Harmon of an elegantly dressed woman sitting on a chair. This work features a second environmental portrait on verso. The painting is 40" x 34" in size and is signed "Harmon" on verso. Figurative expressionism in the style of Alice Neel. Provenance: Estate of the Artist; Gratz Gallery & Conservation Studio, Doylestown, Pennsylvania. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American Artists 1800 - 1969" at the Museum of the Philadelphia Civic Center in 1969. He was considered a Renaissance man by friends and colleagues for his interests not only in art but music and theater as well. He was familiar and friends with many other African American artists such as Doc Thrash, Selma Burke...

Look for Free Shipping at Checkout Kit is an American Impressionist figurative painting by Stuart Fullerton. The artist is known for his landscape, still-life, portraits and citys...

Antique British oil painting of the Alhambra by Thompson British, 1876 Canvas: Height 45cm, width 35.5cm Frame: Height 69cm, width 61cm, depth 6cm This serene Orientalist oil painti...

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...

Flowers. Canvas, cardboard, oil, 69x50 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Sa...

Hand signed by artist "The Party (Study)". Figurative, Human figure, Realism, oil on panel

Signed lower left and dated: 15/IX, 1895, Y. Bershadsky - Yuliy (Ioil-Ruvin) Rafailovich Bershadsky (1869 - 1956), Russian - USSR painter and teacher, professor, honored artist of th...

Roger Bonafe (French b. 1932) signed oil painting on thick art paper, inscribed verso Size 29.75 x 20 inches Bonafe was born in the town of Caux (Her...

Georges-Antoine Rochegrosse 1859-1938 French La Princesse Bleue Oil on canvas Signed lower left Canvas: 27 1/8" high x 32 1/8" wide Frame : 37 3/8" high x 41 3/4" wide Exposed...

Artist Adelie Bischoff sits in a chair while William Rushton looks on. The two artists met at an opening reception at the launch of an art exhibition both were participating in. Rush...

Wonderful mid century portrait of woman named Charlotte by Irinia Belotelkin Roublon (Russian/American, 1913 - 2009), circa 1960. Signed lower right corner and on verso. Unframed. Image size: 14"H x 11"W. Irina Belotelkin Roublon, née Roudakoff, was born in Elisavetgrad, Ukraine to the Russian noblesse ancienne, descendant of Catherine the Great, she was a student at the Mariinsky Noble Ladies' Institute , Novocherkassk, Russia. She was orphaned at the time of the Russian Civil War after her father, General Paul Roudakoff, was fatally wounded in battle; 5 days later her mother died of typhus. Still unaware of her parents' death, and after witnessing her two sisters' deaths from starvation, the young Irina, then 8 years old, made her way over 1,000 kilometers, alone and through many privations to Moscow and the Estonian embassy there, with whom her Estonian uncle Volodya Blonsky had made arrangements. After a year in Moscow, and appeals to the Estonian consul, Irina was aided in a dramatic escape from the Soviet Union, to her aunt Anna Blonsky Lassburg (1882–1940) and her husband Doctor Genrick Lassburg in Tallinn, Estonia. Eventually, after in 1929, traveling through Ellis Island and admitted as a student, of voice studies, she joined her brother who had settled, in 1923, in the United States. Irina came to San Francisco during the Second World War, Among Irina's devotions were ballet and opera. She often entertained friends Rudolf Nureyev, Mikhail Baryshnikov, and Sergei Leiferkus when they were in town. Natalia Makarova and Yuri Possokhov were often guests at Irina's Russian Christmas and Easter parties. From the early 1960s through the late 1980s, Irina studied and prolifically created still life and portrait paintings in oil and water color, excelling in flower compositions. She held studio and feature exhibitions; she competed and won prizes. Her work is in holdings throughout the San Francisco Bay area, Europe and Russia. In 1965 she undertook private study with two prominent Russian painters, including Serge Ivanoff; she executed a portrait of her two masters. She cherished her portrait as executed by Serge Ivanoff. Among her most accomplished pieces are those of iris and the large white Matilija...

Benjamin VAUTIER (Attributed to) Morges (Switzerland), 1829 – Dusseldörf, 1898 Oil on canvas 43 x 37 cm (58 x 52 cm with the frame) Beautiful 19th century frame in carved and gilded ...

Glencoe by Eleanor Woolley [August 2021] original Oil Paint on Canvas Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Glencoe is an Original Oil Painting by Eleanor Woolley. Painted Plein Air and finished in the studio this painting was inspired by a beautiful August sunset in Glencoe. Looking up the River Coe towards Loch Levan with Binnein Mor and the beginnings of Ben...

'A Warm Disparity' still life painting of a simple pair of women's heels by California artist Kim Frohsin, who employs mixed media, acrylic, Stabilo pencil, Prismacolour, watercolor,...

An unsuspecting woman showers in a small tiled bath somewhere in Venice. This intimate portrait is painted on panel with a black trimmed edges therefore not requiring framing. Please contact the gallery for framing options. Bruno Surdo Venetian Shower, 2023 oil on panel 36h x 24w in 91.44h x 60.96w cm BRS119 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2023 New Work, Gallery VICTOR, Chicago, IL 2021 Ethos + Truth, Gallery Victor Armendariz, Chicago, IL 2020 Realities, Gallery Victor Armendariz, Chicago, IL 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden Mike & Jill Rose SELECTED PUBLICATIONS Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment “Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014 “Master Class” What’z Up Magazine, Fort Wayne, 2011 ”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011 “Illuminated Images” Fort Wayne Reader, 2011 “Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010 “Art and Calamity” Art Papers, 2009 “Versions of the Present, Techniques of the Past” American Artist Magazine, 2004 “Living Artists” Crow Book Publishing, Chicago, IL 2004 “The New Master” by Craig Keller, Chicago Social Magazine, 2004. “Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002 “Mural Depicts Tragedy of 9/11” Art Section, Chicago Sun Times, 2002 Review by Dennis Raverty, Art Papers Magazine, July 2001 WTTW Channel 11...

"The Rembrandt Room" is a realist oil painting by Steven J. Levin. It depicts three people in a museum gallery. One person is looking at the art, another is seated on a bench, with t...

Stately still life of terra cotta pottery by A. Peterson. Five pieces of pottery sit atop a table with a tablecloth. Each piece of pottery is decorated with ornate patterns, mostly i...

Alexis Pierre MILON (Rouen, 1784 - After 1858) View of one of the aisles of the apse of Saint-Germain-des-Prés Oil on canvas Signed and dated lower left 50.5 x 34.5 cm 1838 Exhibi...

"Lady on Blue 1" is a captivating piece of art that features a lady with blue skin sitting in a seductive pose. The painting portrays a woman who is both alluring and mysterious, with an aura that commands attention. Created by Aba Linus...