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Unknown19th Century Italian Floral Wallpaper Painting1850
1850
About the Item
Architectural Floral Wallpaper Fragment
19th Century Italian hand painted floral design wallpaper lined with linen, in gold leaf framed.
- Creation Year:1850
- Dimensions:Height: 34 in (86.36 cm)Width: 34 in (86.36 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Lake Worth Beach, FL
- Reference Number:1stDibs: LU1922554122
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View All19th Century Italian Wall Paper Painting
Located in Lake Worth Beach, FL
Italian Floral Wallpaper Fragment
19th Century Italian hand painted floral design wallpaper lined with linen, in gold leaf frame.
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Materials
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Hummingbird IX
By Keith Carrington
Located in Lake Worth Beach, FL
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Ink, Watercolor, Paper
Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor & ink. He has honed his skills, clarified his vision, experimented, explored and expanded his expression steadily over the years, the results of which thus far culminate here. Clearly, Keith’s extensive travels have roots in the luminous quality of his work, eminently holding the utmost possibilities of beauty and significance.
Keith’s most recent paintings explore a spiritual path, he integrates them with transformative healing energies and infuses his enthusiasm into these dynamic pieces that you see here today.
GROUP EXHIBITIONS
2015 Renata Fine Arts, Hudson, New York
2013 @60″ New York, NY
2012 @60″ New York, NY curated sale with Harry Heisman
2011 KL/Karen Lynne Gallery, Boca Raton, Florida & Beverly Hills, California
2003 Dupont Gallery, Milwaukee Wisconsin
1994 Jack Shainman Gallery, New York, NY
1994 The Roger Smith Gallery, New York, NY
1993 Ambassador Galleries, New York, NY
1992 Elaine Benson Gallery, Bridgehampton, New York
1983 Manor House Gallery, Rhinebeck, New York
SOLO EXHIBITIONS
2014 & 2015, 2010: C. Bell, Palm Beach, Florida
1995: Luxe Energy Aesthetics, West Palm Beach, Florida
1991: Time Warner Publishing, New York, NY
1990: Imperial Hotel Gallery, Chestertown, Maryland
1988 & 1987: National Symphony Show House, Washington, DC
1986: International Jumping Derby, Jockey Club, Newport, Rhode Island Elijah Locke House, Rye Beach, New Hampshire
1984: Washington Design Center, Washington, D.C.
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Bovis Inc., New York, NY
The Kiplinger Collection, Washington, D.C.
The International Monetary Fund, Washington, D.C. Hopkins & Sutter, Washington, D.C.
McKenna, Conner, & Cuneo, Washington, D.C. Oliver T. Carr Company, Alexandria, Virginia
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Amoroso's diverse and prolific career as an artist began when he was the youngest student ever to be accepted in a Massachusetts accredited art school (he was fifteen years old). At age twenty-seven his position as an artist of importance was secured when he was nominated as "Outstanding New Talent in the U.S.A." by Art in America magazine. In 1964 Amoroso's work was designated "Best Overall" at the New York World's Fair. In 1977 he received a special invitation to The I.B.C. Royal Conference, a communal gathering of artists throughout the world marking the Silver Jubilee of Her Majesty Queen Elizabeth II.
The importance of Amoroso's work has been internationally recognized by such notables as "Who's Who in American Art," 1959, 1973, "Who's Who in the South & Southwest," 1973, The National Library of Congress, The New York Public Library, The British Museum, and the Cambridge University Library.
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