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UnknownThanks to the Virgen of San Juan, Ex-Voto, Retablo, Painting on Metal, Mexico1950
1950
$800
£607.02
€694.07
CA$1,117.38
A$1,242.38
CHF 648.70
MX$15,122.76
NOK 8,277.14
SEK 7,755.29
DKK 5,180.01
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About the Item
This retablo was purchased by the gallery in Mexico City. I knew the family that sold the retablo to me. It is dated 1853 because the story on the retablo was passed down for generations and a relative of Lourdes painted it in her memory.
The description on the ex-voto reads:
"Thanks to the Virgen of San Juan de los Lagos that I have a new job with my new bosses. That they like my food and they don't mind what I prepare for them. "
It is in excellent condition. It is framed behind conservatorship glass. The framed size is 14" x 15". The class should only be cleaned with ammonia free cleaner.
An ex-voto is a votive offering to a saint or to a divinity; the term is usually restricted to Christian examples. It is given in fulfillment of a vow (hence the Latin term, short for ex voto suscepto, "from the vow made") or in gratitude or devotion. Ex-votos are placed in a church or chapel where the worshiper seeks grace or wishes to give thanks. The destinations of pilgrimages often include shrines decorated with ex-votos.
Ex-votos can take a wide variety of forms. They are not only intended for the helping figure, but also as a testimony to later visitors of the received help. As such they may include texts explaining a miracle attributed to the helper, or symbols such as a painted or modeled reproduction of a miraculously healed body part, or a directly related item such as a crutch given by a person formerly lame. There are places where a very old tradition of depositing ex-votos existed, such as Abydos in ancient Egypt.
Especially in the Latin world, there is a tradition of votive paintings, typically depicting a dangerous incident which the offeror survived. The votive paintings of Mexico are paralleled in other countries. In Italy, where more than 15,000 ex-voto paintings are thought to survive from before 1600, these began to appear in the 1490s, probably modelled on the small predella panels below altarpieces. These are a form of folk art, in Mexico typically painted cheaply on tin plates salvaged from packaging.
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