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Adolphus Knell19th century English Warship at sea, calm water with row boat resupplyingCirca 1880
Circa 1880
About the Item
Adolphus Knell
Warship at anchor, in calm seas.
Adolphus Knell was a renowned British maritime artist of the 19th century, recognized for his detailed and atmospheric paintings of ships and seascapes. The painting you’ve shared, titled “Warship at Anchor, in Calm Seas”, is a classic example of his work, which typically featured maritime scenes with a focus on naval vessels, tranquil seas, and delicate cloudscapes. Based on its style and execution, this piece can be dated to circa 1870-1880, during the height of Knell’s artistic career.
Key Features of the Painting:
Subject Matter:
The painting depicts a large warship anchored in calm waters, with sails partly unfurled. The ship’s intricate detailing highlights the structure of masts, rigging, and hull, indicating Knell’s deep understanding of naval architecture. In the foreground, a small rowing boat with two figures adds a human element to the otherwise serene maritime scene.
Style and Technique:
This is an oil on board painting, a medium commonly used by maritime artists of the period for its durability and ability to capture fine detail. The brushwork is meticulous, with careful attention paid to the reflections on the water, the texture of the ship’s sails, and the atmospheric perspective of the distant horizon.
Atmosphere and Mood:
The scene is tranquil, with calm seas and a bright sky, suggesting a moment of rest or preparation for the larger warship. The composition evokes a sense of peace and timelessness, a contrast to the usual bustling life associated with warships.
Historical Context:
Adolphus Knell was part of the Knell family of artists, a notable group of marine painters that included his father, William Adolphus Knell, and other relatives. His works were highly sought after in Britain during the late 19th century, particularly by collectors interested in naval history and seafaring life.
The 1870s and 1880s marked a period of significant transition in naval warfare, with sailing ships gradually giving way to steam-powered vessels. This painting likely reflects a nostalgic look at the traditional warships of earlier decades, capturing a moment in maritime history just before the advent of modern naval technology.
Artistic Significance:
Adolphus Knell’s paintings are valued for their realistic portrayal of ships and their sensitive rendering of light and atmosphere. His signature style is characterized by precise detailing combined with a romanticized view of the sea, making his paintings timeless pieces that capture the essence of seafaring life.
Condition and Frame:
The painting appears to be in good condition, with some signs of age-related craquelure on the surface, which is typical for works of this period. The gold frame with a bead-and-reel border is ornate and complementary, enhancing the overall presentation of the artwork.
Summary:
• Artist: Adolphus Knell (active mid-to-late 19th century)
• Title: Warship at Anchor, in Calm Seas
• Medium: Oil on board
• Date: Circa 1870-1880
• Subject: Maritime scene featuring a large warship and a small rowing boat in calm waters
• Condition: Good, with some craquelure
• Frame: Ornate gold frame with bead-and-reel border
This piece is a fine example of 19th-century British maritime art, capturing both the beauty and tranquility of the sea during an important period in naval history.
- Creator:Adolphus Knell (1830 - 1900, British)
- Creation Year:Circa 1880
- Dimensions:Height: 14 in (35.56 cm)Width: 19 in (48.26 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:The painting appears to be in good condition, with some signs of age-related craquelure on the surface, which is typical for works of this period.
- Gallery Location:Woodbury, CT
- Reference Number:1stDibs: LU507315620872
Adolphus Knell
Adolphus Knell
British flourished 1890 “Shipping at Dawn and Dusk”
Pair of Oils on panel, signed and framed Adolphus Knell is a member of the famous Knell family who specialised in maritime subjects, a brother to William Callcott Knell and most probably the son of William Adolphus Knell.
Originally a decorator of furniture in Bath, he moved to Bristol where he specialised in small marines in the late nineteenth century.
In these two pictures he uses a strong source of light transfusing the picture from the horizon towards the viewer, a device he often employed – see Plate 98 in Brook Harts “British Nineteenth Century Marine painting”.
His work remains highly collectable; these are two fine examples of his oeuvre.
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