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Albert Berg
19th century Impressionist painting Fishermen at sea - boat seascape marine

1893

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19th century French Barbizon school painting Elegant group outdoors
By Jules Coignet
Located in Aartselaar, BE
19th century Barbizon painting "The nymphs bathing in a forest landscape" The artist wonderfully captured this dreamy scenery with vibrant colours and assured brushstrokes, inviting...
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19th Century Impressionist Figurative Paintings

Materials

Oil, Panel

Bustling 17th century harbour landscape with fishermen, visitors and merchants
By Mathys Schoevaerdts
Located in Aartselaar, BE
17th Century Flemish Painting "A bustling scene of fishermen, merchants and visitors in a peaceful and picturesque port village” This intriguing painting offers a wonderful and real...
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17th Century Old Masters Landscape Paintings

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Large 17th century religious family painting - Mary with Christ and Anna
Located in Aartselaar, BE
17th century Old Master painting depicting the Infant Christ with Mary and St. Anne attributed to Nicolas de Liemaker The artist of the present work wonderfully captured the loving gaze of Maria, looking in awe at her child. One can sense the tenderness and love in her eyes. The eyes of Christ appears to be filled with wisdom and love and a finely painted aura crowns his and his mother's heads. St. Anne, Mary's mother, gently holds the infant whilst gazing adoringly at him. The painting is not only a beautiful depiction of Christ and his mother and grandmother, but also a sweet image of the tender bond between a mother's and their children. The vibrant and soft colours of the fabric create a soft cocoon around the figures and seem to further emphasis the beauty and importance of the depicted scenery and its protagonists. Nicolaas de Liemaecker (also spelled as Liemaker or Liemackere) was a Flemish painter born in Ghent in 1601. He was also known under the name Nicolaas Roose. His father was Jacobus de Liemaecker, a painter upon glass. Nicolaas is reported to have been trained by his father and Gaspard de Crayer II (1), an apprenticeship with Otto Van Veen has also been suggested. In 1624 he worked at the Court of the Bishop of Paderborn and for Ferdinand of Bavaria. He later returned to his native city, where he focused on religious and historical paintings. He was a very accomplished and celebrated artist who attained a high rank in his profession. He witnessed the baptisms of Pieter and Janne-Marie Van Hulle...
Category

17th Century Old Masters Figurative Paintings

Materials

Canvas, Oil

17th century Dutch Old Master - Summertime landscape of Kleve in 1661
Located in Aartselaar, BE
17th century Dutch old master painting "A summer day in Kleve in 1661" Our painting depicting a whimsical vibrant blue sky, was long believed to depict an Italian landscape. However...
Category

17th Century Old Masters Landscape Paintings

Materials

Oil

Large 17th century Italian old master - Noli me tangere - Christ in the garden
By Pier Francesco Cittadini
Located in Aartselaar, BE
Large 17th century Italian old master - Noli me tangere - Christ in the garden with Mary Magdalene The Italian art historian Federico Zeri has conserved a painting in his archives w...
Category

17th Century Old Masters Figurative Paintings

Materials

Canvas, Oil

Two Happy Sisters - Portrait of two black girls - Royal
Located in Aartselaar, BE
A portrait of two young girls by the Royal Portraitist Chen Yanning. Both the artist as well as the sitters of this magnificent portrait are from racial...
Category

19th Century American Realist Portrait Paintings

Materials

Canvas, Oil

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"Darkness Rises" Oil painting
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Todd Carpenter's (US based) "Darkness Rises" is an oil painting that depicts a city in the distance glimmering in the darkness with a few sparse and leafless trees vaguely blocking its view Bio/artist statement: Todd Carpenter is a Los Angeles based artist who uses black and white paint to explore the perception of space and beauty. Carpenter's formal education is in science - he holds a MS in Neuroscience from UCSD and a BS in Psychobiology from UCLA - and he brings this background into service when making art. His paintings explore the mechanisms of perception and aesthetics, examining among other things how the depiction of light can impart realism and convey emotion. Like his paintings bridging art and science, Carpenter's career has similarly straddled the two fields, and he has taught subjects ranging from neuroscience and environmental science to photography and painting. Artist Statement As a painter, I am particularly interested in how the depiction of light contributes to our experience of paintings. Painting, as with any visual art, is obviously dependent on light. But painting can also have a more specific connection in that the accurate depiction of light is crucial for achieving realism. Realism in paintings largely arises from the portrayal of depth - perceiving a painting as being realistic is equivalent to seeing its subject as existing in more than just the two dimensions of the picture plane - and one of the mechanisms by which humans perceive depth is through lighting cues. Light creates features such as shading, shadow, and contrast that tell us about the three-dimensional arrangement of our surroundings, and artists often use these features to impart realism to paintings. Light also factors in to the emotional impact of paintings. The differential illumination of our surroundings can evoke different moods, as evidenced by the influence sunsets, candlelight, and darkness can have on us. Such effectssuggest that our perception of light could be tied to primitive instincts, with light signaling factors such as shelter, nightfall, and warmth, which were once crucial for survival. The depiction of light in...
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Todd Carpenter's (US based) "Still Imagined" is an oil painting that depicts a black and white landscape with leafless trees and saplings together in the dark Bio/artist statement: Todd Carpenter is a Los Angeles based artist who uses black and white paint to explore the perception of space and beauty. Carpenter's formal education is in science - he holds a MS in Neuroscience from UCSD and a BS in Psychobiology from UCLA - and he brings this background into service when making art. His paintings explore the mechanisms of perception and aesthetics, examining among other things how the depiction of light can impart realism and convey emotion. Like his paintings bridging art and science, Carpenter's career has similarly straddled the two fields, and he has taught subjects ranging from neuroscience and environmental science to photography and painting. Artist Statement As a painter, I am particularly interested in how the depiction of light contributes to our experience of paintings. Painting, as with any visual art, is obviously dependent on light. But painting can also have a more specific connection in that the accurate depiction of light is crucial for achieving realism. Realism in paintings largely arises from the portrayal of depth - perceiving a painting as being realistic is equivalent to seeing its subject as existing in more than just the two dimensions of the picture plane - and one of the mechanisms by which humans perceive depth is through lighting cues. Light creates features such as shading, shadow, and contrast that tell us about the three-dimensional arrangement of our surroundings, and artists often use these features to impart realism to paintings. Light also factors in to the emotional impact of paintings. The differential illumination of our surroundings can evoke different moods, as evidenced by the influence sunsets, candlelight, and darkness can have on us. Such effectssuggest that our perception of light could be tied to primitive instincts, with light signaling factors such as shelter, nightfall, and warmth, which were once crucial for survival. The depiction of light in paintings...
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