Aleksandra Belcova

Behind the barn 1950s. Oil on cardboard. 42.5x49.5 cm

circa 1950

Summer during the hay harvest Middle of the 1940s, oil on cardboard, 40,5x53 cm Harijs Veldre (Bullis till 1947) (1927.8.III – 1999.6.V) Harijs Veldre learned in Riga school of app...

Summer day. Oil on cardboard, 40x50 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine and G. Skil...

Rural life. 1970s, cardboard, oil, 23.5x36.5 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J. Bine an...

In the field. Oil on cardboard, 57x81 cm

AT THE FARM Oil on Board Size: 47 x 76 cm 18.5 x 29.9 inches (including frame) An excellent mid-century modernist landscape composition, painted in oil onto board. This expression...

Helena Malarewicz-Krajewska (born 14 July 1910 in Biecz , died May 7, 1998 in Warsaw) is a Polish painter, active advocate of socialist realism. Studied between 1928 and 1929 at the Free School of Painting and Drawing in Cracow , from 1929 to 1934 at the Academy of Fine Arts in Warsaw : painting by Mieczysław Kotarbiński and Felicjan Szczęsny Kowarski and graphic art by Władysław Skoczylas and Leon Wyczółkowski . During his studies at the Academy of Fine Arts in Warsaw he worked in the Association of Independent Socialist Youth "Życie". At the end of 1945, Helena and Juliusz Krajewscy lived in Warsaw. Helena Krajewska participated in the creation of the first Polish Fine Arts Association. Krajewscy became members of the PPR party organization at the Fine Arts Association. In 1947 she became the President of the Board of the Warsaw District of the Union of Polish Artists , and in 1948 the Secretary of the Polish United Workers' Party at the ZPAP. In December 1985, an exhibition of works by Helena and Juliusz Krajewski took place in Warsaw's Zacheta. After 1989 some of the paintings of the Krajewski were transferred to the gallery of socialist realist art of the Zamoyski Museum in Kozłówka. This piece was created using oil on card in wooden gilt frame under glass. Keywords:, Poland, Polish, impressionist, impressionism, outside, farm, farming, hay, haystack, stack, tools, workers, blue sky, clouds, horse, horses...

#5715 Overgrown Barn, 2019 by Harry Orlyk (Impressionistic, en plein air autumn landscape of a sunlit barn in a field) oil on linen mounted on homasote board, ready to hang as is 14.5 x 14.5 inches unframed Signed lower right corner Harry Orlyk is celebrated for his ability to capture rural country landscapes with impressionistic brushstrokes and bright color palettes. Painting daily, the artist drives throughout the upstate New York, stopping to observe and paint 'en plain air' whenever and wherever a landscape strikes him. Orlyk prefers to leave his canvases unframed to reveal the exposed linen which are nailed to sturdy homasote boards for easy installation. This painting is a perfect example of Orlyk's impressionistic aesthetic. Here, the artist captures a quaint country landscape in a range of warm, golden tones. Orlyk's signature use of soft yellows creates a gently luminous atmosphere. The scene is made with gestural strokes of paint that culminate onto a textured, impasto surface. The artist's signature is located in the lower right corner. The artist prefers to leave his paintings unframed. The painting can be installed with one nail, hammered behind the linen and through the homasote board. About the artist: Harry Orlyk was born in Troy, New York in 1947. In 1971 after graduating college, he went on to graduate school at the University of Nebraska at Lincoln . Over the next nine years, he was influenced by several Nebraskan artists. "Still-life painter Robin Smith taught me how to use paint without turpentine - to paint from the tube." He also admits the influence of photographer Lawrence McFarland who taught him what spiritual space was, and how to emphasize it. Lastly he credits well-known Lincoln painter Keith Jacobshagen...

20th century figurative landscape oil on cardboard painting by Polish artist Magdalena Spasowicz. Artwork is in classic style, it resembles impressionism. Composition is painted with wide brush strokes. Colors are muted. Artwork depicts a rural landscape with cow laying on the grass. MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She received her diploma in 1953. Her works have been presented in numerous exhibitions in Poland and abroad, among others in Warsaw, London, New York, Bratislava, Washington, Moscow, Berlin, Budapest, and are to be found in private and public collections around the world. In 2017 two individual exhibition of the artists took place - at the Regional Museum in Kozienice Palace and at the Museum of Western Mazowsze in Zyrardow. Magdalena Spasowicz has been spending every single moment on painting for many years now. Most of her paintings are monochromatically coloured landscapes, of places where eye cheers soul with a sight close to heart, known and well remembered. French painting of Pissarro and Utrillo has been a very important inspiration for Magdalena Spasowicz. A desire to still-frame every moment when the artist meets Nature and beloved places is an imperative, which obliges to come back to canvas and paint, paint with a total devotion. The artistry of the places represented in the paintings of Magdalena...