Amanda Horvath

Amanda Horvath, Rosemary Wood, Original Contemporary Landscape Painting

2020

Meadow Radiance #2 – By Lucy Moore [2022] original Acrylic on canvas Image size: H:76 cm x W:76 cm Complete Size of Unframed Work: H:76 cm x W:76 cm x D:1.5cm Sold Unframed Plea...

Starling Murmuration, V by Leigh Glover [2022] original and hand signed by the artist Acrylic on paper Image size: H:56.5 cm x W:76.5 cm Complete Size of...

Someday by Pixie Willoughby [2022] original and hand signed by the artist Acrylic on canvas Image size: H:50 cm x W:50 cm Complete Size of Unframed Work: H:50 cm x W:50 cm x D:4cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Pinks can pop and burst and also be calming...

Where Wild Meadows Whisper #3 by Lucy Moore [2022] Where Wild Meadows Whisper #3 60 x 97 cm Using a heavy texture I have created this happy floral meadow popping with daisies, tulips and pansies. I love painting abstract landscapes, using my techniques to put movement into the painting bringing it to life Wychwood Art comments " We love Lucy Moore's original meadow paintings. They are full of colour and energy at affordable prices" Additional information: Original Acrylic on canvas Image size: H:67 cm x W:90 cm Complete Size of Unframed Work: H:67 cm x W:90 cm x D:1.9 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look I have always enjoyed being creative but lacked the confidence to pursue a career as an artist, after many nudges from family and friends I decided to bite the bullet.I set out on my artists adventure in Feb 2014 I used my loft for a studio and spent every spare moment experimenting and creating. In Feb 2015 I signed up to several online galleries, every painting I sold boosted my confidence and I would spend hour daydreaming of becoming a full time artist. Since then I have come a long way and have been able to purchase my own studio, I now have a little sanctuary in my back garden.When I am not working as a part time book keeper, I can be found hidden away in my studio creating original artworks. I am inspired by the nature around me, from flourishing meadows to the crashing waves in the ocean, however I do like to add my own twist on things. I do love to work freely with abstract using colours and textures to guide me. For me Art is a necessity, I need to paint. The colours and images that swirl round my head daily I capture on canvas. I feel very privileged to have sold my work all over the world. My dream is to become a full time artist, With each painting I sell I take a step closer to achieving my goal. 13/08/2018 I took a leap of faith. Currently working as a full time artists. "If you give up on your dreams, what's left?" (Jim Carrey)

Thelma Appel Nightfall, 1973 Acrylic and Oil on Canvas. Hand Signed. Framed. Hand signed and titled on the back Unique Frame included Museum Provenance. This work was originally sold in 1973 by the prestigious Jill Kornblee Gallery to a corporate collection, and, in 2019, it was featured in the Thelma Appel 50 year career survey at the Brattleboro Museum in Vermont – so the provenance is superb. Measurements: Framed 38.5 x 89.5 inches Artwork 36.5 x 87.5 inches Thelma Appel Biography: A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been practicing art for more than six and a half decades. In the 1980s, Thelma Appel was represented by the renowned Jill Kornblee Gallery and, after Ms. Kornblee retired, Appel joined the legendary Fischbach Gallery, (the gallery of record for Alex Katz for many decades,) also on West 57th Street, before they shuttered. After leaving Manhattan, she retreated from the art world for several decades; however, in recent years, her work is being rediscovered by a generation of new collectors. A beloved and popular teacher, at 87 years of age, Thelma could still be found teaching “The Art of Painting” at Artsplace in Cheshire, CT. and at the Osher Life Long Learning Institute (OLLI) At the University of Connecticut, near her home during the 2024-5 Fall/Winter Semester. In 2019, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams. She has also exhibited at the Mattatuck Museum in Connecticut, which acquired one of her fabric collages for their permanent collection, the Bennington Museum in Vermont and the Police Museum in Lower Manhattan. Thelma Appel was born in Tel Aviv, Israel, but following her parents’ divorce, her father remained in Israel, but her mother emigrated to London to pursue a career as a journalist. However, she soon became ill, and Thelma was sent alone to be educated in a Protestant missionary schools in Darjeeling, India, a geographical displacement that would impact her life and her work. Thelma returned to London, England, to study art at the legendary St. Martin's School of Art (later Central St. Martins) and Hornsey College of Art, under such renowned teachers as Joe Tilson and Eduardo Paolozzi, before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. (One of Thelma’s students was the renowned art dealer Matthew Marks.) She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary, Market Art & Design in Bridgehampton and Art New York art fair, which selected Appel’s Times Square series of paintings for their invitational public Project Space sponsored by Absolut Vodka. She was one of the winning artists of the juried exhibition “Pets of the Pandemic” juried by art historian and critic David Cohen, publisher and editor of artcritical, who cited it for special commendation as a “masterful portrait”. In recent years, Thelma’s work has been exhibited in both one-person and group shows at Alpha 137 Gallery in New York, Sager Reeves (now Sager Braudis) Gallery in Missouri, the Chashama Foundation in New York City, as well as the Five Points Gallery and Center for the Visual Arts in Torrington Connecticut, the David M. Hunt Gallery in Falls Village, CT and Wisdom House in Litchfield Ct...

Landscape Mineral oxide on canvas 40x50 cm 2020 original artwork landscape and nature are the protagonists The trace and the sign of the passage of man is testimony of a time i...

Traces signs on wall time memories on the wall mixed media on canvas 2018

White Landscape mixed media on canvas 50x50 cm 2019 original Artwork Ready to Hang My painting tells of the relationship between man, nature and time, the landscape, the sign a...