Anna Mary Richards Brewster

Village Path, Italy

One of the high points in James David Smillie’s career came when he was commissioned to travel to California to both write and illustrate a chapter on the Yosemite Valley for William...

Johann Berthelsen began his career as a professional singer. Graduating from the Chicago Musical College in 1905, Berthelsen toured the United States and Canada, performing in operas...

Colin Campbell Cooper is perhaps best known for his marvelous urban depictions of New York and Philadelphia, which encapsulate the vibrant modernity of these street scenes and skyscr...

Specializing in New York City's vibrant urban landscapes and surrounding harbors, George Herbert Macrum (1878–1970) captured the essence of the city’s architectural grandeur and dyna...

Oil paint on canvas Hand-signed by the artist on the back Louis-Paul Ordonneau is a French painter born in 1975. He lives and works in Paris. In 1999, he set up his studio in tempo...

- Colourful, decorative, impressionistic work capturing the refreshing quality and colour refraction of light rain - The composition is beautifully balanced the houses either side of the lane, with a strong foreground and light background recreating the visual depth of the landscape - The purple, blue, green, pink, and earth tones of the palette create liveliness and softness within the work and the light tones of the water on the lane have the strong reflective quality of a water - Injecting colour and atmosphere into the interior Basil Nubel ARCA, British 1923-1981 : Village in the Rain Signed & Dated 1969 lower right, reverse canvas inscribed 1.12.69 and varnished In the original wooden box frame The reverse bearing remains of Gallery Petit, Marble Arch, London W1 Basil Nubel was a landscape painter in oil and watercolour born in Great Yarmouth, Norfolk, to an English mother and German father. Nubel studied at Leeds College of Art under Alfred Daniels and Maurice de Sausmarez, then at the Royal College of Art under Carel Weight, Robert Buhler...

Following two decades of successful impressionistic landscape painting, Wilson Henry Irvine became known for a new experimental style in the 1930s. In 1930, Irvine began making prismatic paintings—landscapes and still-lifes rendered as though seen through a glass prism. The effect accentuated the play of light on the edges of objects. Irvine remained committed to this style of prismatic painting throughout the 1930s, winning the best-picture award in 1934 for a picture of a life-sized nude at the annual exhibition of the Lyme Art...

Interconnectedness: Paintings of Trees Throughout my career, which spans more than two decades, I have explored various subjects and themes, but the theme of connectedness ties them ...