Anne Marie Migette Perard

Early 20th Century Charcoal Drawing of Woman with Basket Dated February 1918

1918

Title: French Mid-Century Ink and Graphite Drawing of Village Among Trees by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Ink and graphite on unframed paper Size:...

Title: French Mid-Century Ink and Wash Drawing of Pine Tree with Village Background by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Graphite and Ink on unframed p...

Title: French Mid 20th Century Pencil Drawing of Fishing Boat in Honfleur Harbour by Anne Marie Migette Perard (French 1902-1977) Medium: Pen and pencil on unframed paper Size: 21.25...

Title: French Mid-Century Pencil Portrait Drawing of a Man with Intense Gaze by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pencil on unframed paper Size: 20.75 ...

Selvas Negras #1 is a unique pencil and charcoal on canvas diptych painting by contemporary artist Calo Carratalá. Dimensions are 212 × 656 cm (83.5 × 258.3 in), composed by two pane...

Rarely do you come across a work of art that is vastly different than just about anything you see. This work is undeniably brilliant and a sheer pleasure to behold. Alexander Leydenfrost...

Emile CHAUMONT (Perigueux 1877 - 1927) Summer landscape in Périgord Oil on panel H. 32 cm; L. 41 cm Signed lower left, dated 1912 Provenance: Private c...

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...