Anne Marie Migette Perard

Mid 20th Century Post Impressionist Pastel Landscape of the Vosges Mountains

Title: Mid-20th Century Post-Impressionist Pastel Landscape of La Bourboule France by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: ...

Title: Mid-20th Century Post-Impressionist Mountain Landscape in Watercolour by Anne Marie Migette Perard (French 1902-1977) Medium: Watercolor on unframed paper Size: 11.25 inches (...

Title: French Mid-20th Century Pastel Landscape of Trees and Distant Hills by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 10.75 inches (height...

Title: Mid-20th Century French Pastel Landscape of Forest Trees in Les Laudes by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 14.75 inches (hei...

Walter Schneider (1903–1968) was a Swiss painter born in Basel. He is recognized for his contributions to Post-Impressionism in Switzerland. His works have been auctioned multiple ti...

"Orchard View-Small Version (Dr. Johnson's Rims Edge Orchard)" is an original pastel drawing signed by the artist Peggy Leonard. It depicts an orchard in various bright cool tones. 9" x 12" art 14 3/4" x 17 3/4" frame Peggy Leonard received her BFA in painting and drawing and an associate’s degree in nursing from Miami University in Oxford, Ohio. She is both a registered nurse, and accomplished artist, residing in Milwaukee, WI. From the artist: “These paintings are my prayers,” muses Leonard, reflecting on her driving need to express herself through her art. “We are made of the stuff that requires us to respond with our hearts and hands. Often, it requires terrible sacrifice and suffering, something not everyone can understand. But it is done with reverence of life, not irreverence.” Leonard’s pastels and oil paintings capture her reverence of life and reflect her own life’s journey, including earlier forays into the wilderness. Her venture into art began in early childhood, as childless neighbors nurtured her natural ability to draw; concurrently, Leonard’s parents instilled a respect for academic excellence and the higher order of nurturing others. As a young nurse, Leonard “heard and saw poignant messages to travel while one was young and free…while one had one’s health.” Consequently, she took to the open road and public lands, camping across America for months at a time. During these years, her “celebration of the natural splendor of this country” helped shape her sense of artistic expression. She was moved by such sights as the sunset on St. Mary’s Lake...

Helena Malarewicz-Krajewska (born 14 July 1910 in Biecz , died May 7, 1998 in Warsaw) is a Polish painter, active advocate of socialist realism. Studied between 1928 and 1929 at the Free School of Painting and Drawing in Cracow , from 1929 to 1934 at the Academy of Fine Arts in Warsaw : painting by Mieczysław Kotarbiński and Felicjan Szczęsny Kowarski and graphic art by Władysław Skoczylas and Leon Wyczółkowski . During his studies at the Academy of Fine Arts in Warsaw he worked in the Association of Independent Socialist Youth "Życie". At the end of 1945, Helena and Juliusz Krajewscy lived in Warsaw. Helena Krajewska participated in the creation of the first Polish Fine Arts Association. Krajewscy became members of the PPR party organization at the Fine Arts Association. In 1947 she became the President of the Board of the Warsaw District of the Union of Polish Artists , and in 1948 the Secretary of the Polish United Workers' Party at the ZPAP. In December 1985, an exhibition of works by Helena and Juliusz Krajewski took place in Warsaw's Zacheta. After 1989 some of the paintings of the Krajewski were transferred to the gallery of socialist realist art of the Zamoyski Museum in Kozłówka. This piece was created using oil on card in wooden gilt frame under glass. Keywords:, Poland, Polish, impressionist, impressionism, outside, farm, farming, hay, haystack, stack, tools, workers, blue sky, clouds, horse, horses...

"Colmar CA-3" is a pastel drawing on paper by Jan Richardson-Baughman. It is signed in pencil in the lower right corner and titled in the lower left, both of which are visible in the matting. The work is framed and matted with acid-free mat board. The image depicts rolling hills in shades that range from chartreuse to a dark forest green, dotted with trees and accented by a cloudy blue sky. Art size: 22 1/2" x 36" Frame size: 36 1/4" x 49 3/4" A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...