Anne Marie Migette Perard

Mid-20th Century Post-Impressionist Pastel of Segesta Temple Landscape

Title: Mid-20th Century Pastel of Hilltop Ruins and Forest Path in France by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 11 inches (height) x ...

Title: French Mid-20th Century Pastel Landscape of Trees and Distant Hills by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 10.75 inches (height...

Title: Mid-20th Century Pastel of Seaside Fortress and Mediterranean Coastline by Anne Marie Migette Perard (French 1902-1977) Medium: Pastel on unframed paper Size: 11.75 inches (he...

Title: Mid-20th Century Post-Impressionist Pastel Village Scene with Cypress Trees by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Pastel on unframed paper Size: 18 inches (height) x 12.75 inches (width) Condition: As is normal with unframed works on paper there are some minor old creases or paper edge curls/ tears - all of which should be covered over or smoothed out once framed; generally very good and sound. Provenance: as with all the works we have by this artist, it has come from the artists estate in France. Description: This expressive Mid-20th Century Post-Impressionist pastel by Anne Marie Migette Perard presents a sun-soaked village scene surrounded by slender cypress trees and rustic Mediterranean architecture. The warm pastel tones—terracotta, peach, ochre, and soft pink—combine with splashes of green foliage and vibrant orange fruit to evoke a summery, southern European atmosphere. While the lower right inscription appears to read "Gzenote," the specific location remains unclear. Nevertheless, the composition strongly suggests a Provençal or Italian hill town...

Hillside Landscape Artist: Sandra Langston Medium: Watercolor and Pastel on Paper Size: 9.5 x 9 in. Framed: 16 x 15.5 in.

"Collines de Provence (Hills of Provence)" Raymond Thibesart (France, 1874-1968) Pastel on paper, circa 1920s Signed l.r. 14 1/2 x 17 1/2 (9 x 12 framed) inches Raymond Thibesart w...

"Red Oak Albuquerque, NM" is an original pastel drawing signed by the artist Peggy Leonard. It depicts a red oak tree among smaller green trees in a landscape. 9 1/2" x 12 1/4" art 19 3/4" x 22 1/4" frame Peggy Leonard received her BFA in painting and drawing and an associate’s degree in nursing from Miami University in Oxford, Ohio. She is both a registered nurse, and accomplished artist, residing in Milwaukee, WI. From the artist: “These paintings are my prayers,” muses Leonard, reflecting on her driving need to express herself through her art. “We are made of the stuff that requires us to respond with our hearts and hands. Often, it requires terrible sacrifice and suffering, something not everyone can understand. But it is done with reverence of life, not irreverence.” Leonard’s pastels and oil paintings capture her reverence of life and reflect her own life’s journey, including earlier forays into the wilderness. Her venture into art began in early childhood, as childless neighbors nurtured her natural ability to draw; concurrently, Leonard’s parents instilled a respect for academic excellence and the higher order of nurturing others. As a young nurse, Leonard “heard and saw poignant messages to travel while one was young and free…while one had one’s health.” Consequently, she took to the open road and public lands, camping across America for months at a time. During these years, her “celebration of the natural splendor of this country” helped shape her sense of artistic expression. She was moved by such sights as the sunset on St. Mary’s Lake...

"Crossroads A-38" by Jan Richardson-Baughman is a pastel drawing on paper. The work is framed and matted with an off-white acid-free mat board. It is signed in the lower right corner and titled in the lower left, both in pencil. The landscape drawing shows a country road starting in the lower left and heading off into a grove of trees in the center. Vivid green grass frames the lower right, offsetting the dark green and red of the trees, while the expansive blue sky takes up the top third of the image. Art size: 16" x 20" Frame size: 30" x 26" A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply with her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...