Brinckmann Philipp Hieronymus

'A Pair of Forest Landscapes' by Philipp H. Brinckmann (1709 – 1761) Old Master

1709 – 1761

Jan Meerhoud Gorinchem 1633 – 1677 Amsterdam Dutch School Golden Age 'Traveller in a Dutch Village' Signature: signed lower left Medium: oil on panel Dimensions: image size 21 x 2...

Willem De Klerk 1800 – Dordrecht – 1876 Dutch Painter 'A winter landscape with an ox-cart on a wooded road near a village' Signature: signed lower left ‘W. de Klerk f’ Medium: oi...

Verwée Louis-Pierre Courtrai 1807 – 1877 Brussels Belgian Painter 'Landscape with Shepherds and Animals by the Water' Signature: signed lower right and dated 'L. P. Verwee 1851' Medium: oil on panel Dimensions: image size 43 x 52 cm, frame size 58 x 66 cm Biography: Louis-Pierre Verwee (also spelled Verwée) was born on March 19, 1807, in Kortrijk, Belgium, and died in Brussels in November 1877. He is widely regarded as the leading representative of the Romantic school in Belgian landscape painting, particularly known for his evocative winter scenes and rural landscapes with cattle. Verwee left school at an early age to pursue his passion for art. He enrolled at the Academy of Fine Arts in Kortrijk, where he studied under Jan Baptiste de Jonghe, a prominent landscape and animal painter. He later continued his artistic training with Eugène Verboeckhoven in Ghent, who would not only become his mentor but also a lifelong friend and collaborator. The two artists often worked side by side, and Verboeckhoven occasionally painted the figures and animals in Verwee’s landscapes, to such a degree that their early works are sometimes difficult to distinguish. Verwee followed Verboeckhoven to Brussels and established himself as a successful landscape and animal painter. His preferred subjects were winter and summer scenes, typically populated with figures and animals. His style, particularly in his early work, was closely aligned with that of Verboeckhoven. Over time, he became known for landscapes that reflected the romantic tradition, with compositions echoing the work of Andreas Schelfhout, Barend Cornelis Koekkoek, Frans Keelhoff, and Johann Bernard Klombeck. His depictions of forests and rivers often employed a dreamy, atmospheric quality that captured the mood and light of nature. In his later career, Verwee sought artistic innovation but found himself increasingly focused on variations of winter landscapes after 1837. These scenes, popularized by Koekkoek and Schelfhout, were characterized by low-hanging snow clouds, icy waterways, and a cool palette of light blue and metallic grey, creating a moody and intimate ambiance. Occasionally, other artists such as Florent Willems...

After the Hunt Jan Josef Horemans the Younger Antwerp 1714 – 1790 Flemish School Signature: Attributed to Jan Josef the Younger Horemans Medium: Oil on canvas Dimensions: Size incl...

A delightful pair of Dutch oil on panel framed paintings by Jan Evert Morel, (1777-1808), both signed lower left and dating from the late 18th Century. The paintings delightfully pr...

Jacob De Heusch (Utrecht, Netherlands, 1657 – Amsterdam, Netherlands, 1701) Title: Pair of Landscapes Medium: Oil on canvas Dimensions: without frame 50 x 8...

George Smith of Chichester (Chichester 1714-1776) Landscape with figures resting by a river; River landscape with figures outside a thatched cottag...

Gaspard Dughet, called Gaspard Poussin (Rome 1615 - 1675) - attributable to Wooded landscape of the Roman countryside with the Archangel Raphael and Tobiolo oil painting on canvas second half of the 17th century (cm.) 75 x 98, with frame 91 x 115 On the back old label inscribed "Monte dei Paschi di Siena" The painting has characters clearly linked to the Roman culture of the seventeenth century and, in particular, to the works of Gaspard Dughet, an author who was able to achieve surprising results in describing the Lazio countryside with a unique grace and sensitivity. Brother-in-law of Nicolas Poussin, of whom he was a pupil, Dughet is to be considered among the most important landscape painters of the Roman Baroque, highly sought after and celebrated by the aristocracy, a reference model for the artists of the following generation, such as Crescenzo Onofri, Jan Frans van Bloemen and Andrea Locatelli...