British Victorian

English Victorian Fishing Harbour Sunset Maritime Scene Signed Oil Painting

Bringing in the Catch French artist, 19th century indistinctly signed oil on canvas, framed framed: 19.5 x 29 inches canvas: 16 x 25 inches provenance: private collection, France con...

Artist/ School: F. E. Jamieson British 1895-1950, signed lower front Title: A Coastal View At Sunrise, Scottish harbour scene Medium: Oil on canvas,...

Artist/School: Frank Hider (1861 - 1933), signed, inscribed verso Title: Sunset on the waters Medium: oil on canvas, framed Framed: 21 x 25 inches Size:...

English School, late 19th century oil on canvas, unframed faint signature painting: 15 x 18 inches provenance: private collection condition: overall good and sound condition, some ol...

William Edward Webb British, (1862-1903) Penzance Harbour Oil on canvas, signed Image size: 29 inches x 45.5 inches Size including frame: 38 inches x 54.5 inches A pleasing coastal painting of Penzance Harbour at low tide by William Edward Webb. In the foreground, a fisherman sells his catch to a woman and her daughter, whilst figures in horses and carts wait for others to unload their boats. William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871. By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester. Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work. His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall...

Alfred Vickers Senior (1786–1868) Shipping off the Coast, oil on canvas, circa 1860, signed lower left This lively coastal scene by Alfred Vickers Senior, painted circa 1860, reveal...

George Stainton British, (1838-1900) Fishing Vessels off a Harbour Early Morning Oil on canvas, signed Image size: 23.25 inches x 35.25 inches Size including frame: 31 inches x 43 inches A wonderful coastal marine painting of boats off a busy harbour at dawn by George Stainton. A large ship is depicted having weighed anchor and with sails unfurled as a supply boat arrives port side. In the foreground, a group of fishermen can be seen in a rowing boat waiting for their next catch. In the distance, lies a busy harbour, possibly Chatham Dockyard. George Stainton was a marine and landscape artist who was born in Aston, Birmingham in October 1838 to John Stainton and Ann Horton. By the age of 12, he was working as a paper mache painter and then later as a Japanner before becoming a full-time artist. He specialised in painting seascapes and river scenes in the style of Abraham Hulk and was influenced by the Dutch school. He exhibited at the Royal Society of Birmingham Artists from 1865 and also at the Walker Art Gallery, Liverpool. He married Clara Adelaide Mason (née shears), a widow on 8 November, 1866 and together they lived in Addesley Street, Aston. The couple had 8 children and one of their sons Ernest Stainton became a lithographic artist. During the mid to late 1870’s he lived at Walnut Terrace in Kyrwicks Lane in the Sparkbrook area of Birmingham. However, by 1881, Stainton had moved to nearby Moseley Road where many Birmingham artists of the industrial period lived and also took up photography. Sometime during the late 1880’s early 1890’s, he made his final move to Pembroke Villa, 14 St Pauls Road, Moseley Road. He died at his home on 25 April, 1900. Whilst Stainton lived in Birmingham all his life, he travelled around the country painting coastal views of the Bristol Channel, Portsmouth and the Medway, as well as river scenes of the Thames, Tyne and Mersey. He also visited Scotland and Northern France. His works are beautifully detailed and show a masterful understanding of the moods of the weather and movement of the water. His paintings have always been popular when they appear on the art market. Presentation: The painting is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art

J. Heal The Thames Estuary, London, oil on canvas, circa 1890 This evocative maritime scene by J. Heal, painted circa 1890, captures the Thames Estuary at the close of the Victorian...