Brooke Lanier

This is a Real Place! 1: large painting of lake or river w/ blue water & bridge

2020

"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...

This is a moody, tonalist water landscape painted in acid-washed tin (lightweight metal surface) to achieve a smooth surface to complement the peaceful evening lake scene. It works particularly well with its companion piece, "Wrapped in Stillness II," also listed on 1stDibs. Each painting is sold separately although I can combine for shipping for your savings. Framing is not necessary as it reveal the unique metal edges. it is wired with all installation hardware and ready to hang. Signed on the back. Bucks County, PA landscape artist Kirby Fredendall...

This is a contemporary geometric abstract landscape oil painting on canvas with blue water and night sky. It is reminiscent of the Modernist color field tradition of Mark Rothko. It is signed on the back. All hanging hardware attached, no need for additional framing. Every purchase comes with a free, hardcover copy of the beautiful illustrated new book, "Joseph McAleer: Sixty Years." "Joe McAleer...

This is a moody, tonalist water landscape painted in acid-washed tin (lightweight metal surface) to achieve a smooth surface to complement the peaceful evening lake scene. It works particularly well with its companion piece, "Wrapped in Stillness I," also listed on 1stDibs. Each painting is sold separately although I can combine for shipping for your savings. Framing is not necessary as it reveal the unique metal edges. it is wired with all installation hardware and ready to hang. Signed on the back. Bucks County, PA landscape artist Kirby Fredendall...

illusion

The Bridge. 2011, oil on canvas, 80x120 cm Rihards Delvers (1968) Rihards Delvers graduated from J. Rozentals School of Art in Riga (1986) and Painting Department (I. Zariņš studio...

Aleksandra Batura (b. 1982 in Augustów) a Warsaw based artist. She earned a Doctor of Fine Arts degree from the Academy of Fine Arts in Cracow. She studied at the Faculty of Painting...

DAVID KESSLER (American born 1950 - ) Greyed Magic #2 (Water and Light Series) Acrylic on canvas Hand signed and titled with artist's studio stamp on verso 60 inches x 84 inches David T. Kessler was born in Park Ridge, New Jersey in 1950. He attended Arizona State University, where he received the award for Outstanding Graduate in Studio Art in 1972. In 1973, David was one of 12 painters accepted into the graduate program at The San Francisco Art Institute, where he received his M.F.A. in 1975. He is well known for his holographic airbrush paintings on aluminum. His paintings have been exhibited internationally since 1977, with shows in Tokyo, Strasbourg, Chicago, Los Angeles, Miami, Scottsdale, and New York. Kessler's paintings are in the permanent collections of The Strasbourg Contemporary Museum of Art, The Brooklyn Museum, The Minnesota Museum of Art, The Museum of the Rhode Island School of Design, The Santa Barbara Museum, The Barrington Art Center, and others. Within Arizona, his work is in the collections of The Phoenix Art Museum, The Scottsdale Center for the Arts, The Tucson Museum of Art, Arizona State University Art Museum, and Northern Arizona University Art Museum. Photorealism is a genre of art that encompasses painting, drawing and other graphic media. An American art movement that began in the late 1960s and early 1970s. Photorealism evolved from Pop Art as a counter to Abstract Expressionism as well as Minimalist art movements. Though Photorealists share some aspects of American realists, such as Edward Hopper, they tried to set themselves as much apart from traditional realists as they did Abstract Expressionists. Photorealists were much more influenced by the work of Pop artists and were reacting against Abstract Expressionism. The word Photorealism was coined by Louis K. Meisel in 1969 and appeared in print for the first time in 1970 in a Whitney Museum catalogue for the show "Twenty-two Realists." It is also sometimes labeled as Super-Realism, New Realism, Sharp Focus Realism...