Looking Out Over the Vineyards, Early 20th Century Landscape Panorama

early 20th Century

Charming mid century landscape painting of German valley and hay stacks by Weber, c.1950s. Signed lower right "Weber". Presented in rustic paint/giltwood f...

Austria Landscape and wood Carved Frame Oil on Linen 1905 Historically significant wood work and wonderful landscape celebrating the Austrian landscape and forests in a hand carved ...

Abstracted landscape by Derrik Van Nimwegen (American, b. 1969). Moody and expressive, the "background" landscape captures the feel of winter with ...

Vibrant landscape of a calm river with colorful reflections winding through a lush valley of grasses and trees, with blue and purple mountains in the background, by an unknown artist...

Vintage (20th century) panoramic landscape painting of a manor house and surrounding gardens on wide, narrow rectangular canvas in a black-painted ...

Oil on canvas landscape by Paul Huet, end of the 19th century in a wooden frame and gilded stucco signature lower right, canvas to clean because the varnishes having turned yellow it...

Carlo Costantino Tagliabue (Bresso 1880 - Milan 1960) - The Gulf of Rapallo. 100 x 140 cm without frame, 129 x 169 cm with frame. Oil on canvas in carved wooden frame. - Work sign...

In artist's hand painted frame. signed and dated. Genre: Modern Subject: Landscape Medium: Oil Surface: Canvas Country: United States Dimensions w/Frame: 23" x 30.25" The imagery of Maurice Kish (1895-1987), whether factories or carousels, reliably subverts expectations. His vision hovers just around the unraveling edge of things, where what is solid and clear becomes ambiguous. He is fascinated, often delighted, by the falling apart. This unexpected, fresh perspective results in oddly affecting pictures of a now long-gone New York. Born Moishe in a town called Dvinsk, Russia (what is now Daugavpils, Latvia), Kish came with his family to New York when he was in his teens. The family settled in Brownsville, and for the rest of Kish’s life Brooklyn remained his home, though he moved from one neighborhood to another. He was close to his parents, who recognized his talent and supported his desire to become an artist. Kish attended the National Academy of Design as well as Cooper Union. His fellow students included many other immigrants and children of immigrants who were particularly receptive to the Modernism coming from Europe. As his career progressed, Kish himself applied different strains of Modernism to different purposes. For him, the story was held above all else. For years, Kish used the skills he acquired in art school to earn his living at a Manhattan glass...