Candice EisenfeldYellowstone with Lock and Key, Original Painting2019
2019
About the Item
Artist Comments
Candice was deeply inspired after a visit to Yellowstone National Park. The central landscape image was created using a photographic transfer method while the landscapes on either side were created with paint applications. "The abstracted compositional areas serve as windows or doors to memories, to secrets, to hidden worlds," Candice says.
About the Artist
Words that describe this painting: forest, pine trees, hudson river school, lock and key, landscape, birds, dreams, spiritual, stream, river, hiking, flight, adventure, surreal, landscape, surrealism, representational, vintage, acrylic painting, red
Yellowstone with Lock and Key
Candice Eisenfeld
Acrylic painting on wood
Natural wood edges
Ready to hang
One-of-a-kind
Signed on front and back
2019
12 in. h x 36 in. w x 3 in. d
7 lbs. 6 oz.
- Creator:
- Creation Year:2019
- Dimensions:Height: 12 in (30.48 cm)Width: 36 in (91.44 cm)Depth: 3 in (7.62 cm)
- Medium:
- Period:
- Condition:Yellowstone with Lock and Key. Candice Eisenfeld. Acrylic painting on wood. Natural wood edges. Ready to hang. One-of-a-kind. Signed on front and back.
- Gallery Location:San Francisco, CA
- Reference Number:Seller: 657641stDibs: LU92215152792
- ShippingRetrieving quote...Shipping from: San Francisco, CA
- Return Policy
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As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest...
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"Part of the meditation process is to allow your mind to clear, follow a journey, and allow thoughts to pass through," says artist Candice Eisenfeld. "The vertical, thin section in the middle is an abstracted version of the landscape, it is varnished while the other parts have no gloss. This process was done to illustrate how our perceptions of the world and experiences can change, and how we can recognize these lenses to achieve clarity. The left side depicts peaceful, floating, abstracted thoughts."
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As an American exploring issues of identity, artist Candice Eisenfeld paints through the lens of the first American art movement, the Hudson River School. Rather than depicting a specific locale, Candice’s artwork evokes a sense of place. These "inner landscapes" are invented, and often reference photographs taken during travels in southern Appalachia and the Blue Ridge and Smokey Mountains. Whether real or imagined, her paintings are influenced by the Dutch Masters, Tonalists, and Chinese painting. Produced on a single wooden panel, the ethereal landscapes are often joined with segments of aqueous color fields which act as commentary for the landscapes, like the chorus in a Greek play. The crisp, hard edges separating the landscapes from the color fields command a sense of order in an otherwise fluid and painterly surface. With two or three sections of the panel competing for attention, the painting creates multiple focal points. Candice's art has been displayed in embassies in Namibia and Belarus, held in the collections of Norwest Bank and Northwest...
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