Doris Lyons Hoover

Industrial Landscape with Row Houses in Oil on Linen

1960s

Factories - Industrial Landscape in Oil on Linen Bold industrial landscape by Doris Lyons Hoover (American, 1927-2014). A large red building sits at the left edge of the composition with a grey building across the composition to the right. Three smokestacks let of smoke or steam, surrounded by piping and tanks running throughout the scene. Signed "Lyons" in the lower right corner and on verso. Canvas size: 24"H x 30"W No frame. Doris Lyons Hoover (American, 1927-2014) was born in Fort Payne, Alabama, on Oct. 8, 1927, on her grandparents' farm. She was raised in Chattanooga, Tennessee, and attended college at the University of Chattanooga, (now UTC) where she received honors in ar. At U.C. she met her husband Jack Hoover, and the couple moved to Palo Alto in 1954. Doris Hoover became a nationally known fabric artist, teacher, lecturer and co-founder of the Peninsula Stitchery Guild, a leading organization in the Bay Area Crafts Movement of the 1970s. Her beautiful, often playful quilts, soft sculptures and creative stitchings grace homes...

Mid 20th Century evocative Post-War (WWII) cityscape in Russia with church ruins by A. Verbitski (translated),( Russian, 20th Century). Signed lower left corner; street name on verso...

Buffalo, NY Steel Mill American Scene Modernism WPA Era Industrial 20th Century Ruth A. Haven Gay (1911-1992) “Buffalo, NY Steel Mill”, c. 1935 23 x 28 inches Oil on canvas Signed G...

This painting is a 20th century realist landscape depiction of a shipyard by Robert Lavin. The piece is executed in oil on board and measures 10" x 24". Robert Lavin was born in New York City. His education included Townsend Harris, a prep school in New York followed by college at City College of New York. He also attended the National Academy of Art, where he studied as a painter. Studying the social realists of the 1930’s, Lavin, a former Marine pilot, portrayed steelworkers, roughnecks and trainmen. Lavin often painted his “proletarian ballets”- as one critic called them – to illustrate magazine advertisements. The Smithsonian Institution and other museums collected Lavin’s original paintings, which portrayed the laboring subjects with dignity and integrity. Lavin also illustrated stock certificates and books. Paper Money magazine praised him as “one of the greatest vignette artists of the 20th century.” In addition to this, Lavin was for a number of years an Associate Professor of Art at City College of New York, a position he left in the mid ‘60’s in order to devote himself full time to his painting. His commissions took him around the world, from the North Sea to the coast of Africa, from the slopes of Alaska to the Sea of Japan. As part of a series for Gulf Oil, he painted the royal family of England for the opening of a new refinery in Wales. Another portrait of one of the early Americanastronauts, appeared on the cover of Time Magazine. Other major commissions during these years included Readers Digest books...