Items Similar to The Steamboat - British Post Impressionist art oil painting female artist
Want more images or videos?
Request additional images or videos from the seller
1 of 17
Doris ZinkeisenThe Steamboat - British Post Impressionist art oil painting female artistCirca 1950
Circa 1950
About the Item
This superb British Post Impressionist oil painting is by noted female artist Doris Clare Zinkeisen. Painted circa 1950 the painting echoes the French Impressionists in their style and subject matter. Entitled The Steamboat, the composition is figurative landscape. The view is looking between trees to a steamboat on a river and the river landscape beyond. Several women in their long dresses and with parasols are on the river bank in front of the boat. The steamboat is already full of passengers, standing under its red and white awning. The strong light and post-Impressionist figures with their vibrant dress makes this a very charming painting by a talented female artist.
Signed lower right.
Provenance. The Fine Art Society, London Guy Reed, Copgrove Hall Guy Reed Will Trust Exhibited: London, The Fine Art Society, June 1952.
Condition. Oil on canvas, 23 inches by 18 inches and in good condition.
Frame. Housed in a light ornate frame, 30 inches by 25 inches, in good condition.
Doris Clare Zinkeisen (1898-1991) was a Scottish theatrical stage and costume designer, painter, commercial artist, and writer. She was best known for her work in theatrical design. Doris Zinkeisen was born in Clynder House in Rosneath, Argyll, Scotland. Her parents were Welsh-born Clare Bolton-Charles and Victor Zinkeisen, a timber merchant and amateur artist from Glasgow. Her father's family were originally from Bohemia and had been settled in Scotland for two hundred years. She had a younger sister, Anna Zinkeisen, who also became an artist. The family left Scotland and moved to Pinner, near Harrow in 1909. Zinkeisen attended the Harrow School of Art for four years and won a scholarship to the Royal Academy Schools in 1917 together with her sister Anna. During World War I Zinkeisen served as a Voluntary Aid Detachment at a hospital in Northwood, Middlesex.Zinkeisen shared a studio in London with her sister during the 1920s and 1930s from where she embarked on her career as a painter, commercial artist, and theatrical designer.Zinkeisen's realist style made her popular as a portraitist and she became a well-known society painter. The subject matter of her paintings, society portraiture, equestrian portraiture, and scenes from the parks of London and Paris reflect the lifestyle of the upper class at the time. An early success was her 1925 portrait of the actor Elsa Lanchester.She also worked widely in other media as an illustrator and commercial artist including producing advertising posters for several British mainline railway companies and murals for the RMS Queen Mary. A 1939 poster for the London Underground, At the Theatre, was printed but never issued due to the start of World War II. In 1944, Doris and her sister Anna were commissioned by United Steel Companies (USC) to produce twelve paintings that were reproduced in the trade and technical press in Britain, Canada, Australia and South Africa. The images were subsequently collated in a book, This Present Age, published in 1946. Zinkeisen produced a number of posters for London and North Eastern Railway (LNER), Southern Railway (SR), and the London, Midland and Scottish Railway (LMS) in the 1930s. The posters often featured historical themes such as Berwick-upon-Tweed by LNER (1930) which shows Isabella MacDuff, Countess of Buchan being punished by Edward I for crowning Robert the Bruce at Scone in 1306. In 1935, John Brown and Company Shipbuilders of Clydebank commissioned both of the Zinkeisen sisters to paint the murals in the Verandah Grill, a restaurant and night-club on the ocean liner the RMS Queen Mary. The murals, on the theme of entertainment, depicted circus and theatre scenes and can still be seen on the ship, now permanently moored in Long Beach, California. Zinkeisen was also involved in planning the interior decoration which featured a parquet dance floor surrounded by black Wilton carpets, star-studded red velvet curtains and a sweeping illuminated balustrade whose colours changed in time with the music. Writing in Vogue in 1936, Cecil Beaton described the Verandah Grill as By far the prettiest room on any ship – becomingly lit, gay in colour and obviously so successful that it would be crowded if twice its present size. The largest mural was damaged during World War II by gunnery officers tacking charts to the poster board covering the mural. After the war, Zinkeisen restored the mural and reportedly painted a mouse in the mural so there would always be a mouse on the Queen Mary, a dig at Cunard, which prided itself on having no rodents on their ships. Both sisters also contributed murals to the RMS Queen Elizabeth in 1940. Zinkeisen exhibited at the Royal Academy in 1929, at the Royal Society of Portrait Painters in London and in Paris and the United States. She received Bronze (1929), Silver (1930) and Gold (1934) Paris Salon medals for her work. By 1929 she had been elected a member of the Royal Institute of Oil Painters (ROI). Zinkeisen was a successful stage and costume designer for plays and films. Despite her success as a painter and commercial artist she was best known as a theatrical designer. During World War II, Zinkeisen joined the St John Ambulance Brigade and worked as a nurse in London helping wartime Blitz casualties having first trained as a Voluntary Aid Detachment (VAD) nurse during World War I. She worked in the casualty department in St Mary's Hospital, Paddington. Zinkeisen worked in the casualty department in the mornings and painted in the afternoons, recording the events of the day. Following the liberation of Europe in 1945, Zinkeisen was commissioned by the War Artists' Advisory Committee as a war artist for the North West Europe Commission of the Joint War Organisation of the British Red Cross Society and the Order of St John (JWO). As the organisation's staff and resources moved into newly liberated areas, Zinkeisen's role as a war artist was to record the commission's activities. Based in Brussels at the commission's headquarters she recorded the commission's post-war relief work in north west Europe including the rehabilitation and repatriation of prisoners of war and civilian internees. Zinkeisen traveled by lorry or by air (from a nearby RAF base) throughout north-west Europe making sketches which she brought back to her studio in the commission's headquarters for further work. Her work as a war artist included three days at the Bergen-Belsen concentration camp in April 1945, immediately after its liberation. Zinkeisen was one of a small number of artists who produced pictures of Bergen-Belsen in the months following its liberation. The other artists there included Leslie Cole, Mary Kessell, Sergeant Eric Taylor (one of the camp's liberators), Edgar Ainsworth, and Mervyn Peake. Her painting Human Laundry shows German orderlies washing camp inmates before they go to hospital. By the time Zinkeisen had become a war artist her palette had already darkened from the colours of her society paintings. Her war paintings use muted greys, browns, and ochres like contemporaries such as Eric Ravilious and Stanley Spencer Paintings from Zinkeisen's time as a war artist are held by the Red Cross museum and archives, the museum of the Order of St John and the Imperial War Museum. Her work was part of the painting event in the art competition at the 1948 Summer Olympics. After the war, Zinkeisen continued to work in London as a theatrical designer and held occasional exhibitions of her paintings. She designed the cover of a special edition of Everybody's Magazine to celebrate the coronation of Queen Elizabeth II in June 1953. In 1954, Zinkeisen designed the scenery and costumes for Noël Coward's musical, After the Ball, based on Oscar Wilde's play, Lady Windermere's Fan, and the Prince Littler directed play, The Little Glass Clock, written by Hugh Mills. Zinkeisen married Edward Grahame Johnstone, a naval officer in 1927 and had twin daughters in June 1928, the children's book illustrators Janet and Anne Grahame Johnstone and a son, Murray Johnstone. Zinkeisen was a fine horsewoman and won the Moscow Cup at the International Horse Show in 1934. Grahame Johnstone died in 1946 and Zinkeisen's twin girls then lived with their mother moving with her to Suffolk in 1966. Zinkeisen outlived her daughter Janet who died in an accident in 1979. Doris Zinkeisen died on 3 January 1991, in Badingham, Suffolk, aged 92.
Exhibited: Royal Academy 9, Royal Scottish Academy 7, Glasgow Institute 1, Society of Women Artists 3, Royal Hibernian Academy 1 and Paris Salon.
- Creator:Doris Zinkeisen (1898 - 1991)
- Creation Year:Circa 1950
- Dimensions:Height: 25 in (63.5 cm)Width: 30 in (76.2 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU853115671232
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
1stDibs seller since 2018
446 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: London, United Kingdom
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllFestivities Buckingham Palace - British 1950's figurative landscape oil painting
By Gerald Spencer Pryse
Located in London, GB
This superb British Post Impressionist figurative landscape oil painting is by war artist Gerald Spencer Pryse. Painted circa 1953 it depicts festivities outside Buckingham Palace, L...
Category
1950s Post-Impressionist Figurative Paintings
Materials
Oil
Town Landscape with Figures - British 1930's Post Impressionist oil painting art
Located in London, GB
This interesting British 1930's Post Impressionist town landscape oil painting is by noted Liverpool born artist Edwin Glasgow. Painted in 1936 and signed lower left, the painting wa...
Category
1930s Post-Impressionist Landscape Paintings
Materials
Oil
Travellers near Ruins in a Landscape - Dutch Old Master art figural oil painting
By Pieter Wouwerman
Located in London, GB
This lovely Dutch Old Master oil painting is attributed to artist Pieter Wouwerman. Painted circa 1660 it is figurative landscape with horseback travellers and their dogs in the foreground approaching ruins on their left. Beyond is a river snakes through the landscape, beneath the fading light of approaching dusk. There are some superb details making this an excellent Dutch Golden Age oil painting...
Category
Mid-17th Century Old Masters Landscape Paintings
Materials
Oil
Dancers in a Landscape - British 19thC art figurative landscape oil painting
Located in London, GB
This lovely painting is a British Old Master late 18th century or early 19th-century oil painting by Thomas Barker of Bath. It is stylistically very similar to his other works of the...
Category
Early 19th Century Old Masters Landscape Paintings
Materials
Oil
Glen Cloy Arran - Scottish Victorian art Landscape oil painting man and dog
By John Macwhirter
Located in London, GB
This superb Victorian Scottish landscape oil painting is by noted landscape artist John MacWhirter. Painted circa 1880 the location is Glen Cloy, Arran, a very popular walking and holidaying destination along with the Fairy Glen. The composition is a stream in the foreground with a man and his dog approaching. Either side of them are rolling hills giving way to cloud enveloped mountains in the background. The palette of greens and brown of the flora and fauna is so rich and varied. An excellent example of Scottish Victorian art and of MacWhirter's work.
Signed lower right.
Provenance. Sotheby's 26.8.86 lot 694.
Condition. Oil on canvas, 38 inches by 24 inches unframed, in good condition.
Frame. Housed in a gilt swept frame, 50 inches by 37 inches in good condition.
John MacWhirter RA (27 March 1839 in Slateford, Edinburgh - 28 January 1911 in London) was a Scottish landscape painter. John was the third of four children. One of his elder sisters, Agnes MacWhirter was also a noted artist of still lifes. He attended a school in Colinton, and after his father's death was apprenticed to Oliver & Boyd, booksellers in Edinburgh. He stayed there for only a few months and then in 1851 enrolled at the Trustees Academy under Robert Scott Lauder and John Ballantyne (1815–97). He spent long periods sketching and studying nature outdoors. His first painting to be exhibited at the Royal Scottish Academy at age 14, was 'Old Cottage at Braid'. In 1880, he was made an Honorary Member of the Royal Scottish Academy. Exploring and painting abroad he visited Italy, Sicily, Switzerland, Austria, Turkey, Norway and the U.S.A. - the Alps being a great inspiration. Of a drawing of wildflowers, Ruskin wrote i have never seen anything like it. Some of these sketches were later purchased by Ruskin and bequeathed to the Ashmolean, Oxford. He moved to London in 1867 and on 4 May 1893 was elected a Royal Academician. MacWhirter specialised in romantic landscapes with a great fondness for trees, spending much time in the hilly countryside of Perthshire. Initially, under the influence of John Everett Millais, he experimented with the detailed images of the Pre-Raphaelites, but later adopted a more sweeping style. His friendship with William McTaggart shows in his freedom of brush. With John Pettie...
Category
1880s Victorian Landscape Paintings
Materials
Oil
Rainy Landscape - Impressionist Victorian art oil painting famous weather artist
By (Circle of) David Cox
Located in London, GB
A fine large oil on canvas which is attributed to circle of David Cox. It is a super evocative landscape which depicts a couple seeking shelter and man by the fire in a bivouac on a blustery rainy day. The painting is full of vitality and impressionistic colour. It is a fine period British Victorian oil painting which dates to around 1850.
Richard Dorment described Cox "as the painter of sudden showers, blustery clouds, and late March winds blowing across the open countryside. The contemporary of Turner, Constable and Bonington, he ranks just below them in the hierarchy of English landscape painters...
Category
19th Century Impressionist Landscape Paintings
Materials
Oil
You May Also Like
Contemporary Art, Café Bonapart, Paris .
By Areg Elibekian
Located in La Canada Flintridge, CA
Areg Elibekian is known for his vibrant and unique style, often capturing scenes with vivid colors and expressive brushstrokes. Cafe Bonapart, Paris is a famous café known for its hi...
Category
2010s Post-Impressionist Landscape Paintings
Materials
Oil
Spain oil on canvas painting mediterranean town
By Gabriel Casarrubios
Located in Barcelona, Barcelona
Gabriel Casarrubios Martín (1953) - Mediterranean town - Oil on canvas
Oil size 46x38 cm.
Frameless.
Gabriel Casarrubios Martín (1953)
The Toledo artist trained in Fine Arts in Mad...
Category
21st Century and Contemporary Post-Impressionist Landscape Paintings
Materials
Canvas, Oil
$822 Sale Price
41% Off
Spanish fishermen on the beach Spain oil on canvas painting mediterranean sea
By Gabriel Casarrubios
Located in Barcelona, Barcelona
Gabriel Casarrubios Martín (1953) - Fishermen - Oil on canvas
Oil size 60x73 cm.
Frameless.
Gabriel Casarrubios Martín (1953)
The Toledo artist trained in Fine Arts in Madrid, at t...
Category
21st Century and Contemporary Post-Impressionist Landscape Paintings
Materials
Oil, Canvas
Spanish people on the beach Spain oil on board painting
By Gabriel Casarrubios
Located in Barcelona, Barcelona
Gabriel Casarrubios Martín (1953) - Beach´s day - Oil on panel
Oil size 19x33 cm.
Frameless.
Gabriel Casarrubios Martín (1953)
The Toledo artist trained in Fine Arts in Madrid, at ...
Category
21st Century and Contemporary Post-Impressionist Landscape Paintings
Materials
Oil, Board
$423 Sale Price
40% Off
Cadaques oil on board painting Spain spanish seascape
By Rafael Duran Benet
Located in Barcelona, Barcelona
Rafael Duran Benet (1931-2015) - Cadaques - Oil on board
Oil measurements 50x73 cm.
Frameless.
Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan painter, nephew of ...
Category
1990s Post-Impressionist Landscape Paintings
Materials
Oil, Board
$763 Sale Price
45% Off
Banyoles Spain oil on canvas painting landscape
By Jordi Freixas Cortes
Located in Barcelona, Barcelona
Jordi Freixas Cortés (1917-1984) - Banyoles - Oil on canvas
Oil measures 46x65 cm.
Frameless.
Jordi Freixas Cortés (1917-1984)
Jordi Freixas Cortés is a Catalan painter with a colo...
Category
1940s Post-Impressionist Landscape Paintings
Materials
Canvas, Oil
$588 Sale Price
50% Off