Douglas Arthur Teed

Tonalist Landscape with Sunset

1900

Antique European flower field oil painting. Oil on canvas. Signed. Framed. Image size, 24L x 18H.

Antique American modernist abstract oil painting. Oil on canvas. Framed. Image size, 30L x 24H.

Vintage American modernist abstract oil painting. Oil on canvas. Signed.

Antique American modernist signed abstract oil painting. Oil on board. Signed. Framed. Image size, 24L x 20H.

Paul Guiramand (French 1926-2007) Abstract painting of a house by a lake. Oil on Canvas. Expressive blues of the water and sky with greens reds, brow...

Oil paint on canvas Hand-signed by the artist on the back Louis-Paul Ordonneau is a French painter born in 1975. He lives and works in Paris. In 1999, he set up his studio in tempo...

- Colourful, decorative, impressionistic work capturing the refreshing quality and colour refraction of light rain - The composition is beautifully balanced the houses either side of the lane, with a strong foreground and light background recreating the visual depth of the landscape - The purple, blue, green, pink, and earth tones of the palette create liveliness and softness within the work and the light tones of the water on the lane have the strong reflective quality of a water - Injecting colour and atmosphere into the interior Basil Nubel ARCA, British 1923-1981 : Village in the Rain Signed & Dated 1969 lower right, reverse canvas inscribed 1.12.69 and varnished In the original wooden box frame The reverse bearing remains of Gallery Petit, Marble Arch, London W1 Basil Nubel was a landscape painter in oil and watercolour born in Great Yarmouth, Norfolk, to an English mother and German father. Nubel studied at Leeds College of Art under Alfred Daniels and Maurice de Sausmarez, then at the Royal College of Art under Carel Weight, Robert Buhler...

Following two decades of successful impressionistic landscape painting, Wilson Henry Irvine became known for a new experimental style in the 1930s. In 1930, Irvine began making prismatic paintings—landscapes and still-lifes rendered as though seen through a glass prism. The effect accentuated the play of light on the edges of objects. Irvine remained committed to this style of prismatic painting throughout the 1930s, winning the best-picture award in 1934 for a picture of a life-sized nude at the annual exhibition of the Lyme Art...