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Earl Bailly
"Blue Rocks, Nova Scotia"

1963

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“Crashing Surf, Capri”
By Guido Odierna
Located in Southampton, NY
Large, impressive seascape of rolling surf pounding the rocky shore of Capri. Signed lower left by the Italian artist Guido Odierna. Circa 1975. Conditi...
Category

1970s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

“A Summer’s Day”
By George Thompson Pritchard
Located in Southampton, NY
Original oil on canvas painting of a bucolic summer’s day. Beautifully executed with warm, rich tones and wonderful water reflections. The painting was painted circa 1935 by the well known artist, George Thompson Pritchard. Signed by the artist lower left. Condition is good; recently professionally cleaned. The painting is framed in its original gold leaf over carved wood period frame in very fine condition. Overall framed measurements are 34 by 39 inches. Provenance: Delray Beach Florida estate. Born in Havelock, New Zealand on April 11, 1878, George Thompson Pritchard studied in Auckland, New Zealand at the Academy of Art, at the Elam School of Art, and at the Melbourne Academy of Fine Arts in 1901. Upon arriving in San Francisco in 1906 in the aftermath of a devastating earthquake and fire, he produced many paintings during his three-year stay in the city. He then spent a few years in Milwaukee before journeying on to Paris for further art study at Académie Julian, and at the Vanderheldt Academy in Amsterdam from 1911 to 1914. During World War I, Pritchard lived in Canada, New York City, and Richmond, VA. In addition, he lectured and exhibited at colleges and universities throughout the Southern United States. In 1935, he settled in Southern California and had studios in Glendale and Santa Monica. He taught art at his studio and exhibited regularly with the Glendale and Santa Monica Art...
Category

1930s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

“Gloucester Docks”
By Caroline Bell
Located in Southampton, NY
Beautiful oil on fiberboard painting of fishing boats at the docks of Gloucester by the well known North Fork Long Island artist Caroline M. Bell. Circa 1945. Signed lower left by the artist. Condition is very good. Housed in its original silver leaf over wood frame in restored condition. Overall framed measurements are 20 by 18 inches. Provenance: Sarasota, Florida estate. Biography: Caroline M. Bell (1874 -1870) Caroline Bell was the leader of a group of artists known as the Peconic Bay...
Category

1940s Post-Impressionist Landscape Paintings

Materials

Oil, Fiberboard

“Figures on the Beach”
By Niek van der Plas
Located in Southampton, NY
Here for your consideration is a beautiful oil on wood panel painting of perfect summer beach day by the well known artist, Niek van der Plas. Signed lower right. Condition is exce...
Category

1980s Post-Impressionist Landscape Paintings

Materials

Oil, Wood Panel

"Approaching Storm"
Located in Southampton, NY
Very well executed oil on canvas painting of a approaching storm and the churning surf pounding against the seaside rocks. In the manner of Frederick...
Category

1970s Post-Impressionist Landscape Paintings

Materials

Oil, Canvas

"Approaching Storm"
$760 Sale Price
45% Off
“Mother and Child on a Country Path”
Located in Southampton, NY
Original oil on canvas painting of bucolic landscape with a mother and her child walking on a country path. Signed lower right by the artist “Bernard Viegers”. Great use of light an...
Category

1920s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

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View of Ostend. Oil sketch on cardboard. Signed and titled.
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The Terminillo
Located in Roma, RM
Giuseppe Calcagnadoro (Rieti 1883 - 1937), The Terminillo Oil painting on canvas 60 x 91 cm signed and dated Rieti 1936 lower left.
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Emile Chaumont (1877-1927) - Summer landscape in Dordogne
Located in BELEYMAS, FR
Emile CHAUMONT (Perigueux 1877 - 1927) Summer landscape in Périgord Oil on panel H. 32 cm; L. 41 cm Signed lower left, dated 1912 Provenance: Private c...
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Pluie a Venice (Venice in the Rain)
By André Hambourg
Located in Costa Mesa, CA
Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...
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