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Earl Bailly
"Blue Rocks, Nova Scotia"

1963

Price:$800
$1,400List Price

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“Trail Creek Headwater”
Located in Southampton, NY
Original oil on board painting of Trail Creek headwaters located in Sun Valley, Idaho. Signed lower left by the artist. Condition is very good. Circa 1975. Titled verso. Original...
Category

1970s Post-Impressionist Landscape Paintings

Materials

Board, Oil

"In the Catskills"
By Paul Wesley
Located in Southampton, NY
Oil on artist board painting by the American artist, Paul Wesley. Signed lower right. Titled and signed verso. Circa 1930. Condition: excellent. Provenance: A private estate, East ...
Category

1930s Post-Impressionist Landscape Paintings

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Oil, Board

“On the Riverfront”
By John Clymer
Located in Southampton, NY
Original oil on canvas landscape painting by the well known British artist, John Clymer. Signed lower right. Circa 1975. Condition is excellent. Painted in a Post impressionist st...
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1970s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

“Long River View”
By John Clymer
Located in Southampton, NY
Beautiful, original oil on canvas landscape painting by the well known British artist, John Clymer. Signed lower right. Circa 1975. Condition is excellent. Post Impressionist sty...
Category

1970s Post-Impressionist Landscape Paintings

Materials

Canvas, Oil

"Approaching Storm"
Located in Southampton, NY
Very well executed oil on canvas painting of a approaching storm and the churning surf pounding against the seaside rocks. In the manner of Frederick...
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1970s Post-Impressionist Landscape Paintings

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"Approaching Storm"
$760 Sale Price
45% Off
“Sunset Topeka, Kansas”
Located in Southampton, NY
Very well executed oil on masonite painting of a sunset in Topeka, Kansas by the American artist, Pauline Haynes Shirer. Signed lower right. Circa 1950. Condition is excellent. Recently professionally cleaned. Newly framed in a custom gallery frame. Overall framed measurements are 17.5 by 20.5 inches. Provenance: A Long Island, New York collector. Pauline Haynes Shirer (1894 - 1975), American Born in Topeka in 1894, Pauline is said to have been at least partially raised by her aunt, Hannah Haynes Headlee (Pauline’s mother died when she was 8 years old). By 16, she was living as a ward in the Topeka home of Elizabeth Cunningham, a dressmaker. After graduating from Topeka High School, she attended the New York School of Fine and Applied Art (later Parsons School of Design), completing a two-year course in one year (1913-1914). At the same time, she took weekend classes at the Art Students League. Returning to Topeka, she studied and taught at Washburn College (now University) from 1914 to 1915 and instructed summer sessions at Kansas State Teachers College, Pittsburgh, during the same period. Afterward, she returned to the New York School of Fine and Applied Art, where she taught and took classes (1915-1918). She spent the summer of 1916 as an instructor at the Skidmore School of Art, Saratoga Springs, New York. In 1917, Pauline married Hampton F. Shirer, an architect from MIT, who was also an artist and came from a prominent Topeka family. The couple later settled in Wellesley, Massachusetts in 1921, living in a house which they built and decorated themselves. During the next 16 years, they raised two children and Pauline also found time to illustrate promotional brochures and primary school texts. During the early years of her career, Pauline focused on the applied arts – such as watercolor designs for curtains, silk fabrics, wallpaper as well as poster designs, theater backdrops and book covers. Later she would transition into creating her own representational works of art. Shirer returned to Topeka in 1937. During her career as a painter in oils and watercolors, she sketched in Europe four times and did paintings of New England subjects. However, most of her paintings were of the West. She executed Kansas views first, and they continued to hold her interest throughout her life. Typical were her studies of rustic buildings on the plains, glimpses of the prairie country, and the historic buildings of Topeka. She also painted New Mexico landscapes and Colorado mountain scenes. Among her exhibitions, mostly solo but occasionally with her husband, were those held at the Harlow and Harland’s Gallery, Boston (1922); The Scattery, Wellesley, MA (1925); Vose Galleries, Boston (1931); Topeka Art Guild (1952); Copley Society...
Category

1950s Post-Impressionist Landscape Paintings

Materials

Masonite, Oil

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EMILIO GRAU SALA Spanish, 1911 - 1975 PLAGE DE TROUVILLE signed Grau Sala (lower left) signed again, located & dated "Grau Sala, Trouville, 1953" on the reverse oil on canvas 15 X 24 inches (38 X 61 cm.) framed: 24-1/2 X 33-3/4 inches (62.5 X 85.5 cm.) PROVENANCE Private French Collection Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in the Parés Hall. His first works were exhibited at the Salon des Independents, in the years 1930-33. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Grau Sala lived and absorbed all the avant-garde movements that broke through in Paris, but never adhered to any. Creating your personal style. His pictorial lyricism and naturalism superimposed the evotative and sensitive quality of the image to any other concern. In 1953 Grau Sala spends his first summer in Honfleur becoming one of the most active Honflerian painters. Honfleur forms a coast triangle next to Deauville and Trouville, and in that August of 53, Grau Sala pinto is an elegant beach, which at that time met French and European high society. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar...
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